Jacob van Eyck: Difference between revisions
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{{Short description| |
{{Short description|Dutch musician and noble (c. 1590 – 1657)}} |
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{{Family name hatnote|[[Van Eyck]]|Eyck|lang=Dutch}} |
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{{Use dmy dates|date=March |
{{Use dmy dates|date=March 2023}} |
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{{Infobox person |
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| honorific_prefix = {{lang|nl|[[Jonkheer]]}} |
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| image = Van Eyck and Hemony Brothers 1875 Drawing.png |
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| caption = Drawing of Van Eyck (pictured in black) with [[Pieter and François Hemony]] |
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| birth_date = {{circa|1590}} |
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| birth_place = probably [[The Hague]], [[Dutch Republic]] |
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| death_date = {{Death date|1657|03|26|df=yes}} |
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| death_place = [[Utrecht]], Dutch Republic |
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| years_active = 1619–1657 |
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| known_for = {{ubl|Isolating the overtones of [[bell]]s|Inventing the modern [[carillon]] with the [[Hemony brothers]]}} |
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| notable_works = {{lang|nl|[[Der Fluyten Lust-hof]]}} |
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}} |
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⚫ | {{lang|nl|[[Jonkheer]]}} '''Jacob van Eyck''' ({{IPAc-en|v|æ|n|_|ˈ|aɪ|k}} {{respell|van|_|EYEK}}, {{IPA-nl|ˈjaː.kɔp vɑn ˈɛik|lang}}; {{Circa|1590}}{{snd}}26 March 1657) was a [[Dutch nobleman]], composer and [[blind musician]]. He was one of the best-known musicians of the [[Dutch Golden Age]], working as a [[Carillonneur|carillon player]] and technician, a [[Recorder (musical instrument)|recorder]] virtuoso, and a composer. He was an expert in bell casting and tuning, and taught [[Pieter and François Hemony]] how to tune a carillon. Van Eyck is credited with developing the modern carillon together with the brothers in 1644, when they cast the first tuned carillon in [[Zutphen]]. He is also known for his collection of 143 compositions for recorder, {{lang|nl|[[Der Fluyten Lust-hof]]}}, the largest work for a solo wind instrument in European history. |
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⚫ | [[Jonkheer]] '''Jacob van Eyck''' ({{IPAc-en|v|æ|n|_|ˈ|aɪ|k}} {{respell|van|_|EYEK}}, {{IPA-nl|ˈjaː.kɔp vɑn ˈɛik|lang}}; {{ |
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==Biography== |
==Biography== |
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===Early life=== |
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Jacob van Eyck was born in 1589 or 1590{{efn|The precise date of his birth is unknown; on 23 January 1628 he swore before an Utrecht [[notary]] that he was "about thirty-eight years old."{{sfn|Wind|2008}}}} into a [[Dutch nobility|noble]] family probably in [[The Hague]] and raised in the nearby town [[Bergen op Zoom]].{{sfn|Stokkers|2021}} Born [[Visual impairment|blind]], he lived with his mother and father well into adulthood.{{sfn|Wind|2008}} Van Eyck moved to the town of [[Heusden]] and became involved as a player and technician of the town's [[carillon]] by 1618.{{sfn|Stokkers|2021}} He met with several craftsmen and the city [[organist]] to discuss changes and improvements to the carillon, which he carried out in 1620 and 1621. |
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===Carillon career=== |
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Van Eyck quickly established himself as a renowned carillon player and technician. In 1623 and 1624, he was employed by the city of [[Utrecht (city)|Utrecht]] to repair and renovate the [[Dom Tower of Utrecht|Dom Tower]]'s clock and carillon.{{sfn|Swager|1993|pp=16–17}} A year later, after negotiations with the city, he left home to become the city [[carillonneur]]. Over the years, he undertook projects to expand and improve the [[bell tower]]s at the city hall, the Nicolaïkerk, {{ill|Janskerk, Utrecht|lt=Janskerk|nl|Janskerk (Utrecht)|vertical-align=sup}} and the [[Jacobikerk]]. His title was changed to "Director of the Bell-Works" in 1628, and he was entrusted with the technical supervision of all the [[bell]]s of the city.<ref>{{harvnb|Gouwens|2013|p=19}}; {{harvnb|Wind|2008}}</ref> He began instructing students to learn to play the carillon. In 1631, he had a small keyboard composed of 30 small bells constructed for instruction.{{sfn|Oron|2006}} A year later, he was appointed the carillonneur of {{lang|nl|Janskerk|italics=no}}. Later in 1645, he accepted the same position at the Jacobikerk and the city hall.<ref>{{harvnb|Oron|2006}}; {{harvnb|Swager|1993|p=17}}</ref> |
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[[Image:Domtoren vanaf de Stadhuisbrug.JPG|thumb|alt=A large, decorated bell tower|The [[Dom Tower of Utrecht]], where |
[[Image:Domtoren vanaf de Stadhuisbrug.JPG|thumb|alt=A large, decorated bell tower|The [[Dom Tower of Utrecht]], where Van Eyck was employed as a carillonneur from 1625 until his death]] |
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===Campanology career=== |
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⚫ | Van Eyck belonged to a circle of academics who met and corresponded regularly to exchange ideas. One of these was [[Marin Mersenne]], who was the first to [[Mersenne's laws|codify the harmonics of a vibrating spring]].{{sfn|Swager|1993|p=17}} Van Eyck applied Mersenne's research to the acoustics of tuned bells. He devised methods for isolating the [[Partial (music)|partials]] of a bell by whistling at the partials' [[Resonance|resonant frequencies]].{{sfn|Swager|1993|p=17}} Van Eyck showcased his discovery to mathematician [[René Descartes]], who on 23 August 1638, wrote to Mersenne: "In Utrecht lives a blind man with a great musical reputation, who regularly plays bells (...). I have seen how he elicits 5 or 6 different sounds on each of the largest bells, without touching them, but only by coming close to their sound rim with his mouth..."{{sfn|Rombouts|2014|p=85}} In 1633, Van Eyck told [[Isaac Beeckman]] that the ideal series of a bell's partials consisted of three notes each an [[octave]] apart, supplemented by a [[minor third]] and [[perfect fifth]] in the second octave, and he convinced Beeckman to write about it in his journal on 24 September.<ref>{{harvnb|Rombouts|2014|p=85}}; {{harvnb|Wind|2008}}</ref> The minor overtone series causes the characteristic melancholy sound of a well-tuned carillon.{{sfn|Cashman. "Jacob van Eyck"}} |
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⚫ | Not only could they |
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⚫ | Not only could they be isolated, but Van Eyck asserted that they could be tuned harmoniously with each other by altering the shape of the bell itself.{{sfn|Price|1983|p=219}} He claimed that it is not possible for a bell to be properly tuned upon casting, but instead that adjustments needed to be made to tune it.{{sfn|Rombouts|2014|p=90}} His assertion was put to the test in 1644. The city of [[Zutphen]] commissioned the famous [[bellfounding]] duo [[Pieter and François Hemony]] to cast a new carillon for its Wijnhuis tower. The city appointed Van Eyck as its consultant. He convinced the Hemony brothers to tune their carillon bells according to his research before finishing the job, rather than waiting for a negative review from the city.{{sfn|Rombouts|2014|p=85}} To achieve this, François cast the carillon bells slightly too thick so that they could be shaved down while tuning. Where other bellfounders haphazardly shaved the inside of a bell in an attempt to fix its tune, François placed them on a [[lathe]] rotated by five or six men to guarantee [[symmetry]]. He then shaved down the insides with a chisel to tune the five principal tones.<ref>{{harvnb|Swager|1993|p=19}}; {{harvnb|Rombouts|2014|p=86}}</ref> Hemony carillons outfitted with "pure" tuned bells quickly became the standard and were coveted across Europe for decades.{{sfn|Cashman. "Jacob van Eyck"}} Van Eyck's acquaintance with the intellectuals of the time along with his longstanding relationship with bellfounders helps explain how he was able to influence the Hemony brothers.{{sfn|Gouwens|2013|p=19}} |
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⚫ | In addition to his work with the carillon, |
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===Recorder career=== |
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⚫ | In addition to his work with the carillon, Van Eyck was a particularly skillful [[Recorder (musical instrument)|recorder]] player. In 1644 in [[Amsterdam]], Paulus Matthysz published Van Eyck's {{lang|nl|Euterpe oft Speel-goddinne I}}, a collection of variations on popular folk songs at the time for recorder. It was later renamed to {{lang|nl|[[Der Fluyten Lust-hof]] I}}. A subsequent volume ({{lang|nl|Der Fluyten Lust-hof II}}) was published in 1646 and a revised and greatly enlarged version of first volume was published in 1649.{{sfn|Oron|2006}} Probably in response to the success of the works, Sint Janskerk increased the salary paid to Van Eyck provided that he entertain passers-by with songs on his [[Recorder (musical instrument)|recorder]].<ref>{{harvnb|Cashman. "Jacob van Eyck"}}; {{harvnb|Oron|2006}}</ref> A second version {{lang|nl|Der Fluyten Lust-hof II}} was published in 1657{{sfn|Oron|2006}} and a third and final version of {{lang|nl|Der Fluyten Lust-hof I}} was published {{circa|1656}}.{{sfn|Wind|2011|pp=669–71}} |
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===Later life and death=== |
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⚫ | The final years of |
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⚫ | The final years of Van Eyck's life were spent in declining health. He died on 26 March 1657 in Utrecht. His assistant and caretaker Johan Dicx was the principal [[legatee]] of his [[Will and testament|will]] and succeeded him in most of his carillonneur positions.{{sfn|Wind|2008}} He was buried the next day, and for three hours, the bells of Sint Janskerk, the Jacobikerk, and the Dom Tower were tolled in his memory. Lambertus Sanderus composed a four-line verse that is inscribed on Van Eyck's gravestone.{{sfn|Wind|2008}} In 2006, the mayor of Utrecht unveiled an inlaid memorial tablet in the Dom Square, at an angle to Dom Tower. The Utrecht Bellringers Guild awards the Jacob van Eyck Prize every three years to fund the preservation of [[Culture of the Netherlands|Dutch cultural]] and [[History of the Netherlands|historical heritage]] and campanological research.{{sfn|"De koning van het carillon." Utrechts Klokkenluiders Gilde}} In 2023, the mayor of Utrecht renamed the passageway underneath the Dom Tower as the Jacob van Eyck Passage.{{sfn|"Onderdoorgang Domtoren Utrecht heet nu officieel Jacob van Eyckpassage: 'Hij is de Johan Cruijff van de carillons.'" ''De Utrechtse Internet Courant''}} |
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==Works== |
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==Works== |
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{{main|Der Fluyten Lust-hof{{!}}''Der Fluyten Lust-hof''}} |
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⚫ | Van Eyck's sole published work, {{lang|nl|Der Fluyten Lust-hof}}, is an extensive collection 143 melodies, each with a number of diminutions or [[Variation (music)|variation]]s for solo soprano [[Recorder (musical instrument)|recorder]].{{sfn|Cashman. "Jacob van Eyck"}} The themes include [[folk song]]s, [[dance tune]]s, [[church music]], [[psalm]]s, and songs of the day, as well as a few [[Musical composition|compositions]] by Van Eyck.{{sfn|Griscom|Lasocki|2013|p=530}} Some of the best known include a variation on [[John Dowland]]'s "[[Flow, my tears]]" and a favorite [[Christmas carol]] at the time, "[[Unto Us Is Born a Son]]". Some of the variations are considered challenging even for an experienced recorder player.<ref>{{harvnb|Cashman. "Jacob van Eyck"}}; {{harvnb|Gouwens|2013|p=25}}</ref> {{lang|nl|Der Fluyten Lust-hof}} remains the largest work for a solo wind instrument in European history; it is also the only work of this magnitude to have been [[Dictation (exercise)|dictated]] rather than written down by the composer.<ref>{{harvnb|Griscom|Lasocki|2013}}; {{harvnb|Michel|Teske|1984}}</ref> |
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==Notes== |
==Notes== |
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==Bibliography== |
==Bibliography== |
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{{refbegin}} |
{{refbegin}} |
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===Books=== |
===Books=== |
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* {{cite book |last=Gouwens |first=John |title=Campanology: A Study of Bells, with an Emphasis on the Carillon |year=2013 |publisher=North American Carillon School |isbn=978-1-4840-3766-9}} |
* {{cite book |last=Gouwens |first=John |title=Campanology: A Study of Bells, with an Emphasis on the Carillon |year=2013 |publisher=North American Carillon School |isbn=978-1-4840-3766-9}} |
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* {{Cite book |editor-last=Griffioen |editor-first=Ruth van Baak |title=Jacob van Eyck's Der Fluyten Lust-Hof (1644-c1655) |year=1991 |location=Utrecht, Netherlands |publisher=Vereniging voor Nederlandse Muziekgeschiedenis }} |
* {{Cite book |editor-last=Griffioen |editor-first=Ruth van Baak |title=Jacob van Eyck's Der Fluyten Lust-Hof (1644-c1655) |year=1991 |location=Utrecht, Netherlands |publisher=Vereniging voor Nederlandse Muziekgeschiedenis }} |
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* {{cite book |last1=Griscom |first1=Richard W. |last2=Lasocki |first2=David |title=The Recorder: A Research and Information Guide |date= |
* {{cite book |last1=Griscom |first1=Richard W. |last2=Lasocki |first2=David |title=The Recorder: A Research and Information Guide |date=17 June 2013 |publisher=Routledge |isbn=978-1-135-83932-1 |pages=530– |url=https://books.google.com/books?id=N2cIwLzV_gQC&pg=PA530 }} |
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* {{Cite book |editor-last1=Michel |editor-first1=Winfried |editor-last2=Teske |editor-first2=Hermien |title=Jacob van Eyck (ca. 1590–1657): Der Fluyten Lust-hof |year=1984 |location=Winterthur, Switzerland |publisher=Amadeus Verlag |
* {{Cite book |editor-last1=Michel |editor-first1=Winfried |editor-last2=Teske |editor-first2=Hermien |title=Jacob van Eyck (ca. 1590–1657): Der Fluyten Lust-hof |year=1984 |location=Winterthur, Switzerland |publisher=Amadeus Verlag – Bernhard Päuler }} |
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* {{cite book |last=Price |first=Percival |title=Bells and Man |year=1983 |publisher=[[Oxford University Press]] |isbn=978-0-19-318103-8 }} |
* {{cite book |last=Price |first=Percival |title=Bells and Man |year=1983 |publisher=[[Oxford University Press]] |isbn=978-0-19-318103-8 }} |
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* {{cite book |last=Rombouts |first=Luc |author-link=Luc Rombouts |title=Singing Bronze: A History of Carillon Music |year=2014 |publisher=Leuven University Press |translator=Communicationwise |chapter=Pure Bells |isbn=978-90-5867-956-7 |chapter-url=https://books.google.com/books?id=jQ-RCAAAQBAJ&pg=PA111 |pages=85–96 }} |
* {{cite book |last=Rombouts |first=Luc |author-link=Luc Rombouts |title=Singing Bronze: A History of Carillon Music |year=2014 |publisher=Leuven University Press |translator=Communicationwise |chapter=Pure Bells |isbn=978-90-5867-956-7 |chapter-url=https://books.google.com/books?id=jQ-RCAAAQBAJ&pg=PA111 |pages=85–96 }} |
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===Internet=== |
===Internet=== |
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* {{Cite web |last=Cashman |first=David |title=Jacob van Eyck |website=[[AllMusic]] |url=https://www.allmusic.com/artist/jacob-van-eyck-mn0001208603/biography |access-date= |
* {{Cite web |last=Cashman |first=David |title=Jacob van Eyck |website=[[AllMusic]] |url=https://www.allmusic.com/artist/jacob-van-eyck-mn0001208603/biography |access-date=10 March 2021 |ref={{harvid|Cashman. "Jacob van Eyck"}}}} |
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* {{Cite web |last=Oron |first=Aryeh |title=Jacob van Eyck (Composer) |website=Bach Cantatas |date=August 2006 |url=https://www.bach-cantatas.com/Lib/Eyck-Jacob.htm |access-date= |
* {{Cite web |last=Oron |first=Aryeh |title=Jacob van Eyck (Composer) |website=Bach Cantatas |date=August 2006 |url=https://www.bach-cantatas.com/Lib/Eyck-Jacob.htm |access-date=10 March 2021 }} |
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* {{Cite web |last=Wind |first=Thiemo |title=Chronology |website=Jacob van Eyck |date= |
* {{Cite web |last=Wind |first=Thiemo |title=Chronology |website=Jacob van Eyck |date=11 February 2008 |url=https://www.jacobvaneyck.info/main.htm |access-date=10 March 2021 }} |
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* {{Cite web |title=De koning van het carillon |trans-title=The King of the Carillon |language=nl |website=Utrechts Klokkenluiders Gilde |url=http://www.klokkenluiders.nl/index.php?id=260 |access-date= |
* {{Cite web |title=De koning van het carillon |trans-title=The King of the Carillon |language=nl |website=Utrechts Klokkenluiders Gilde |trans-website=Utrecht Bellringers Guild |url=http://www.klokkenluiders.nl/index.php?id=260 |access-date=10 March 2021 |ref={{harvid|"De koning van het carillon." Utrechts Klokkenluiders Gilde}}}} |
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* {{cite news |author=<!--Not stated--> |title=Onderdoorgang Domtoren Utrecht heet nu officieel Jacob van Eyckpassage: 'Hij is de Johan Cruijff van de carillons' |trans-title=Underpass Dom Tower Utrecht is now officially called Jacob van Eyckpassage: 'He is the Johan Cruijff of the carillons' |work=De Utrechtse Internet Courant |trans-work=The Utrecht Internet Courant |language=nl |date=2023-08-24 |url=https://www.duic.nl/cultuur/onderdoorgang-domtoren-utrecht-heet-nu-officieel-jacob-van-eyckpassage-hij-is-de-johan-cruijff-van-de-carillons/ |access-date=2023-09-21 |ref={{harvid|"Onderdoorgang Domtoren Utrecht heet nu officieel Jacob van Eyckpassage: 'Hij is de Johan Cruijff van de carillons.'" ''De Utrechtse Internet Courant''}}}} |
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* {{cite news |last=Stokkers |first=Maartje |date=2021-12-19 |title=Bergen op Zoom, Heusden of Den Haag: waar werd de 'blinde beiaardier van de Domtoren' nu echt geboren? |trans-title=Bergen op Zoom, Heusden or The Hague: Where Was the 'Blind Carillonneur of the Dom Tower' Really Born? |language=nl |newspaper=[[de Volkskrant]] |url=https://www.volkskrant.nl/cultuur-media/bergen-op-zoom-heusden-of-den-haag-waar-werd-de-blinde-beiaardier-van-de-domtoren-nu-echt-geboren~b9550a09/?referrer=https://www.google.com/ |access-date=2023-10-03 |url-access=registration}} |
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{{refend}} |
{{refend}} |
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[[Category:17th-century classical composers]] |
[[Category:17th-century classical composers]] |
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[[Category:Blind classical musicians]] |
[[Category:Blind classical musicians]] |
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[[Category:Blind people from the Netherlands]] |
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[[Category:Campanologists]] |
[[Category:Campanologists]] |
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[[Category:Carillonneurs]] |
[[Category:Carillonneurs]] |
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[[Category:Dutch Baroque composers]] |
[[Category:Dutch Baroque composers]] |
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[[Category:Dutch classical composers]] |
[[Category:Dutch classical composers]] |
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[[Category:Dutch male classical composers]] |
[[Category:Dutch male classical composers]] |
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[[Category:Dutch recorder players]] |
[[Category:Dutch recorder players]] |
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[[Category:People from Heusden]] |
[[Category:People from Heusden]] |
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[[Category:Musicians from Utrecht (city)]] |
[[Category:Musicians from Utrecht (city)]] |
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[[Category:Year of birth uncertain]] |
[[Category:Year of birth uncertain]] |
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[[Category:17th-century male musicians]] |
Revision as of 14:32, 26 April 2024
Jacob van Eyck | |
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Born | c. 1590 probably The Hague, Dutch Republic |
Died | Utrecht, Dutch Republic | 26 March 1657
Years active | 1619–1657 |
Known for |
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Notable work | Der Fluyten Lust-hof |
Jonkheer Jacob van Eyck (/væn ˈaɪk/ van EYEK, Dutch: [ˈjaː.kɔp vɑn ˈɛik]; c. 1590 – 26 March 1657) was a Dutch nobleman, composer and blind musician. He was one of the best-known musicians of the Dutch Golden Age, working as a carillon player and technician, a recorder virtuoso, and a composer. He was an expert in bell casting and tuning, and taught Pieter and François Hemony how to tune a carillon. Van Eyck is credited with developing the modern carillon together with the brothers in 1644, when they cast the first tuned carillon in Zutphen. He is also known for his collection of 143 compositions for recorder, Der Fluyten Lust-hof, the largest work for a solo wind instrument in European history.
Biography
Early life
Jacob van Eyck was born in 1589 or 1590[a] into a noble family probably in The Hague and raised in the nearby town Bergen op Zoom.[2] Born blind, he lived with his mother and father well into adulthood.[1] Van Eyck moved to the town of Heusden and became involved as a player and technician of the town's carillon by 1618.[2] He met with several craftsmen and the city organist to discuss changes and improvements to the carillon, which he carried out in 1620 and 1621.
Carillon career
Van Eyck quickly established himself as a renowned carillon player and technician. In 1623 and 1624, he was employed by the city of Utrecht to repair and renovate the Dom Tower's clock and carillon.[3] A year later, after negotiations with the city, he left home to become the city carillonneur. Over the years, he undertook projects to expand and improve the bell towers at the city hall, the Nicolaïkerk, Janskerk [nl] and the Jacobikerk. His title was changed to "Director of the Bell-Works" in 1628, and he was entrusted with the technical supervision of all the bells of the city.[4] He began instructing students to learn to play the carillon. In 1631, he had a small keyboard composed of 30 small bells constructed for instruction.[5] A year later, he was appointed the carillonneur of Janskerk. Later in 1645, he accepted the same position at the Jacobikerk and the city hall.[6]
Campanology career
Van Eyck belonged to a circle of academics who met and corresponded regularly to exchange ideas. One of these was Marin Mersenne, who was the first to codify the harmonics of a vibrating spring.[7] Van Eyck applied Mersenne's research to the acoustics of tuned bells. He devised methods for isolating the partials of a bell by whistling at the partials' resonant frequencies.[7] Van Eyck showcased his discovery to mathematician René Descartes, who on 23 August 1638, wrote to Mersenne: "In Utrecht lives a blind man with a great musical reputation, who regularly plays bells (...). I have seen how he elicits 5 or 6 different sounds on each of the largest bells, without touching them, but only by coming close to their sound rim with his mouth..."[8] In 1633, Van Eyck told Isaac Beeckman that the ideal series of a bell's partials consisted of three notes each an octave apart, supplemented by a minor third and perfect fifth in the second octave, and he convinced Beeckman to write about it in his journal on 24 September.[9] The minor overtone series causes the characteristic melancholy sound of a well-tuned carillon.[10]
Not only could they be isolated, but Van Eyck asserted that they could be tuned harmoniously with each other by altering the shape of the bell itself.[11] He claimed that it is not possible for a bell to be properly tuned upon casting, but instead that adjustments needed to be made to tune it.[12] His assertion was put to the test in 1644. The city of Zutphen commissioned the famous bellfounding duo Pieter and François Hemony to cast a new carillon for its Wijnhuis tower. The city appointed Van Eyck as its consultant. He convinced the Hemony brothers to tune their carillon bells according to his research before finishing the job, rather than waiting for a negative review from the city.[8] To achieve this, François cast the carillon bells slightly too thick so that they could be shaved down while tuning. Where other bellfounders haphazardly shaved the inside of a bell in an attempt to fix its tune, François placed them on a lathe rotated by five or six men to guarantee symmetry. He then shaved down the insides with a chisel to tune the five principal tones.[13] Hemony carillons outfitted with "pure" tuned bells quickly became the standard and were coveted across Europe for decades.[10] Van Eyck's acquaintance with the intellectuals of the time along with his longstanding relationship with bellfounders helps explain how he was able to influence the Hemony brothers.[14]
Recorder career
In addition to his work with the carillon, Van Eyck was a particularly skillful recorder player. In 1644 in Amsterdam, Paulus Matthysz published Van Eyck's Euterpe oft Speel-goddinne I, a collection of variations on popular folk songs at the time for recorder. It was later renamed to Der Fluyten Lust-hof I. A subsequent volume (Der Fluyten Lust-hof II) was published in 1646 and a revised and greatly enlarged version of first volume was published in 1649.[5] Probably in response to the success of the works, Sint Janskerk increased the salary paid to Van Eyck provided that he entertain passers-by with songs on his recorder.[15] A second version Der Fluyten Lust-hof II was published in 1657[5] and a third and final version of Der Fluyten Lust-hof I was published c. 1656.[16]
Later life and death
The final years of Van Eyck's life were spent in declining health. He died on 26 March 1657 in Utrecht. His assistant and caretaker Johan Dicx was the principal legatee of his will and succeeded him in most of his carillonneur positions.[1] He was buried the next day, and for three hours, the bells of Sint Janskerk, the Jacobikerk, and the Dom Tower were tolled in his memory. Lambertus Sanderus composed a four-line verse that is inscribed on Van Eyck's gravestone.[1] In 2006, the mayor of Utrecht unveiled an inlaid memorial tablet in the Dom Square, at an angle to Dom Tower. The Utrecht Bellringers Guild awards the Jacob van Eyck Prize every three years to fund the preservation of Dutch cultural and historical heritage and campanological research.[17] In 2023, the mayor of Utrecht renamed the passageway underneath the Dom Tower as the Jacob van Eyck Passage.[18]
Works
Van Eyck's sole published work, Der Fluyten Lust-hof, is an extensive collection 143 melodies, each with a number of diminutions or variations for solo soprano recorder.[10] The themes include folk songs, dance tunes, church music, psalms, and songs of the day, as well as a few compositions by Van Eyck.[19] Some of the best known include a variation on John Dowland's "Flow, my tears" and a favorite Christmas carol at the time, "Unto Us Is Born a Son". Some of the variations are considered challenging even for an experienced recorder player.[20] Der Fluyten Lust-hof remains the largest work for a solo wind instrument in European history; it is also the only work of this magnitude to have been dictated rather than written down by the composer.[21]
Notes
References
- ^ a b c d Wind 2008.
- ^ a b Stokkers 2021.
- ^ Swager 1993, pp. 16–17.
- ^ Gouwens 2013, p. 19; Wind 2008
- ^ a b c Oron 2006.
- ^ Oron 2006; Swager 1993, p. 17
- ^ a b Swager 1993, p. 17.
- ^ a b Rombouts 2014, p. 85.
- ^ Rombouts 2014, p. 85; Wind 2008
- ^ a b c Cashman. "Jacob van Eyck".
- ^ Price 1983, p. 219.
- ^ Rombouts 2014, p. 90.
- ^ Swager 1993, p. 19; Rombouts 2014, p. 86
- ^ Gouwens 2013, p. 19.
- ^ Cashman. "Jacob van Eyck"; Oron 2006
- ^ Wind 2011, pp. 669–71.
- ^ "De koning van het carillon." Utrechts Klokkenluiders Gilde.
- ^ "Onderdoorgang Domtoren Utrecht heet nu officieel Jacob van Eyckpassage: 'Hij is de Johan Cruijff van de carillons.'" De Utrechtse Internet Courant.
- ^ Griscom & Lasocki 2013, p. 530.
- ^ Cashman. "Jacob van Eyck"; Gouwens 2013, p. 25
- ^ Griscom & Lasocki 2013; Michel & Teske 1984
Bibliography
Books
- Gouwens, John (2013). Campanology: A Study of Bells, with an Emphasis on the Carillon. North American Carillon School. ISBN 978-1-4840-3766-9.
- Griffioen, Ruth van Baak, ed. (1991). Jacob van Eyck's Der Fluyten Lust-Hof (1644-c1655). Utrecht, Netherlands: Vereniging voor Nederlandse Muziekgeschiedenis.
- Griscom, Richard W.; Lasocki, David (17 June 2013). The Recorder: A Research and Information Guide. Routledge. pp. 530–. ISBN 978-1-135-83932-1.
- Michel, Winfried; Teske, Hermien, eds. (1984). Jacob van Eyck (ca. 1590–1657): Der Fluyten Lust-hof. Winterthur, Switzerland: Amadeus Verlag – Bernhard Päuler.
- Price, Percival (1983). Bells and Man. Oxford University Press. ISBN 978-0-19-318103-8.
- Rombouts, Luc (2014). "Pure Bells". Singing Bronze: A History of Carillon Music. Translated by Communicationwise. Leuven University Press. pp. 85–96. ISBN 978-90-5867-956-7.
- Swager, Brian (1993). A history of the carillon: its origins, development, and evolution as a musical instrument (DMus). Indiana University. pp. 16–20.
- Wind, Thiemo (2011). Jacob Van Eyck and the Others: Dutch Solo Repertoire for Recorder in the Golden Age. Utrecht, Netherlands: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis. ISBN 978-90-6375-219-4.
Internet
- Cashman, David. "Jacob van Eyck". AllMusic. Retrieved 10 March 2021.
- Oron, Aryeh (August 2006). "Jacob van Eyck (Composer)". Bach Cantatas. Retrieved 10 March 2021.
- Wind, Thiemo (11 February 2008). "Chronology". Jacob van Eyck. Retrieved 10 March 2021.
- "De koning van het carillon" [The King of the Carillon]. Utrechts Klokkenluiders Gilde [Utrecht Bellringers Guild] (in Dutch). Retrieved 10 March 2021.
- "Onderdoorgang Domtoren Utrecht heet nu officieel Jacob van Eyckpassage: 'Hij is de Johan Cruijff van de carillons'" [Underpass Dom Tower Utrecht is now officially called Jacob van Eyckpassage: 'He is the Johan Cruijff of the carillons']. De Utrechtse Internet Courant [The Utrecht Internet Courant] (in Dutch). 24 August 2023. Retrieved 21 September 2023.
- Stokkers, Maartje (19 December 2021). "Bergen op Zoom, Heusden of Den Haag: waar werd de 'blinde beiaardier van de Domtoren' nu echt geboren?" [Bergen op Zoom, Heusden or The Hague: Where Was the 'Blind Carillonneur of the Dom Tower' Really Born?]. de Volkskrant (in Dutch). Retrieved 3 October 2023.
External links
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