(Translated by https://www.hiragana.jp/)
Ink Legacy - Ling Cher Eng Retrospective Art Exhibition by Asia Art Collective - Issuu

Ink Legacy - Ling Cher Eng Retrospective Art Exhibition

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Ink Legacy

Ling Cher Eng Retrospective Art Exhibition

丹青たんせいとめよし かい顾海弟子でし林子りんこかげ作品さくひんてん 3 March to 11 March 2015 ION Art Gallery, ION Orchard Exhibition Opening 3 March 2015 7pm, ION Art Gallery, ION Orchard Level 4 2 Orchard Turn, Singapore 238801


Ink Legacy: Retrospective Exhibition by Ling Cher Eng Exhibition opening reception Date: 3 March 2015 (Tuesday) Time: 7pm Buffet reception will be served Venue: ION Art Gallery ION Orchard Level 4 2 Orchard Turn Singapore 238801 Kindly RSVP your attendance to attend the exhibition opening reception via email: info@asiaartcollective.com / text: 9005 6716 (Iola) or call us at: 6733 2155 The exhibition will run daily from 11am to 9pm at ION Art Gallery from 3 - 11 March 2015.

丹青たんせいとめかおるかい顾海弟子でし林子りんこかげ作品さくひんてん てん览开まく仪式 : 2015ねん3がつ3にちほし) 时间: ばんじょう7てん 地点ちてん: ION Art Gallery ION Orchard Level 4 2 Orchard Turn Singapore 238801 请您RSVPかい复确认出席しゅっせき いたり邮件:info@asiaartcollective.com / 简讯: 9005 6716 (刘婉婷) ある电话:6733 2155 《丹青たんせいとめかおるてん览将从2015ねん3がつ3にちいたり3がつ11にち举行, 每日まいにち从早じょう11てんいたりばんじょう9てん开放。

Cover image: Village in Kuching 山都やまとのぞむ渔村 すすむ


Foreword Born in 1940, Ling Cher Eng was a second-generation Singaporean artist. Ling studied Chinese painting under the pioneer artist Fan Chang Tien (1907-1987) from 1957, when he attended Chung Cheng High School. The literati tradition of the Shanghai School of painting as practised by Fan, which can be traced back to the Shanghai School masters Wang Geyi, Wang Yiting, Pan Tianshou and Zhu Wenyun deeply influenced Ling and resonated with his passion for ink painting. Ling greatly admired Fan and studied under him with determination to master the arts of verse, painting, calligraphy and seal-carving, the four attributes of the literati tradition. Ling’s dedication and perseverance led him to continue his tutelage under Fan for the next thirty years from 1957 to 1987, making him the first and longest disciple of Fan Chang Tien. Having acquired a strong foundation from Fan’s tutelage, Ling Cher Eng’s works captured the carefree and effortless expressionism of the Shanghai School xieyi style. Ling’s oeuvre spans a wide range of subjects. Not only was he adept at classical themes of the plum blossoms, orchids, bamboo and chrysanthemum (known in Chinese as the sijunzi or ‘four gentlemen’), Ling was also creative in applying his talents to more uncommon subjects in Chinese painting, including tropical fruits and flowers, the regional landscapes of Malaysia, Thailand and Singapore, both urban and rural; nudes and portraits, and his lively depictions of snails and sparrows among other subjects. Ling especially won recognition and praise for his paintings of plum blossoms and his landscape works, noteworthily their bold composition and for his daring use of ink as an expressive force in itself. In his Southeast Asian themes, he painted sceneries of Singapore, Malay kampungs and Balinese landscapes, bringing to life these regional vignettes in his vigorous style which still preserves the finesse and detail of his subject matter. The largeness of spirit and expression typical of the Shanghai School can be seen in his classical themed paintings of birds and flowers. But Ling went beyond the traditions in which he was schooled, incorporating increasingly abstract qualities in his work. By the 1990s, his work in the landscape genre had included the usage of acrylic paints, making him stand out as a modern Chinese painter of the times. Other than his personal achievements as an artist, Ling is also one of the founders of the Hwa Hun Art Society, serving as president and vice-president of the Society several times. He played a pivotal role for the promotion and education of Chinese ink painting in Singapore. He was the head of department

Photo taken at the home of Fan Chang Tien during Wang Geyi’s visit to Singapore, 1985. 1


of art at the New Town Primary School for many years, where his students often scored good results in art competitions. Through all these, Ling has contributed to the teaching of art and Chinese painting in Singapore, with dedication to his profession as a teacher and an artist. Ling Cher Eng – an ink legacy of our time – passed away of a sudden illness while on tour with his artist friends to Taiyuan, Shanxi Province in China, in 1995. Nearly 20 years on, he is very much remembered by those who knew him, and his works are still enthusiastically mentioned among ink painting circles. His works brought together the tradition of the Shanghai School with the regional characteristics of the Nanyang region and certain elements of Western art. All his efforts have ensured his place in our Singaporean art history, and we sincerely hope that through this retrospective exhibition, more people may learn about one of Singapore’s most exemplary ink painters.

前言ぜんげん 丹青たんせいとめかおる

つい忆海弟子でし林子りんこかげ遗作てん

林子りんこかげ(1940-1995ねん),しん坡已著名ちょめい画家がかうみしん弟子でし,师从うみ画家がか范昌范昌いぬいだい弟子でしまたとくりょく门生。 范昌いぬい乃海だい师王个簃、おういちちんてき学生がくせい,50年代ねんだいちゅう辗转きょみん しん坡。1957ねん范昌いぬい在中ざいちゅうせい中学ちゅうがく担任たんにん术老师时,林子りんこかげせい 青春せいしゅん年少ねんしょう便びん跟随ろう师学艺,林子りんこかげ对范あきらいぬい诗词、书画、 篆刻てんこく无不钦佩,したてい决心开始がく中国ちゅうごく水墨すいぼく虚心きょしんがく习老 师的いち一式いっしき勤学きんがく练,跟随ろう师习さんじゅうねんひさちょくいたあきらいぬい87ねん过世为止。林子りんこかげいたうみ绘画てき传,つう过他てきさく ひん无论よう笔、ようすみようしょくぬのきょく处处出海でうみ绘画てき传统功力くりき またゆう自己じこ特色とくしょく作品さくひんたいじん寻味。     欣赏林子りんこかげ作品さくひんぶん部分ぶぶん,书法、山水さんすいはな鸟、抽象ちゅうしょう。其 ちゅう山水さんすいはな鸟最为突出とっしゅつ林子りんこかげてき山水さんすい题材多数たすう东南亚风 けい也有やゆう中国ちゅうごく名山めいざん大川おおかわ笔下てき狮城しょうけい、马来むらしょうともえりん岛 风光、やすし北村きたむら寨等作品さくひん,构图巧妙こうみょう,设色清雅せいが,笔墨淋漓りんりちがや Lotus by Ling Cher Eng

くさ小屋こやしょう桥木せんかわ边嬉戏的马来妇女,むかい风飘摆的だか耸耶 はやしこく非常ひじょうせい细又见笔ぼく功夫いさお,实在みょう不可ふかげん

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林子りんこかげはな作品さくひん处处出海でうみてきだいうつし传统功力くりき,纵横 豪放ごうほう、潇洒飘逸、淳朴じゅんぼく浑厚。うめ、兰、たけきくてきほう显示扎 实的うつしもと础又以创しん梅花ばいかてき构图大胆だいたんさいよう画面がめん满构 图又ざい空白くうはく处写じょう书法诗句,たい现了梅枝ばいし苍劲、梅花ばいかしげみつ, 风格独特どくとく,90年代ねんだいはつ林子りんこかげ开始创作じゅういろどり水墨すいぼく抽象ちゅうしょう山水さんすいだい きも运用泼彩泼墨,挥洒如,轻松奔放ほんぽう中国ちゅうごく名山めいざん风光, 此时林子りんこかげ创作やめはしこう高峰こうほう。     ざい林子りんこかげてき作品さくひんじょう具有ぐゆううみ传统功力くりきまたゆう南洋なんよう特色とくしょくなま长在南洋なんようてき林子りんこかげせい优秀てきうみ弟子でしうみ绘画发扬こう だいてきどう时又とおるにゅう自己じこ处的环境,创作无数具有ぐゆう南洋なんよう风的优秀 作品さくひん还积极参与さんよかく种艺术活动,担任たんにん学校がっこう主任しゅにん担任たんにん 华翰书画研究けんきゅうかいかい长,担任たんにんちゅう华美术研究けんきゅうかい理事りじ教学きょうがくしん他所よそきょうてきがく生成せいせい突出とっしゅつ,获奖无数。林子りんこかげざい术活动中 为新坡做りょう重大じゅうだい贡献。不幸ふこうてき林子りんこかげ于1995ねん12月あずかよし 术同じんどもゆう中国ちゅうごく山西さんせいふとしげん时病逝,享年きょうねん55岁。此乃しん坡美术 かいてき遗憾损失。     林子りんこかげやめ经离开我们整せい20ねんただしひと们没ゆう忘记林子りんこかげぼつゆう忘记对新坡美术的贡献,よし术界人士じんしさら经常提起ていき 。为了缅怀つい忆林かげ,这次林子りんこかげ家人かじんかげてき遗作整理せいりてい现给大家たいかわが们很荣幸のう举办此活动,希望きぼう这些作品さくひんだい 欢并从作品さくひんちゅうのうさとるいたちゅう华水墨画ぼくがてき精髓せいずい。 Iola Liu Asia Art Collective

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Sightseeing by the Falls 飞瀑图

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West Lake of Hangzhou 中国ちゅうごく西湖さいこ

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Kampung Life むらしょう

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Magnificent Landscape 树里人家じんか

Rural village - Chiangmai やすしきたきよし莱村寨

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Kampung in Malacca ゆう古城こじょう六甲ろっこう

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Fresh Fragrance りゅう

Plum Blossoms うめ

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Full blossom 满目あきはな

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Plum Blossoms in Spring 古木ふるき春寒しゅんかん

Wisteria and Rock むらさきふじいし

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Xidai Falls in Yunnan 西にしそうばん纳瀑ぬの

Temple in Penang 槟城だいはくこう

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Asia Art Collective is an art gallery and consultancy specialised in representing emerging and established Singaporean and Chinese artists. We provide a range of art-related services including artwork commissioning and artwork dealing, sourcing and brokerage services for private and public collectors. We welcome both new and experienced collectors to discuss with us on your collecting interests and appraisal needs. Opening Hours: 11am - 7pm daily Gallery address: 19 Tanglin Road, #03-42 Tanglin Shopping Centre, Singapore 247909 Tel: 6733 2155 Email: info@asiaartcollective.com


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