… of reflexivity, suggest Henry Fuseli's The Nightmare as the inspiration for … Fuseli's The
Nightmare hangs over the fireplace in Mary Godwin and Percy Shelley's bedroom causing Mary to …

… reproduces the various viewpoints in Fuseli’s painting and announces … Nightmare in mind,
Mary Shelley identifies herself with the female in the paintings, while recounting her nightmare …

… for nightmarish dreams. Fuseli’s frustrated love for Anna Landolt, which resulted in his own
dream, inspired the female portrait appended to the back of the canvas of The Nightmare (…

… This essay explores Henry Fuseli’s The Nightmare (1781), its intermedial modes of transmission,
and the intermedial poetics and reading practices it generates. The sensational power …

… Nightmare (Mellor 120, Gerhard 109). Indeed, Frankenstein's description of Elizabeth's
body could very well be that of the woman in The Nightmare: "She was there, lifeless and …

… I will therefore be interested in two artists when thinking about Frankenstein – Mary
Shelley, the author of the novel, and Victor, the artist of the story – and their artistic choices, …

… Shelley would likely have been familiar with the Incubus myth. Her fascination with her dead
… the artist Henry Fuseli, whose painting "The Nightmare" depicts the Incubus Demon. Shelley …

… The vast amount of critical material generated by Fuseli’s The Nightmare makes it impossible
to look at the painting simply as visual art, the variety of verbal re-presentations being such …

… Henry Fuseli's painting The Nightmare (… Fuseli's monstrous creation in his writings, but he
certainly displayed this print in his apartment from the 1920s onwards and believed nightmares …