Judgment Day
Warner Bros. is holding its breath as it prepares to unveil “Justice League,” which poses a critical test for the future of the DC franchise.
Warner Bros. is holding its breath as it prepares to unveil “Justice League,” which poses a critical test for the future of the DC franchise.
This is the anti-“Batman v Superman”: a superhero epic that’s more light than dark, and the essence of generic competence.
Stephen Chbosky’s drama of a middle-school kid with a facial deformity proves that a movie that sounds mawkish can earn honest tears.
Two 1940s Mississippi families attempt to rise above, while harsh land and tough obstacles hold them back in this epic adaptation.
Director Sebastián Lelio and star Daniela Vega give the growing bracket of transgender drama a new, luminous touchstone work.
Jon Bernthal is perfectly cast in the comic-book character The Punisher’s surprisingly great standalone series.
An ambitious premise for the second installment of the Starz anthology series ends up producing lukewarm results.
In this new USA drama, two brothers find themselves on opposite sides of the labor movement in Depression-era Iowa.
Netflix’s “Alias Grace” is a faithful adaptation of Margaret Atwood’s novel that brings to life the protagonist’s rich complexity.
Bryan Cranston glides through it all effortlessly, whether staring down the lens of a studio camera or leaping into the stalls.
Seamless transfer of this heart-warming musical brings Tony Shalhoub and Katrina Lenk together in a drowsy Israeli village.
The ’80s are back with a vengeance in Pulitzer-winning playwright Ayad Akhtar’s memento of that heady era on Wall Street.
Clive Owen stars in Julie Taymor’s gorgeous if oddly unmoving revival of David Henry Hwang’s 1988 drama.
Katy Perry’s eye-popping “Witness” tour just might be the biggest wink to ever hit an arena stage.
Taylor Swift’s sixth studio album “Reputation” is light on breakup songs, but big on love songs (and Kim and Kanye references).
Sam Smith may have won enough Grammys for one lifetime with his first album, but his followup, “The Thrill of It All,” is even better.
Kelly Clarkson wants to pay homage to Aretha Franklin, but the production is still too contemporary for its own good.
