TVSquad

Last time on 'Saturday Morning' we took at look at the ambitious NBC schedule of the 1973-74 television season. This time we will examine the lineups for ABC and CBS during that time period.

At a quick glance, both networks maintained the 'primetime' look that was established by ABC the season before by adding a number of shows that featured animated versions of nighttime television characters. This was in addition to the shows that already existed, which made this one of the first seasons where real-life characters nearly outnumbered imaginary ones. This was also the first year for the 'all-star' genre of cartoons. ABC featured two of these types of programs, both featuring characters well-known to a previous generation of Saturday morning viewers.

I can't tell you how uninterested I am in the new Star Wars series that debuts on Cartoon Network tonight at 9pm, The Clone Wars. In fact, I don't think I'm interested in the Star Wars universe at all anymore. To quote a cliche, been there, done that. To quote Yoda, watch it I won't.

Honestly, it seems like George Lucas is just creatively bankrupt. He keeps going back to the same thing (it's actually the second Clone Wars series - there was another in 2003).. He couldn't stop at the first three films in the Star Wars franchise, he had to give us three more. The first one is abysmal, the second one is OK, and the third one is pretty good. Just when you thought the entire saga was over, he comes out with an animated feature film this summer that was an intro to the new show that starts this evening.

I guess they think he's FOX-worthy. Now to go along with his hit game show Are You Smarter Than a Fifth Grader?, FOX has greenlit an animated series about a NASCAR family by and featuring the voice talent of Jeff Foxworthy. In fact, the same article goes on to report that they're developing a daily syndicated version of Fifth Grader also to be hosted by the redneck king. I could never really get into the show because too often the answer to the titular question is "No" and at this point it's just getting sad how stupid we're collectively getting.

As for the animated series, with the show set in the world of NASCAR, I worry that the premise is too narrow. But if anybody can turn a show about the redneck's sport of choice into a bona fide hit it would be the guy who helped turn the Blue Collar Comedy Tour into a national phenomenon. This guy gets the working class and they love him right back. I suspect he'll be gently poking fun at them much like his "You might be a redneck" jokes. If he goes too gentle, he can just call it King of the Track and be done with it.

Seventeen. That is the number of premieres that aired during the 1973-74 Saturday morning schedule. It marked the largest number of premieres since original fare began to be offered during the 1965-66 season. It also marked an official shift in the what the networks decided was rating-getting Saturday morning fare.

Taking an example from ABC's successful Saturday morning schedule during the 1972-73 season, the other networks loaded up their time slots with animated versions of its primetime related fare. There was also a lack of animated rock bands. With The Osmonds, Jackson 5ive and Amazing Chan and the Chan Clan off the schedule only one band (and one solo performer) joined the fray this time around.

The 1973-74 season also marked the return of some old Saturday morning favorites: Yogi Bear, Huckleberry Hound, Batman, Superman and Aquaman. After a bit of a vacation these characters returned to the airwaves in new formats. For all, it would be the beginning of a long-running Saturday morning relationship that would last well into the 80s.

I got a great letter this week from a fan named Harold Dickinson.

He writes, "I'm trying to get the name of a cartoon from the late 50's or early 60's. It had two characters who -- at least in my memory -- remind me of Penn and Teller. The one character was tall and bombastic, the other was shorter and never spoke- although he would whisper to the other character. I believe the smaller character was named Leonardo- but I wouldn't swear to it."

(S03E13) It feels like the third season started only yesterday, but it's over, kids. Even though it didn't end with a massive cliff-hanger like in previous seasons, it certainly went out with a bang. Because the lovely, creative people that make this wonderful show can feel our pain in waiting, Season Four is already in production and actors will be recording next month. Calm yourselves. If you're still looking for goodness to get your fix, check out our VB-related posts.

Check out this new AdultSwim.com interview with voice actor Michael Sinterniklaas, who plays, among other characters in the cartoon world, Dean Venture of The Venture Bros. In this video, you get to watch him get his hair cut. Oh, and he talks about The Venture Bros. but that's really secondary to my original intention of making sure you coiffure-fetish folks get your fill even on a TV site.

The best part is his Patrick Warburton impression, which was brief but sounded pretty spot-on. Apparently, all it takes to do a decent Brock voice is to drop your tone down, groan with frustration and say, "Ahh, boys..." Sinterniklaas also shares a story about one of his biggest fans' Dean tattoo, which is sweet and further enforces that the folks on Venture Bros. are super wonderful to their fans. Click after the jump and check it out.

Last time on Saturday Morning we took a look at the ABC schedule for the 1972-73 season. This time around, we are looking at the lineups for CBS and NBC.

As mentioned in the previous post, the way that the Saturday morning schedule shaped-up during 1972 was due, in part, to the way that then Saturday Morning programmer for ABC, Michael Eisner, decided to infuse it with a bit of primetime philosophy. The result for the other two networks was a schedule that featured more movie-like and variety-based cartoons as well as animated fare that emulated the primetime hits of that day. In addition, some primetime talent was brought onto Saturday mornings to help jumpstart the educational fare that had slogged along during the last two years. By combining primetime personality with animated programming the networks introduce a new genre of program into the mix.

Let it be known that my son knows a good thing when he sees it. He's 14 now, but between the ages of six and 10, he was obsessed with Foster's Home For Imaginary Friends, a Cartoon Network show that just earned an Emmy. Character designer Ben Balistreri won in the juried award category for individual achievement in animation for the "Mondo Coco" episode.

I would see the show in passing and think, what the heck is this? It just looked so weird, and the animation is practically primitive compared to today's CG standards. But the concept is somewhat more complicated.

In the Foster's universe, imaginary friends become physical beings the instant a child imagines them. An Imaginary Friend is completely real and can be seen, heard, and felt by all under most circumstances. The only problem is that children outgrow them, and they're left to fend for themselves.

Another giveaway today! This time we've got three copies of Transformers Animated - Season One on DVD for three lucky, random commenters. The DVD is available in stores starting tomorrow.

To enter, leave a comment below before 5:00PM Eastern, Friday, August 22 simply telling why you'd like to own this set. As always, we'll randomly choose three winners amongst the eligible entries. Some other details:
Click here for complete Official Rules.

(S03E12) Firstly, a bit of news. Both Doc Hammer and Jackson Publick, as opposed to a solo Doc, will be attending this year's Dragon*Con in Georgia, so go see them if you can. Secondly, the guys have done a video commentary for "ORB" and you can watch it on Adult Swim's website. Not as many off-topic ramblings that we know and love in this one, so if you miss irrelevance and mimed nunchuck skills, revisit the old "The Buddy System" commentary. And last but not least... This week's episode premiered on the Adult Swim Fix as usual, but this time there's actually bonus footage that was not included in the televised version. It's pretty self-contained, but definitely worth a watch. I've embedded it here, to save you that exhausting trip across teh internetz.

When I think about the Olympics I don't think about the grandeur of the competitions, the feeling of global community, the individual stories of the athletes, or the mesmerizing synchronized swimming routines. The one thing that comes to mind when I think about the Olympics: anonymity. Out of the thousands of athletes that compete in these games many fade into the daily routine of their countries once the Closing Ceremony is completed.

Yet, there are a handful, particularly the up-and-coming stars of each Olympic games, that remain in the spotlight well after the torch has been extinguished. Some continue into the professional sports realm, others become "experts" in their field, and some jump into another profession altogether. Then there are those who enjoy the television spotlight so much that they remain in the medium in one capacity or another.

Sometimes it's as themselves on other television properties. Other times they dabble into the acting field with mixed results. Here are seven Olympic athletes who continued their careers on television in one form or another.

(S03E11) We haven't seen the entire Venture family really buckle down and do some hardcore adventuring since last season's "Twenty Years to Midnight". This was more of a Da Vinci Code-esque adventure though, in the sense that it also involved mysterious paintings, secret codes, and weird albinos. This was one of the best episodes of the season, finally setting us on the right path to understanding many of the strange revelations from the flashbacks. Plus, it has set the perfect tone for our inevitably epic two-part season finale, starting next week.

With a couple of Osmonds, a few Brady kids, an old Chinese detective, a dog and his mystery-solving friends, and Bill Cosby, the second Saturday Morning Revolution began in earnest in 1972. And, it was a long road to hoe to get to this point. That was thanks to the radical changes that needed to be made to the schedule during the late 60s and first few years of the 70s. Changes that were the result of mounting complaints by citizen action committees as well as nervous network executives.

To review: from 1966 until about 1969 things ran fairly smoothly for the networks when it came to Saturday morning programming. With the popularity of superheroes during that time the schedules were full of programs featuring supermen, batmen, space ghosts and super presidents. As hero worship waned during the last years of the 1960s the networks turned their attentions to an older viewing audience, focusing on shows with a number of teenagers and young adults -- many of them in animated rock-and-roll bands.

But, by 1970, all of that changed. As pressures to air more educational and less violent and vapid fare came from all sides, the networks were unsure what to do. They wanted to continue airing cartoons, but they were so watered down (or imitations of what was already airing) that they weren't as entertaining. They presented a number of live-action educational programs to the schedule as well, but very few of them lasted more than a year. By 1971 it looked like the networks had all but given up on Saturday mornings.

(S03E10) The world of heroes and villains has a long, intricate history and with that comes lots and lots of cliches. Like, I mean, a lot of cliches. It was cool to see the show take on itself, making fun of things from invulnerable redshirts to protagonist/antagonist banter. Plus, we got to see giant robots and death rays, so all in all, it was a good day had by all. Also, "The Lepidopterists" pulled us back to the post-credits clip from "Tears of a Sea Cow". So, in case you're confused, all this took place after the Museum party and that's why there was no mention of the Monarch in the last episode. Got it? Good.