… Blake and Henry Fuseli will directly inform my analysis, but I … Mary Shelley, William Blake
and Henry Fuseli and their treatment … First, I will show that Shelley, Blake and Fuseli favour the …

… By the 1790s, he became the favored reproductive engraver to artists like Henry Fuseli (1741–1825)
and Thomas Stothard (1755–1834) and received regular employment from …

… of painting and keeper Henry Fuseli, whom Wainewright described as “the god of my
worship.”His debt to Fuseli was documented through juxtapositions such as Fuseli’s Eve from the …

… galleries, Swiss-born painter Henry Fuseli worked on multiple commissions for John Boydell’…
single copy etched by William Blake, Fuseli weaves a dense associative network of dreams, …

… Henry Fuseli’s black chalk drawing Satan Summoning His Legions, which shares compositional
elements with Blake’s engraving after Fuseli … engraved by William Blake from Flaxman’s …

… It has not been previously unremarked by students of British art, but is of considerable interest
for the way in which it challenges and reinvents Henry Fuseli’s painting The Nightmare (Pl …

… by Henry Fuseli, entitled Odysseus in front of Scylla and Charybdis, in which Fuseli reimagines
… Read in conjunction with Blake’s Newton and Metz’s Imitations, Fuseli’s adaptation of the …

… In 1780, he met the Swiss artist Henry Fuseli, who also became his friend, and exhibited
a water-color at the Academy. Blake never felt the Royal Academy to be his place, since he …

… He came to know such artists as Henry Fuseli (artist and man of letters himself), John
Flaxman, and Sir Joshua Reynolds (he would later reject the classic style of the latter). There was …

… Henry Fuseli, Detail of Odysseus facing the choice between Scylla and … This study considers
the marginalia left by William Blake in his copy of The Works of Sir Joshua Reynolds (1798). …