… Henry Fuseli's The Nightmare (1781) is an iconic Romantic painting that depicts "darker,
irrational forces" in a gothic style ("Henry Fuseli… the unconscious" ("Henry Fuseli, The Nightmare"…

… that goes back to the time of the early Romantics, Martin Myrone’s exhibition and catalogue,
… its central object a late eighteenth-century painting (Henry Fuseli’s ‘The Nightmare’), locates …

… Luisa Calé’s book sets out to reconstruct the Swiss painter, Henry Fuseli’s “ill-fated” flop,
the Milton Gallery exhibited in London in 1799-1800. The book then analyses the Gallery as a …

… reader want to know more about texts and ideas that are touched upon in discussion but that
the specific focus of the book makes it impossible to deal with in detail, such as Henry Fuseli…

… others to be reproduced, for example, The nightmare after Henry Fuseli (1783) by Thomas
… Furthermore, studies show that most of the intellectual generation of English Romanticism …

… He joined the circle of painters around Henry Fuseli at the Royal Academy. By this time Fuseli
was already well established in the art world for such intense and imaginative paintings as …

… Mrs Tayler incidentally fails to mention the clear signs of Henry Fuseli’s influence on Blake’s
… Abrams goes on to consider the relationship between romanticism and modernism in …

… Bullen’s chapters move chronologically from the English Romantics to DH Lawrence …
Venetian color had already been valorized in Henry Fuseli’s writings, William Etty’s paintings, and …

… and engravings by Jacques-Louis David, Henry Fuseli, William Blake, and John Flaxman
alongside … Where Keats and the Romantics persistently responded to material exhibitions with …

… The Revolution appears in the work of all the Romantics as an event of fundamental
significance, as we bring out in our comments, say, on Wordsworth’s The Prelude or Shelley’s …