Review: In ‘The Fires,’ a Triptych of Stories About Gay Men and Love
Raja Feather Kelly makes his playwriting debut with a spellbinding story of three generations of Black men at Soho Rep.
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Raja Feather Kelly makes his playwriting debut with a spellbinding story of three generations of Black men at Soho Rep.
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The London production, starring Tom Holland, sold out in hours. But its understated rendering of the central romance may leave some theatergoers wanting more.
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The Times Square landmark has been restored and refurbished. Take a look.
In José Rivera’s latest play, a Puerto Rican family moves to Long Island in 1960, contending both with Hurricane Donna and their neighbors’ hostility.
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New ‘Richard III’ Raises an Old Question: Who Should Wear the Crown?
A production at the Shakespeare’s Globe theater faced criticism because a nondisabled actor plays the scheming king. But disputes like these miss the point, our critic writes.
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Kit Connor and Rachel Zegler Headline Broadway ‘Romeo and Juliet’
A production featuring the screen stars, with music by Jack Antonoff, will open in October at Circle in the Square.
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Review: Rocking Out, and Falling in Love, in ‘The Lonely Few’
Lauren Patten and Taylor Iman Jones star in an achingly romantic, softly sexy new musical by Rachel Bonds and Zoe Sarnak.
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Review: In ‘Usus,’ Pig Latin Gets Lost in Translation
T. Adamson’s new comedy, which opens Clubbed Thumb’s popular Summerworks series at the Wild Project, is about a group of worked-up Franciscan friars.
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‘Ha Ha Ha Ha Ha Ha Ha’ Review: This Absurdist Clown Is Just Here to Help
A hit at Edinburgh Fringe last year, Julia Masli’s show arrives at SoHo Playhouse for its New York debut.
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She takes office immediately. The previous leader of Actors’ Equity, Kate Shindle, had been president since 2015, and did not run again.
By Michael Paulson
It’s open mic at the post-pandemic cocktail bar where Dave Malloy’s hypnotic triptych of monodramas takes place.
By Jesse Green
At this year’s Theatertreffen drama festival, one production explores an incident that shocked the German theater world last year.
By A.J. Goldmann
While poking fun at her own agreeable malleability, Benanti flexes her talents in a show that will be available on Audible, without the physical dimension.
By Elisabeth Vincentelli
What’s it like to attend twelve productions in nine days? Michael Paulson, the Times theater reporter, shared his sprint around Midtown Manhattan.
By Michael Paulson
“I love older theaters in particular,” said the actress, who is up for her third Tony for “Cabaret.” “The new ones don’t have as many ghosts.”
By Sarah Bahr
The show, inspired by a 19th-century shipwreck, has had previous runs in Berkeley, Calif., and Washington.
By Michael Paulson
Improv adds a theatrical dimension to the role-playing game, which has been undergoing a renaissance as it turns 50 this year.
By Elisabeth Vincentelli
Julia May Jonas turns the menacing male siblings of Sam Shepard’s “True West” into squabbling pregnant sisters in Vermont.
By Rhoda Feng
The revival, which had an earlier run at New York City Center, is scheduled to open in August and close in November, followed by a run in Los Angeles.
By Michael Paulson
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