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Pornographic film: Difference between revisions - Wikipedia

Pornographic film: Difference between revisions

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Production of erotic films commenced almost immediately after the invention of the motion picture.{{citation needed|date=March 2021}} Two of the earliest pioneers were Frenchmen [[Eugène Pirou]] and [[Albert Kirchner]].<ref>{{cite web |url=https://www.dailydot.com/irl/history-of-porn/ |title=A brief and incredible history of porn |first=Lyz |last=Lenz |date=17 October 2016 |access-date=30 December 2018 |work=[[Daily Dot]] |publisher=[[Complex Media, Inc.]] |archive-date=18 October 2016 |archive-url=https://web.archive.org/web/20161018234737/https://www.dailydot.com/irl/history-of-porn/ |url-status=live }}</ref> Kirchner, under the name "Léar", directed the earliest surviving erotic film for Pirou. The 7-minute 1896 film {{lang|fr|[[Le Coucher de la Mariée]]}} had {{interlanguage link|Louise Willy|af||ca||fr||vo}} performing a bathroom [[striptease]].<ref name=encyclopedia>Richard Abel, [https://books.google.com/books?id=9cc71Uekc_EC&dq=%22Louise+Willy%22&pg=PA518 ''Encyclopedia of early cinema''] {{Webarchive|url=https://web.archive.org/web/20230403225112/https://books.google.com/books?id=9cc71Uekc_EC&dq=%22Louise+Willy%22&pg=PA518 |date=3 April 2023 }}, Taylor & Francis, 2005, {{ISBN|978-0-415-23440-5}}, p.518</ref> Other French filmmakers also considered that profits could be made from this type of risqué films, showing women disrobing.<ref>{{cite web |last=Bottomore |first=Stephen |editor1=Stephen Herbert |editor2=Luke McKernan |year=1996 |url=http://www.victorian-cinema.net/lear.htm |title=Léar (Albert Kirchner) |work=Who's Who of Victorian Cinema |publisher=British Film Institute |access-date=15 October 2006 |archive-date=10 October 2006 |archive-url=https://web.archive.org/web/20061010111821/http://www.victorian-cinema.net/lear.htm |url-status=live }}</ref><ref>{{cite web |last=Bottomore |first=Stephen |editor1=Stephen Herbert |editor2=Luke McKernan |year=1996 |url=http://www.victorian-cinema.net/pirou.htm |title=Eugène Pirou |work=Who's Who of Victorian Cinema |publisher=British Film Institute |access-date=15 October 2006 |archive-date=2 May 2012 |archive-url=https://web.archive.org/web/20120502070425/http://www.victorian-cinema.net/pirou.htm |url-status=live }}</ref>
 
Also in 1896. {{interlanguage link|Fatima's Coochie-Coochie dance|fr|Fatima, danse du ventre|nl|Fatima's Coochee-Coochee Dance}}<ref>Produced by James A. White and shot by William Heise for the Edison Manufacturing Co. in 1896.</ref> was released as a short [[Nickelodeon (movie theater)|nickelodeon]] [[kinetoscope]]/film featuring a gyrating [[belly dancer]] named Fatima. Her gyrating and moving pelvis was censored, one of the earliest films to be censored. At the time, there were numerous risque films that featured exotic dancers.<ref name=sexinfilms1>{{cite web|url=http://www.filmsite.org/sexinfilms1.html|title=Sex in Cinema: Pre-1920s Greatest and Most Influential Erotic / Sexual Films and Scenes|access-date=3 May 2016|archive-date=23 April 2018|archive-url=https://web.archive.org/web/20180423071032/http://www.filmsite.org/sexinfilms1.html|url-status=live}}</ref> In the same year, ''[[The Kiss (1896 film)|The May Irwin Kiss]]'' contained the very first kiss on film. It was a 47-second film loop, with a close-up of a nuzzling couple followed by a short peck on the lips ("the mysteries of the kiss revealed"). The kissing scene was denounced as shocking and obscene to early moviegoers and caused the Roman Catholic Church to call for censorship and moral reform, because kissing in public at the time could lead to prosecution.<ref name=sexinfilms1 /> Perhaps in defiance and "to spice up a film", this was followed by many kiss imitators, including ''[[The Kiss in the Tunnel]]'' (1899) and ''The Kiss'' (1900). A [[tableau vivant]] style was used in short film ''{{interlanguage link|Birth of The Pearl|cy}}'' (1901)<ref>Produced by [[Frederick S. Armitage]] for the [[American Mutoscope and Biograph Company]].</ref> featuring an unnamed long-haired young model wearing a flesh-colored [[body stocking]] in a direct frontal pose<ref name=sexinfilms1 /> that provides a provocative view of the female body.<ref>{{cite web|url=http://memory.loc.gov/ammem/awhhtml/awmi10/d21.html|title=Full caption: Birth of the Pearl. Camera: F.S. Armitage. AM&B, 1901. Paper Print Collection (LC1318), Moving Image Section, Motion Picture, Broadcasting and Recorded Sound Division.|access-date=3 May 2016|archive-date=30 August 2019|archive-url=https://web.archive.org/web/20190830042926/http://memory.loc.gov/ammem/awhhtml/awmi10/d21.html|url-status=live}}</ref> The pose is in the style of [[Botticelli]]'s ''[[The Birth of Venus (Botticelli)|The Birth of Venus]]''.
 
In Austria, cinemas organised men-only nights (called {{lang|de|Herrenabende}}) at which adult films were shown. [[Johann Schwarzer]] formed his Saturn-Film production company which between 1906 and 1911 produced 52 erotic productions, each of which contained young local women fully nude, to be shown at those screenings. Before Schwarzer's productions, erotic films were provided by the [[Pathé]] brothers from French produced sources. In 1911, Saturn was dissolved by the censorship authorities which destroyed all the films they could find,<ref>Michael Achenbach, Paolo Caneppele, Ernst Kieninger: ''Projektionen der Sehnsucht: Saturn, die erotischen Anfänge der österreichischen Kinematografie''. Filmarchiv Austria, Wien 2000, {{ISBN|3-901932-04-6}}.</ref> though some have since resurfaced from private collections. There were a number of American films in the 1910s which contained female [[nudity in film]].