… served to silence them (take a look at Henry Fuseli’s striking sketch … Shelley knew the work
of Winckelmann, much less the other writers. Mary Shelley records in her journal that Shelley …

… Scortish-born author and social reformer, Mary Shelley reveals juSt how much she felt her
life … the married artist Henry Fuseli, ber residence in revolutionary France, her liaison with the …

… , Henry Fuseli, was one of Mary Wollstonecraft's romantic interests, and it is therefore more
than probable that Mary Shelley's mother knew of Winckelmann. Although Fuseli's translation …

… publisher Joseph Johnson, with whom she was collaborating on the Analytical Review,
and the Swiss painter Henry Fuseli with whom she was entangled in an unrequited love affair. …

… In his introduction to Mary Shelley’s novel, Maurice Hindle says that ‘we need to look no …
Mary Shelley’s story has now been reduced to one voice, Henry Frankenstein’s, and it is his …

… Mary Shelley’s Frankenstein; or, the Modern Prometheus (1831). The edition, number IX of
Henry … Von Holst was a disciple of Henry Fuseli (1741–1825), the Romantic painter especially …

… Henry Fuseli’s monstrous ‘bedroom scene’ in The Nightmare (… Fuseli traversed boundaries
of decorum in both his artistic … Byron, Mary Shelley and Percy Shelley while visiting Geneva.…

… 15 Mary Shelley … The'second generation'of Romantic poets occupy the next three
chapters: Chapter 8 is on Shelley, Chapter 9 on Keats, and Chapter 10 ranges over their …

… Mary Shelley is telling us that we cannot control what we feel. … Mary Shelley leads her readers
through a twisty, exhausting … Mary Shelley, almost from her birth, was a voracious reader, …