… galleries, Swiss-born painter Henry Fuseli worked on multiple commissions for John Boydell…
, le peintre d'origine suisse Henry Fuseli travaillait sur des commandes pour la Shakespeare …

… This Visiting Fellowship at the BSR provided the ideal opportunity to deepen an understanding
of Henry Fuseli’s (1741–1825) seminal period of work in Rome in the 1770s, which acted …

Index 279 and comfort, 5, 163–66 as ‘dead science’, 5 definition of, 2, 59, 217 and
disciplinarity, 18, 70, 194 and dissent, 29 eighteenth-century, 3 emergence of, 4, 26, 70, 85 and …

… at the Royal Academy of Art in London, Henry Fuseli (1741–1825) created a series of …
Henry Fuseli’s representation of the ideal woman, embodying values of justice and morality. …

… It has not been previously unremarked by students of British art, but is of considerable interest
for the way in which it challenges and reinvents Henry Fuseli’s painting The Nightmare (Pl …

… Blake and Henry Fuseli will directly inform my analysis, but I will also look at contemporary …
By looking at the meaning of artistic creation for Mary Shelley, William Blake and Henry Fuseli …

Several critics (eg Joseph 1975, 109; Ward 2000, 20–31) have suggested that Henry Fuseli’s
Nightmare (or-mares, as there were at least three versions of it: 1781, 1791, 1793) was an …

It has been variously remarked that the figure of Shakespeare’s Fairy Queen, Titania, in
Henry Fuseli’s painting, Titania and Bottom (c 1790) is almost certainly an appropriation of …

… Through a focus on printed, visual imagery from practitioners such as James Gillray, William
Blake, John Thomas Smith, and Henry Fuseli, the book addresses challenges posed by …

… Henry Fuseli's The Nightmare (1781) is an iconic Romantic painting that depicts "darker,
irrational forces" in a gothic style ("Henry Fuseli… the unconscious" ("Henry Fuseli, The Nightmare"…