… of Henry Fuseli (born Jo-hann Heinrich Fiissli, 1741-1825). In any case, a study in Fuseli, and
… Fuseli is best known today as the artist of The Nightmare (1781, Detroit Institute of Arts), an …

… had been published privately in An Apology for Tales of Terror (1799) and then, as originally
commissioned, in Matthew Lewis’s Tales of Wonder (1801). Conversely, Fuseli’s vivid and …

… with Fuseli it so often must be [that] he is trying to inspire terror.”The terror of the sublime is
interwoven into Fuseli’s oeuvre, but the erotic drawings, private and therefore less reserved, …

… Henry Fuseli (1741-1825), and an international circle of artists active in Rome in the 1770s.
In this volume, Pop examines Fuseli … conventions in the more private medium of drawing. He …

… history sprinkled with gothic terror. Verses by Darwin … private experience is really
communicated, we must confront the theory with actual audiences faced by Lady Hamilton and Fuseli…

The wash drawings and oil paintings of subjects from Greek tragedy by Anglo-Swiss painter
Henry Fuseli (1741–1825), routinely categorized as romantic classicism, might be better …

… history sprinkled with gothic terror. Verses by Darwin … private experience is really
communicated, we must confront the theory with actual audiences faced by Lady Hamilton and Fuseli…

… galleries, Swiss-born painter Henry Fuseli worked on multiple commissions for John Boydell’…
, Fuseli mistakenly believed, fertile ground for commercial exploitation. Drawing on Fuseli’s …

… Fuseli’s drawings were a means by which the artist could distance himself from the Academy,
albeit privately… explain the overall exhilarating atmosphere of terror in Fuseli’s drawings, in …

… by Henry Fuseli (1741-1825), and an international circle of artists active in Rome in the 1770s.
I examine Fuseli's … I conclude with a brief consideration of the public and private in Fuseli's …