A Hand to Turn the Time: The Menippean Satires of Thomas PynchonFairleigh Dickinson Univ Press, 1990 - 176 ページ A study of the major fiction of Thomas Pynchon in three contexts: Menippean satire, post-modernism, and American writing. The critical genealogy of the term satire is discussed and Pynchon's V., The Crying of Lot 49, and Gravity's Rainbow are analyzed. |
目次
20 | |
Beyond the Veil | 58 |
The Crying of Lot 49 History as Mail Conspiracy | 85 |
Gravitys Rainbow The Protestant Deformation | 108 |
Notes | 140 |
159 | |
169 | |
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affirmations ambiguous American fiction Anatomy of Criticism argues attack Bakhtin Braha century characters comedy comic concept conventions Counterforce Critical Essays Crying of Lot death dialectic dream Edward Mendelson encyclopedism entropy Enzian episode Essays on Thomas experience fantastic fertility final formal Frye function genre Gravity's Rainbow grotesque Hereros Highet Ibid inanimate invective Inverarity Inverarity's irony Kernan language Levine and Leverenz literary Literature Maijstral means Mendelson Menippean form Menippean satire Menippus metaphor metaphysical Mindful Pleasures modernist Moreover myth narrator Novel obsession Oedipa paranoia parody Paulson Pearce plot Poetics poetry postmodern postmodernist Profane's prose Pynchon critics Pynchon Notes Pynchon's fiction Pynchon's Menippean Pynchon's texts quest Quintilian radical rationalization reader Renaissance represents rhetoric ridicule rocket romance Rooy San Narciso satire's satirist satura serves significance Slothrop Stencil sterile structure T. S. Eliot term text's textual theme theory Thomas Pynchon tion Tölölyan tradition Tristero ultimate University Press variety verse Vheissu vision York
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9 ページ - Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.) I concentrate toward them that are nigh, I wait on the doorslab.