In this ground-breaking study Saggini explores the relationship between the late eighteenth-
century novel and the theatre, arguing that the implicit theatricality of the Gothic novel made …

What does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda
Eva Stanyon rereads and resounds this crucial aesthetic category in English and German …

Numerous claims have been made for a sexual Blake, from post-lapsarian pessimist to free-
loving hippie. Queer Blake raises a flag for the weird, perverse, camp and gay directions of …

This thesis offers a contextual framework for interpreting the expressive worlds of the
instrumental works Schubert composed in the last six years of his life (1822–1828), focusing …

Gothic dreams and nightmares 2 over the course of more than two centuries in different
nations, media, and literary forms yield tremendous scholarly dividends. Primary among …

The visuality of the Gothic is now a well-established critical theme. The Gothic is,
ineradicably, an architectural term, and even if the Gothic novel and the revival of Gothic …

In the years around 1790, when literary picture schemes came to dominate London's
marketplace of commercial galleries, Swiss-born painter Henry Fuseli worked on multiple …

Anglo-Swiss artist Henry Fuseli (1741-1825) shared drawings of a sexually charged and
implied sadistic nature among an elite and intimate group of male artists. These drawings …

Luke Terlaak Poot,“Scott's Momentaneousness: Bad Timing in The Bride of
Lammermoor”(pp. 283–310) This essay takes up the debate at the beginning of Walter …

Francisco de Goya artistically recorded evolving definitions of madness that preoccupied the
eighteenth-century. Questions arise regarding the origin and nature of madness, what to do …