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Angel's Egg

From Wikipedia, the free encyclopedia
This article is about the 1985 original video animation. For other uses, see Angel's Egg (disambiguation).

Angel's Egg
DVD cover art
天使てんしのたまご
(Tenshi no Tamago)
GenreScience fantasy[1]
Created by
Original video animation
Directed byMamoru Oshii
Produced by
  • Hiroshi Hasegawa
  • Masao Kobayashi
  • Kōki Miura
  • Yutaka Wada
Written byMamoru Oshii
Music byYoshihiro Kanno
StudioStudio Deen
Licensed by
Released15 December 1985
Runtime71 minutes

Angel's Egg (Japanese: 天使てんしのたまご, Hepburn: Tenshi no Tamago) is a Japanese art film original video animation (OVA) written and directed by Mamoru Oshii.[2] Released by Tokuma Shoten on 15 December 1985,[3] the film was a collaboration between artist Yoshitaka Amano and Oshii. The film stars two nameless characters, a young girl who protects an egg, who bonds with a boy who has a dream about a bird.[4] It was the first original project by Oshii and carries themes found in his other works.[5]

It features very little spoken dialogue and a story that is strongly allegorical which has led to many viewers being confused about the film's supposed meaning.[2] The film uses Biblical allusions and has been described as a cult classic.[6]

Plot

[edit]

The setting of the film takes place in a primordial land, filled with ruins of buildings and stars two nameless characters.[6] One of these is a young girl who scavenges a desolate city while protecting a large egg, which she believes will hatch into an angel.[5] The other is a boy with a large gun who disembarks from a tank.[5]

The girl encounters the boy who questions her about what the egg contains and suggests breaking it, leading to their brief bonding.[4] He wishes to break it to see what's inside.[7] The boy recounts a story that sounds like an alternate version of Noah's Ark in which the bird never returned and never existed and the ship kept sailing.[citation needed] The girl tells the boy that the bird did exist, and brings him to a fossil of an angel.

Later, the boy smashes the girl's egg while she sleeps.[4] This prompts her to look for him and ultimately fall into a body of water, where a large number of eggs appear. After this, the world shown in the film is revealed to have been on top of a shape that looks like the hull of an overturned ship.

Voice actors

[edit]

Production

[edit]

"I really liked the Bible when I was a little boy. And when I was a student, at one point I was planning to enter a seminary, but I didn't. Even now, though, I read the Bible sometimes" – Mamoro Oshii in 1996[2]

Angel's Egg repurposes ideas that Oshii developed for a cancelled Lupin the Third film. Both concepts feature the theme of questioning existence (Lupin's existence in the cancelled film, and the bird from Noah's ark in Angel's Egg), and involve the fossil of an angel[8] Oshii himself said that Angel's Egg was another attempt at the idea[9] and anime critic Ryota Fujitsu [ja] has said that Angel's Egg (and the first Patlabor movie) would not have existed if Oshii had gotten to make the Lupin film.[10] Oshii has also stated that the entire angel fossil concept used in Angel's Egg was directly taken from Lupin,[11] and compares the relationship between the boy and girl to that in The Glass Menagerie by Tennessee Williams.[12]

Many of the themes and elements in Angel's Egg were originally from Oshii's cancelled Lupin the 3rd film.[13] However, only the angel fossil remains unchanged from its planned appearance.[14]

The film is a collaboration between Amano and Oshii.[6] Oshii originally intended on making a comedy film, with film starting with the girl with the egg first getting off a flying ark in front of a Japanese convenience store, but changed his mind and decided to make it a pure fantasy film after seeing Amano's art.[15][16] Oshii said that he wanted to remove a narrative as much as possible, and keep the film simple, using animation as an expression to draw out a story,[17] and fill it with symbolic expressions and metaphors "like Jung's archetypes and collective unconscious".[18]

Angel's Egg touches on themes that are common in Oshii's films, including references to the Christian Bible, the symbolism of dreams, as well as the intersection of dreams and reality. Some of these themes appear in his other works, such as 1984's Beautiful Dreamer.[2] The New York Japan Society says the film is "An allegorical fantasy enriched by symbolism and biblical allusion."[6]

Although some publications have indicated that the film is built on director Oshii's supposed loss of faith in Christianity,[19] Oshii himself has stated otherwise in saying that he was not a Christian, but that he thought quotes from the Bible were cool and had a friend who was Christian.[20] The misconception that Oshii was a man of faith has its origins in an interview that was likely mistranslated, in which Oshii is reported to say, "I planned to enter a seminary at one point, but didn't." Which is then followed up by the interviewer asking, "Are you a Christian, or do you just like the Bible for its philosophy?" To which Oshii replies, "For its philosophy." In the same Animerica interview Oshii also said, "I'm not a Christian, but I've been reading the Bible since my student days".[2]

In a 1996 interview with the magazine Animerica, Oshii stated that he made the film because it had elements that intrigued him, such as "Ruins; I like ruins; I like museums; I like fish; I like birds; I like water... and I like girls." He also stated that ruins appear to him in his dreams.[2]

Oshii said in a 1985 interview with Animage that the contents of the egg are supposed to represent dreams and hopes, something that may or may not exist, and that while the girl believed in what was in it, by breaking the egg, the boy showed that what she believed in did not exist.[21] Regarding the bird the boy talks about, though the girl shows the boy an angel fossil in order to convince him that the bird does exist, Oshii has stated that the angel is not the bird.[22] Oshii also said that the ending was one with salvation for the girl, but he did not want it to be shown in a straightforward way, and made it hard to understand.[23]

The angel fossil was later reused alongside other elements from Oshii's cancelled Lupin film in 009 RE:CYBORG, which Oshii was initially supposed to direct and participated in the script for, and was eventually directed by Kenji Kamiyama, a student of Oshii.[24] Kamiyama describes this version of the angel fossil as indication of a god, but not of any particular religion.[25] The angel fossil was also used in the tenth episode of Lupin the 3rd Part 6 which Oshii wrote the script for[26] "Darwin's Bird"[27][28][29] In this episode Fujiko Mine is hired by the archangel Michael to steal the angel fossil, which is actually that of the fallen angel Lucifer, on behalf of his master.[30]

Nezu worked with Oshii once again in Patlabor 2: The Movie[31] and Mako Hyōdō played a supporting role in The Sky Crawlers.[32]

Style

[edit]

The film has elements that are not typical for anime film productions of that era. It uses a limited color palette making it almost monochrome.[5] The film has very little dialogue.[2] The film is unusual because it contains only 400 cuts when the typical animation has three times that amount.[5]

Production and release

[edit]

The documentation for the project was written in one night by Toshio Suzuki (producer) but Oshii was displeased with it and did not use it. However, the title of the film, Angel's Egg (天使てんしのたまご, Tenshi no Tamago), was from Suzuki, where Oshii's original title was Aquatic City (水棲すいせい都市とし, Suisei Toshi).[33][34]

Oshii began writing the script with the main theme of a dream seen by a girl, continuing from Urusei Yatsura 2: Beautiful Dreamer, but thinking that a script alone would not be enough to get the project approved, invited Amano to make image boards for the proposal. He also showed the image boards to the animators to get ideas from them.[35] There was no definitive script, but rather a collection of ideas noted down like "annunciation" "ark" "setting sun" "a boy holding a cross riding a tank" which were immediately turned into storyboards, and then fitted together, which Oshii says had the intention of making a film without clear drama, made out of visual expressions, like one by Andrei Tarkovsky.[36]

Amano had initially been slated to work on Oshii's cancelled Lupin film, which anime critic Ryota Fujitsu says makes it obvious that Angel's Egg was inherited from Lupin.[37] While Amano was originally invited to work on character designs, Oshii liked his art enough that he ended up in the role of art direction, also designing image boards, and other things such as posters.[38]

Release

[edit]

Angel's Egg was released in the direct-to-video format on 15 December 1985 by Tokuma Shoten.[39] It was additionally given a limited theatrical release that same year.[5] Although Angel's Egg was highly acclaimed by critics and people in the animation industry in Japan on release, it also resulted in Oshii being labeled as a director who made films hard to understand, which resulted in him being hired far less frequently for years up until he got involved with Patlabor.[40][41] Speaking at an animation film festival in 1997 through a translator, Oshii explained the film did not do well financially upon release and was an obstacle to him getting work again for years.[42]

The 71-minute OVA would later be used as the skeleton for the 1987 live-action independent film In the Aftermath directed by Carl Colpaert. Colpaert's movie occasionally intercuts with footage from Oshii's Angel's Egg with dubbed over dialogue, which does not appear in Oshii's film.

The film was released on Blu-ray disc in 2013 in Japan.[43] Angel's Egg was screened at Japan Society on 14 October 2022 and later on 10 September 2023 with Amano in attendance.[44][45] On 29 May 2024, GKIDS announced that they had acquired the North American distribution rights to the film, with the licensor planning to give the film a 4K restoration which will be supervised by Oshii as well as screening the film nationwide in theaters.[46]

Reception

[edit]

Animators

[edit]

Yoshikazu Yasuhiko said that the reason the film feels like something new is because it is not merely a montage of disjointed scenes, but a complete world depicted within 80 minutes. He also compares the art in the film to the modernism in Belladonna of Sadness, being beautiful but also dangerous.[47]

Haruhiko Mikimoto expressed appreciation for the art direction, particularly having characters with color in front of monotone backgrounds, the use of silhouettes in the backgrounds, and the use of barely visible objects in the dark in backgrounds. He also said that Angel's Egg brought out the best merit of an OVA, which is letting the creator make what they want to make, and that he felt the quality of the film meant it would not be out of place in a movie theater.[48]

Shoji Kokami had high praise for the film, saying that it is a "two-dimensional poem of images given form" that "should be valued as a pinnacle of the media of animation."[49]

Anime critic and producer Noriaki Ikeda [ja] also had high praise for the film, saying the apocalyptic setting, religious aspects, and lack of life in it both appeals to and bewilders fans of science fiction. He also contrasted the film with Urusei Yatsura 2: Beautiful Dreamer and Dallos, saying that while they were about giving meaning to a fictional world, it makes an abnormal world to give the characters meaning.[50]

Hayao Miyazaki was more critical of the film, and recounts that Toru Horikoshi, who was a producer for Nippon TV at the time, fell asleep watching the film, and that while Michihiko Suwa of Yomiuri TV approved it for a TV broadcast, he said that he did not understand the film.[51] Miyazaki himself said regarding the film that he "appreciates the effort, but it is not something others would understand"[52] and of Oshii "he goes on a one-way journey without thinking of how to get back".[53]

Oshii recounts that his mother said upon watching the film that nobody would watch his films anymore.[54]

Critics

[edit]

The film has gained more critical acclaim from critics and industry professionals in later years, with people such as Shoji Kawamori,[55] Ryu Mitsuse,[56] Hideo Osabe,[57] Takashi Murakami,[58] and director Akiyoshi Imazeki [ja][59] heaping praise on it.

Western critics found the film confusing, citing its allegory, symbolism, and ending, as the reasons.[60][2] Brian Ruh stated that it was "one of the most beautiful and lyric films in the animated medium."[61] Some western critics say that the film is difficult to understand, with visuals and narrative that is both cryptic, convoluted, and allegorical.[62][60] Jason Thompson writing in Viz Media's online magazine J-pop compared the film's style to Night on the Galactic Railroad while noting that the meaning of the film may be elusive, stating "Angel's Egg stands as an evocation of a mood and world which is powerful in spite of -- perhaps because of -- not being consciously understood."[60] Kara Dennison of Otaku USA said "Mamoru Oshii's 1985 collaboration with Yoshitaka Amano is one of the most beautiful anime committed to film."[7]

Anime News Network writer Lynzee Loveridge compared the film's tone and style to Eiichi Yamamoto's Belladonna of Sadness and René Laloux's film Fantastic Planet and said "There is little else like in the animation medium and fans of thoughtful, experimental works can only hope that more legitimate exposure may lead to broader availability."[63]

Helen McCarthy called it "an early masterpiece of symbolic film-making", stating that "its surreal beauty and slow pace created a Zen-like atmosphere, unlike any other anime".[64] In his book Horror and Science Fiction Film IV, Donald C Willis described the film as "a haunting, poetic melancholic science-fantasy film, and–for non-Japanese-speaking viewers at least–a very cryptic one."[1] Willis also included the film in his list of most memorable films from 1987 to 1997.[65] In an article in Senses of Cinema on Oshii, Richard Suchenski stated that the film was Oshii's "purest distillation of both Oshii's visual mythology and his formal style". The review noted that "Patlabor 2 is more sophisticated, Ghost in the Shell is more important, and Avalon is more mythically complex but the low-tech, hand-drawn Angel's Egg remains Oshii's most personal film."[19]

See also

[edit]

Footnotes

[edit]
  1. ^ a b Willis 1997, p. 20.
  2. ^ a b c d e f g h Horn, Carl Gustav (February 1996). "A Director's Dreamscape – The Animerica Interview with Mamorou Oshii". Animerica. 4 (2). Viz Media: 4–5, 18–21.
  3. ^ "天使てんしのたまご" [Angel's Egg] (in Japanese). Stingray – AllCinema Movie and DVD Database. Archived from the original on 21 September 2004. Retrieved 17 May 2016.
  4. ^ a b c "Angel's Egg 4K Remaster Heads to North American Theaters". Otaku USA. Archived from the original on 31 May 2024. Retrieved 9 June 2024.
  5. ^ a b c d e f りつこ (9 May 2024). "カルト的てき人気にんきアニメ『天使てんしのたまご』4Kリマスター版ばんが制作せいさく決定けってい。『GHOST IN THE SHELL/攻殻機動隊こうかくきどうたい』押井おしい守まもる氏しと『ファイナルファンタジー』天野あまの喜孝よしたか氏しによる作品さくひん". 電でんファミニコゲーマー – ゲームの面白おもしろい記事きじ読よんでみない？ (in Japanese). Archived from the original on 9 May 2024. Retrieved 9 June 2024.
  6. ^ a b c d "Yoshitaka Amano to Attend Rare Angel's Egg Screening in New York". Otaku USA. Archived from the original on 2 December 2023. Retrieved 9 June 2024.
  7. ^ a b "Three Anime Movies That Are as Beautiful as They Are Mindbending". Otaku USA. Archived from the original on 9 June 2024. Retrieved 9 June 2024.
  8. ^ 「インタビュー押井おしい守まもる 幻まぼろしの押井おしいルパンは『虚構きょこうを盗ぬすむ』はずだった」『THEルパン三さん世せいFILES ルパン三さん世せい全ぜん記録きろく 〜増補ぞうほ改訂かいてい版ばん〜』キネマ旬報社きねまじゅんぽうしゃ、1998年ねん、p.36
  9. ^ 『『スカイ・クロラ』公開こうかい記念きねん押井おしいマニア、知しったかぶり講座こうざ！ 』Webアニメスタイル/藤津ふじつ亮太りょうた、2008年ねん 「その後ごで作つくった『天使てんしのたまご』（85）に、そういうものが全部ぜんぶ流ながれ込こんじゃったということはありますね。“天使てんしの化石かせき”を持もち込こんで、成立せいりつしなかった僕ぼくのルパンの復讐ふくしゅう戦せんだったんです」　http://www.style.fm/as/13_special/oshii008.shtml Archived 17 May 2024 at the Wayback Machine
  10. ^ 『『スカイ・クロラ』公開こうかい記念きねん押井おしいマニア、知しったかぶり講座こうざ！ 』Webアニメスタイル/藤津ふじつ亮太りょうた、2008年ねん 「押井おしいのフィルモグラフィーを振ふり返かえってみると、もし押井おしいルパンが成立せいりつしていたら、少すくなくとも『天使てんしのたまご』と『機動きどう警察けいさつパトレイバー［劇場げきじょう版ばん］』は存在そんざいしなかったといえる。」　http://www.style.fm/as/13_special/oshii008.shtml Archived 17 May 2024 at the Wayback Machine
  11. ^ 『アニメージュ1985年ねん12月がつ号ごう付録ふろく「天使てんしのたまご GUIDE BOOK」徳間書店とくましょてん、1985年ねん　「設定せっていを流用りゅうようしたのは“天使てんしの化石かせき”だけなんです。」
  12. ^ 『アニメージュ1985年ねん12月がつ号ごう付録ふろく「天使てんしのたまご GUIDE BOOK」徳間書店とくましょてん、1985年ねん　「こういう人間にんげん関係かんけいは、テネシー・ウィリアムズの「ガラスの動物どうぶつ園えん」に出でてくるんです。ずっとなにかを待まちつづける女おんなの子こがいて、そこにある男おとこがやってきて、それで去さっていく。他者たしゃに出会であって、世界せかいが新あたらしくなる、という話はなし」
  13. ^ 『『スカイ・クロラ』公開こうかい記念きねん押井おしいマニア、知しったかぶり講座こうざ！ 』Webアニメスタイル/藤津ふじつ亮太りょうた、2008年ねん 「その後ごで作つくった『天使てんしのたまご』（85）に、そういうものが全部ぜんぶ流ながれ込こんじゃったということはありますね。“天使てんしの化石かせき”を持もち込こんで、成立せいりつしなかった僕ぼくのルパンの復讐ふくしゅう戦せんだったんです」　http://www.style.fm/as/13_special/oshii008.shtml Archived 17 May 2024 at the Wayback Machine
  14. ^ 『アニメージュ1985年ねん12月がつ号ごう付録ふろく「天使てんしのたまご GUIDE BOOK」徳間書店とくましょてん、1985年ねん　「設定せっていを流用りゅうようしたのは“天使てんしの化石かせき”だけなんです。」
  15. ^ 天野あまの由ゆかり衣子きぬこ、ヴァーンフリート（奥津おくつ英敏ひでとし、平野ひらの奈津美なつみ、山本やまもと友美ゆみ） 編へん「押井おしい守まもるクロニクル 天使てんしのたまご」『押井おしい守まもるワークス+スカイ・クロラ』宝島社たからじましゃ、79頁ぺーじ。ISBN 978-4-7966-6393-9
  16. ^ アアニメージュ編集へんしゅう部ぶ「付録ふろく『天使てんしのたまご GUIDE BOOK』」『アニメージュ』1985年ねん12月がつ号ごう、徳間書店とくましょてん、1985年ねん12月, pg 38.
  17. ^ 押井おしい守まもる『すべての映画えいがはアニメになる』徳間書店とくましょてん、2004年ねん。ISBN 978-4198618285 pg 103-104 「物語ものがたり性せいは極力きょくりょく排除はいじょして、シンプルにする。アニメーションの面白おもしろくて、豊ゆたかな表現ひょうげん力りょくを積つみ重かさねて、その上うえで物語ものがたり性せいを出だす様ようにする」
  18. ^ 大だい日本にっぽん絵画かいが刊かん「押井おしい守まもる・映像えいぞう機械きかい論ろん[メカフィリア]」押井おしい守まもる/竹内たけうち敦志あつし pg 74-75 「カール・グスタフ・ユングの分析ぶんせき心理しんり学がくの『元もと型かた』『集合しゅうごう的てき無意識むいしき』の要領ようりょうであらゆるモチーフを象徴しょうちょう的てき表現ひょうげん・暗喩あんゆで埋うめ尽つくす」
  19. ^ a b Suchenski, Richard (July 2004). "Mamoru Oshii". Senses of Cinema. No. 32. Archived from the original on 13 March 2018. Retrieved 15 May 2016.
  20. ^ 押井おしい守まもるの映画えいが50年ねん50本ほん [Mamoru Oshii's 50 Films, 50 Years] (in Japanese). Ritsutosha (立たて東ひがし會かい). 12 August 2020. ISBN 978-4845634446.
  21. ^ 『アニメージュ1985年ねん12月がつ号ごう付録ふろく「天使てんしのたまご GUIDE BOOK」徳間書店とくましょてん、1985年ねん　「少女しょうじょはたまごの中身なかみを信しんじているわけだけど、その中身なかみは、いまここにはないものである。つまり、“たまごは割わってみなければ、なかになにが入はいっているかわからない”。それで、少年しょうねんがたまごを割わったときに、なかにはなにもなかった。少女しょうじょは“ないもの”を信しんじて生いきていたわけです。たまごは、ことばを変かえていえば、夢ゆめとか希望きぼうだと思おもう。それは、いまここにはないもので、可能かのう性せいとして存在そんざいしているだけである。しかし、夢ゆめとか希望きぼうを信しんじているうちは、人ひとは、ほんとの現実げんじつには出であっていないのだ、と思おもう。」
  22. ^ 『アニメージュ1985年ねん12月がつ号ごう付録ふろく「天使てんしのたまご GUIDE BOOK」徳間書店とくましょてん、1985年ねん　「もう鳥とりはいないんだ、天使てんしの化石かせきは鳥とりではなかった。」
  23. ^ 『アニメージュ1985年ねん12月がつ号ごう付録ふろく「天使てんしのたまご GUIDE BOOK」徳間書店とくましょてん、1985年ねん　「ラストでは、少女しょうじょのほうには救すくいを託たくしたつもりなんです。でも、いかにも予定よてい調和ちょうわに出でてくるんじゃなくて、ある種しゅのわかりにくさを持もたせてますけど。」
  24. ^ "ロングインタビュー：映画えいが『009 RE:CYBORG』監督かんとく、神山かみやま健治けんじ［1/4］ | Featured News | Tokyo Otaku Mode (TOM) Shop: Figures & Merch from Japan". 19 May 2013. Archived from the original on 18 May 2024. Retrieved 18 May 2024.
  25. ^ "ロングインタビュー：映画えいが『009 RE:CYBORG』監督かんとく、神山かみやま健治けんじ［4/4］ | Featured News | Tokyo Otaku Mode (TOM) Shop: Figures & Merch from Japan". 19 May 2013. Archived from the original on 18 May 2024. Retrieved 18 May 2024.
  26. ^ "今いまから追おいつける！「ルパン三さん世せい Part6」押井おしい守まもる・湊みなとかなえら脚本きゃくほん陣じんが贈おくる、異色いしょくのルパンミステリーを徹底てってい解説かいせつ - コミックナタリー 特集とくしゅう・インタビュー". Archived from the original on 17 May 2024. Retrieved 18 May 2024.
  27. ^ "押井おしい守まもるが脚本きゃくほん手てがけた「ルパン三さん世せい Part6」第だい10話わの場面ばめんカット解禁かいきん". Archived from the original on 17 May 2024. Retrieved 18 May 2024.
  28. ^ "ルパン三さん世せいPart6 押井おしい守まもる 脚本きゃくほん作さく「ダーウィンの鳥とり」". 27 November 2022. Archived from the original on 17 May 2024. Retrieved 18 May 2024.
  29. ^ "押井おしい守まもるファンなら、「ルパン三さん世せい」Part6第だい10話わは必見ひっけんである｜yoh". 24 January 2024. Archived from the original on 3 June 2024. Retrieved 18 May 2024.
  30. ^ ルパン三さん世せい part6 第だい10話わ『ダーウィンの鳥とり』 「あしたの子こ明星みょうじょうよ。いかにして天てんより隕ちしや」「私わたしの主人しゅじんが望のぞんだのは、彼かれの不興ふきょうを買かって天界てんかいから墜おちた者ものの回収かいしゅうだ」
  31. ^ "機動きどう警察けいさつパトレイバー２ the Movie" [Mobile Police Patlabor 2: The Movie] (in Japanese). Stingray – AllCinema Movie and DVD Database. Archived from the original on 10 March 2007. Retrieved 17 May 2016.
  32. ^ "スカイ・クロラ The Sky Crawlers" (in Japanese). Stingray – AllCinema Movie and DVD Database. Archived from the original on 2 June 2019. Retrieved 17 May 2016.
  33. ^ 押井おしい守まもる『勝かつために戦たたかえ！〈監督かんとくゼッキョー篇へん〉』徳間書店とくましょてん、2010年ねん。ISBN 978-4198630072 pg 341
  34. ^ 大だい日本にっぽん絵画かいが刊かん「押井おしい守まもる・映像えいぞう機械きかい論ろん[メカフィリア]」押井おしい守まもる/竹内たけうち敦志あつし pg 74-75
  35. ^ アニメック編集へんしゅう部ぶ「「新春しんしゅん対談たいだん 押井おしい守まもる VS 天野あまの喜孝よしたか 『天てんたまについて』」、「解説かいせつ 天使てんしのたまご －押井おしい守まもる監督かんとくに聞きく－」」『アニメック』1986年ねん3月がつ号ごう、ラポート、 March 1986
  36. ^ ビー・エヌ・エヌ刊かん「アニメーションの脚本きゃくほん術じゅつ」野崎のさき透とおる著ちょ pg 96
  37. ^ まず代表だいひょう的てきなものは、『天使てんしのたまご』。アートディレクションとして天野あまの嘉孝よしたか（現げん・喜孝よしたか）が引ひき続つづき参加さんかしていることからも、ルパンからの継続けいぞくは明確めいかくだ。 http://www.style.fm/as/13_special/oshii008.shtml Archived 17 May 2024 at the Wayback Machine
  38. ^ 徳間書店とくましょてん刊かん「アニメージュ」1985年ねん7月がつ号ごう「押井おしい守まもる監督かんとく作品さくひん 天使てんしのたまご その不可思議ふかしぎな物語ものがたり世界せかいへの誘さそい 作品さくひん世界せかいとキャラクター」 pg 27-30
  39. ^ Haraguchi, Masahiro, ed. (10 March 1999). ビデオ編へん た [Video Releases: Ta]. Animage Pocket Data Notes 1999 (in Japanese). Tokuma Shoten. p. 130.
  40. ^ 宮崎駿みやざきはやお「絵えコンテを読よんで 通俗つうぞく文化ぶんかの宿命しゅくめい」『天使てんしのたまご絵えコンテ集しゅう』徳間書店とくましょてん、1985
  41. ^ 『『スカイ・クロラ』公開こうかい記念きねん押井おしいマニア、知しったかぶり講座こうざ！ 』Webアニメスタイル/藤津ふじつ亮太りょうた、2008 「押井おしいルパンのような挑発ちょうはつ的てきな映画えいがを作つくってしまったとしたら、やはり『天使てんしのたまご』の時ときのように、仕事しごとが激減げきげんしたことだけは間違まちがいないことのように思おもう。」　http://www.style.fm/as/13_special/oshii008.shtml Archived 17 May 2024 at the Wayback Machine
  42. ^ Ranney, Doug (September 1997). "The Masters Of Animation: An Unprecedented Opportunity" (PDF). Animation World Magazine. Animation World Network. pp. 65–67. Archived (PDF) from the original on 20 January 2024. Retrieved 3 June 2024.
  43. ^ 株式会社かぶしきがいしゃインプレス (30 July 2013). "【「Blu-ray発売はつばい日び一覧いちらん」の更新こうしん情報じょうほう】「Blu-ray/DVD発売はつばい日び一覧いちらん」7月がつ29日にちの更新こうしん情報じょうほう". AV Watch (in Japanese). Archived from the original on 1 December 2021. Retrieved 9 June 2024.
  44. ^ "Japan Society Announces Fall Monthly Anime Lineup, Including Oshii's Angel's Egg" (Press release). Japan Society. 25 August 2022. Archived from the original on 31 August 2022. Retrieved 8 June 2024 – via Anime News Network.
  45. ^ Mateo, Alex (24 August 2023). "Yoshitaka Amano Attends Screening of Angel's Egg Anime in New York City on September 10 (Updated)". Anime News Network. Archived from the original on 8 June 2024. Retrieved 8 June 2024.
  46. ^ Tai, Anita (29 May 2024). "GKIDS Brings 4K Remaster of Mamoru Oshii's Angel's Egg Anime to N. American Theaters in 2025". Anime News Network. Archived from the original on 30 May 2024. Retrieved 30 May 2024.
  47. ^ 徳間書店とくましょてん刊かん「アニメージュ」1985年ねん11月がつ号ごう「'85冬ふゆ 原画げんがアップ!6人にんの原画げんがマンが語かたる不思議ふしぎな魅力みりょく『天使てんしのたまご』」pp.16-17、「初はつ顔合かおあわせ対談たいだん 安彦やすひこ良和よしかずVS押井おしい守まもる 演出えんしゅつ家かにとって作家さっか性せいとはなにか?」pg 30-34
  48. ^ 徳間書店とくましょてん刊かん「アニメージュ」1986年ねん1月がつ号ごう「新春しんしゅん横断おうだん企画きかく 第だい一線いっせんで活躍かつやくするアニメ関係かんけい者しゃが推薦すいせん '86年ねんのホープを探さがせ!」p.20「押井おしい守まもる監督かんとく作品さくひん 天使てんしのたまご」pg 60-61
  49. ^ 徳間書店とくましょてん刊かん「アニメージュ」1986年ねん2月がつ号ごう「『ルパン』を降おりた押井おしい守まもる『天使てんしのたまご』を監督かんとく」 pg 21 「これは物語ものがたりの形かたちを変かえたイメージ・詩しの集積しゅうせき物ものです。結晶けっしょう化かされたイメージが二に次元じげんの詩しとして、画面がめんに立たち現あらわれます。アニメの1つの到達とうたつ点てんとして評価ひょうかされるべきものでしょう」
  50. ^ 徳間書店とくましょてん刊かん「アニメージュ」1986年ねん3月がつ号ごう「押井おしい守まもるが『美うつくしきフィクション世界せかい』から放はなった 人間にんげんへのレクイエム」pg 106
  51. ^ 宮崎駿みやざきはやお「絵えコンテを読よんで 通俗つうぞく文化ぶんかの宿命しゅくめい」『天使てんしのたまご絵えコンテ集しゅう』徳間書店とくましょてん、1985
  52. ^ 宮崎駿みやざきはやお「絵えコンテを読よんで 通俗つうぞく文化ぶんかの宿命しゅくめい」『天使てんしのたまご絵えコンテ集しゅう』徳間書店とくましょてん、1985 「努力どりょくは評価ひょうかするが、他人たにんには通つうじない」
  53. ^ 「宮崎駿みやざきはやおの功罪こうざい」（押井おしいと上野うえの俊哉としやとの対談たいだん）『クリエイターズファイル 宮崎駿みやざきはやおの世界せかい』竹たけ書房しょぼう<バンブームック>、2004
  54. ^ 押井おしい守まもる『すべての映画えいがはアニメになる』徳間書店とくましょてん、2004年ねん。ISBN 978-4198618285 pg 104
  55. ^ 押井おしい守まもる『すべての映画えいがはアニメになる』徳間書店とくましょてん、2004年ねん。ISBN 978-4198618285 pg 106-107
  56. ^ 押井おしい守まもる『すべての映画えいがはアニメになる』徳間書店とくましょてん、2004年ねん。ISBN 978-4198618285 pg 118-119
  57. ^ 押井おしい守まもる『すべての映画えいがはアニメになる』徳間書店とくましょてん、2004年ねん。ISBN 978-4198618285 pg 177-179
  58. ^ キネマ旬報社きねまじゅんぽうしゃ刊かん「キネマ旬報きねまじゅんぽう」1995年ねん11月がつ上旬じょうじゅん号ごう「JAPANIMATION SPLASH!」pg 24-25
  59. ^ 押井おしい守まもる『すべての映画えいがはアニメになる』徳間書店とくましょてん、2004年ねん。ISBN 978-4198618285 pg 161
  60. ^ a b c Thompson, Jason (1997). "Jason's Picks: Angel's Egg". J-Pop.com. Viz Media. Archived from the original on 19 February 2001.
  61. ^ Ruh 2004, p. 47.
  62. ^ "Lamu: Un Hermosa Expediente". Animedia (in Spanish) (44). Spain: Ares Editorial: 34–35. June 2006.
  63. ^ "Angel's Egg Anime Film Review". Anime News Network. 8 June 2024. Archived from the original on 8 May 2024. Retrieved 9 June 2024.
  64. ^ McCarthy 2009, p. 39.
  65. ^ Willis 1997, p. viii.

References

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