Fuseli's Milton Gallery: Satan's First Address to Eve as a Source for Maria Edgeworth's Belinda

J Cass - ANQ: A Quarterly Journal of Short Articles, Notes and …, 2001 - Taylor & Francis
Early in the narrative of Befindu, Maria Edgeworth uses Lady Singleton's masquerade ball to
unveil the virtues and defects of her principal characters. Lady Delacour, Belinda's social …

[書籍しょせき][B] SHAKESPEARE ILLUSTRATED, 1770-1820

EG Dotson - 1973 - search.proquest.com
Reproduced with permission of the copyright owner. Further reproduction prohibited without
permission. Page 1 Reproduced with permission of the copyright owner. Further reproduction …

Henry Fuseli and the Sexual Sublime

S Carter - 2014 - atrium.lib.uoguelph.ca
Anglo-Swiss artist Henry Fuseli (1741-1825) shared drawings of a sexually charged and
implied sadistic nature among an elite and intimate group of male artists. These drawings …

[書籍しょせき][B] The face as an element of style: physiognomical theory in eighteenth century British art

DB Yonker - 1969 - search.proquest.com
University Microfilms, Inc., Ann Arbor, Michigan Page 1 This dissertation has been
microfilmed exactly as received 70-5700 YONKER, Dolores Beck, 1926THE FACE AS AN …

Erasmus Darwin, Henry Fuseli, and" The Temple of Nature": Religion, Poetry, and Art in Enlightenment Natural History

SJ Kessler - 2013 - search.proquest.com
Using methodologies developed by current practitioners in religion-science studies, this
thesis attempts a new reading of Erasmus Darwin's didactic poem The Temple of Nature …

[書籍しょせき][B] Sawrey Gilpin, RA (1733–1807): British animal painting in the Age of Sentiment

SH Ferguson - 2005 - search.proquest.com
Like his greater rival George Stubbs, the eighteenth-century animal painter Sawrey Gilpin
attempted to raise his art to the level of history painting. In subjects chosen from British …

CHAPTER THIRTEEN A NIGHTMARE EXPERIENCE: HENRY FUSELI'S THE NIGHTMARE

B STOKER'S, HA RICH - Florida Studies Review, 2018 - books.google.com
“Dream paintings” were by no means a new subject within the art historical canon when
Henry Fuseli began work upon his 1781 masterpiece, The Nightmare. Painting The …

The embodiment of sublimity: discourses between visual, literary and philosophical conceptions of sentience in the drawings of Henry Fuseli, 1770-78

AE Boulton - 2015 - etheses.bham.ac.uk
This thesis provides a thematically-based interpretation of Henry Fuseli's art-making
focusing on his drawings of the 1770s-a period that is shown to be his most important phase …

[引用いんよう][C] " Fuseli Drawings": A Loan Exhibition

H Fuseli - 1954 - The Institution