… Seiho's screen, presently owned by the Fujita Art Museum, measures 239 x 281.8
centimeters (8 feet x 9 feet 5 inches). See, for example, Harada 1981, pl. 19 and p. …

THE 1990 PUBLICATION OF VIDYA DEHEJIA'S ARTICLE," On Modes of Visual Narration in
Early Buddhist Art" was a welcome event for students of visual narrative.'Her elaborate and …

… 63 This embroidery is based on a Seihō painting in the Fujita Art Museum: Lion, fourfold
screen, color on silk, 239.0× 281.8 cm, c. 1902. It is reproduced in Kyoto-shi Bijutsukan, Seihō, …

… Comparing the lotus-petal base of the mid-thirteenth century painting of Kokūzō Bosatsu at
Fujita Art Museum in Osaka with the petals of the Kakuanji sculpture’s lotus base—which, we …

… A late Heian period armrest also from the shrine is now in the collection of the Fujita Art
Museum. Statues of koma-inu, "lion-dogs," which once stood guard at the shrine's entrance are …

… 63 This embroidery is based on a Seihō painting in the Fujita Art Museum: Lion, fourfold
screen, color on silk, 239.0 × 281.8 cm, c.1902. It is reproduced in Kyoto- shi Bijutsukan, Seihō, …

FOR many historians of Japanese painting, the first half of the fifteenth century is the age of
poem-paintings (shigajiku iWO), figural or land-scape subjects in monochrome ink, …

In Kyoto's intertwined arenas of politics, culture, and industry, the nineteenth century presented
more devastating challenges than the seventeenth century. The opening of diplomatic …

A new iconographic theme began to appear in Japanese Buddhist art of the twelfth century.
It was referred to in contemporary diaries as ‘Fugen jūrasetsunyo,’and it combined the …