… The origin-story with which I close this essay is Mary Shelley as origin. What was surely …
candor, he recounted her obsession with artist Henry Fuseli; her affair with Imlay and its child; …

… is the pivotal character through whom Aldiss revises and reinterprets Mary Shelley’s novel.
… gothic novels and the art of Henri Fuseli. I then explore Mary Shelley’s use of the double in …

… Chapters Eight and Nine conclude this study with an examination of Mary Shelley’s last
two novels, Lodore (1835) and Falkner (1837). As domestic fiction, these works echo the …

… In republishing the poem in her first collected edition of 1839, Mary Shelley suppressed
the dedicatory stanzas to Harriet. She also added a note to the poem portraying the spirit of …

… In the above paragraphs I have referred to her as both Mary Godwin and Mary Shelley. She
was Miss Godwin when, aged eighteen, she first conceived Frankenstein and Mrs Shelley …

… of my MA thesis will examine Mary Shelley's representations of the body … To be more specific,
I will explore Shelley's political … In this respect, I will focus on Shelley's ideas for a political …

… Henry Fuseli, destroyed by the absorbing, remarkable, and painful picture of a vulnerable,
Shelley … momentous fifteen-year period in which Mary an age which demeaned such efforts, a …

… , Frayling draws attention to Henry Fuseli’s The Nightmare (1781), which served as a
template for some of the staging and publicity for James Whale’s Frankenstein. Fuseli’s terrifying …

… We cannot suppose from this that Mary Shelley intended the events to match up to real
dates. I merely suggest that it is possible to provide a provisional reconstruction of the internal …