The Pulse of Modernism: Physiological Aesthetics in Fin-de-Siècle EuropeUniversity of Washington Press, 2015/03/02 - 384 ページ Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siècle field of “physiological aesthetics,” which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself. |
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anarchist apparatus argued artists avant-garde Bergson Berlin Bréal Cambridge cell Cellefrouin century Charles Féré Charles Henry Chicago Collège de France color critical culture curves D’Udine Edvard Munch Emil Du Bois-Reymond Ernst Haeckel essay esthétique Étienne-Jules Marey Evolution evolutionary experimental system expérimentales experiments F. T. Marinetti Félix Fénéon Fénéon Féré fin-de-siècle France French functions graphic inscriptions graphic method graphical recording Gustave Kahn Haeckel Helmholtz Henry’s History human Ibid ideas instruments Jules Kahn’s l’art laboratory Laforgue language linguistics machines Marey’s Marinetti measure mechanical ment Méthode graphique modernism modernist movement Munch nineteenth-century Nordau notion painters painting Paris patois Paul Signac phenomena phonétiques phonograph physical physiological aesthetics Picabia poetry poets produced protoplasm Przybyszewski Psychology psychophysiological representation Revue rhythm rhythmic Rousselot scientific aesthetic sensation sense sensory Seurat Signac social sound speech Strindberg studies symbolist synesthesia techniques theory tion trans University Press vers libre verse vibrations visual vowels wrote