Beyond the Filthy Form: Illustrating Mary Shelley's Frankenstein
… Von Holst was a disciple of Henry Fuseli (1741–1825), the Romantic painter especially well
… Von Holst had the golden opportunity of approaching Frankenstein in a naïve way, entirely …
… Von Holst had the golden opportunity of approaching Frankenstein in a naïve way, entirely …
Frankenstein's monster and images of race in nineteenth-century Britain
HL Malchow - Past & Present, 1993 - JSTOR
… Godwin's Caleb Williams or Mary Shelley's Frankenstein, obviously resonate with the events
of … In contrast this essay will offer a racial reading of Mary Shelley's Frankenstein as a third …
of … In contrast this essay will offer a racial reading of Mary Shelley's Frankenstein as a third …
Face, Figure, Physiognomics: Mary Shelley's" Frankenstein" and the Moving Image
SJ Juengel - Novel: A Forum on Fiction, 2000 - JSTOR
… Many critics have noted that Elizabeth's posture (her body pitched across the marriage bed)
mirrors Henry Fuseli's famous painting, The Nightmare (1781), a painting Shelley may have …
mirrors Henry Fuseli's famous painting, The Nightmare (1781), a painting Shelley may have …
Counterfactual obstetrics: Mary Wollstonecraft's Frankenstein
DW Davies - Counterfactual Romanticism, 2019 - manchesterhive.com
… murder of Elizabeth Lavenza on her wedding night in Frankenstein, so her mother, wresting
that possibility from her daughter, deploys Henry Fuseli’s painting, Theodore Meets in the …
that possibility from her daughter, deploys Henry Fuseli’s painting, Theodore Meets in the …
In Want of Keeping: Painting and the Sympathetic Imagination of Frankenstein
K Martin - Eighteenth-Century Fiction, 2020 - utpjournals.press
… been well documented in Frankenstein scholarship. As her … depictions of portraits in
Frankenstein, arguing that portraiture … replicated in Frankenstein, namely Henry Fuseli’s The …
Frankenstein, arguing that portraiture … replicated in Frankenstein, namely Henry Fuseli’s The …
The gothic sublime
V Mishra - A New Companion to the Gothic, 2012 - Wiley Online Library
… We turn again to the idea of the Gothic double so well crafted in Mary Shelley’s Frankenstein
, where the Doctor creates the Monster who is his own perverse mirror image:“my form is …
, where the Doctor creates the Monster who is his own perverse mirror image:“my form is …
The voice unbound: Mary Shelley's vision of romanticism
CN Smith - 1991 - scholarship.richmond.edu
… Robert Ryan suggests that Frankenstein was part of Mary's search for an alternative to …
Frankenstein. The Last Man is a later and important step in an evolution from Frankenstein. …
Frankenstein. The Last Man is a later and important step in an evolution from Frankenstein. …