STARRING Hugh Grant, Sarah Jessica Parker, Mary Steenburgen
WRITTEN AND DIRECTED BY Marc Lawrence

Ever since she starred with Hugh Grant in the 1996 thriller Extreme Measures, Sarah Jessica Parker hoped she'd reunite with the actor in lighter fare. ''I love Hugh Grant,'' she says. ''I've seen every romantic comedy he's made — I've auditioned and screen-tested for most of them. Anyone who works in romantic comedy would want to do a movie with him.''

So when Morgans came her way, Parker signed right up — even though she and Grant wouldn't be meeting cute. The two play a rich New York City couple whose marriage is on the rocks. But after they witness a murder, they're forced to live together in the Witness Protection Program in Wyoming. ''While there, they encounter a bunch of things they're not used to seeing: horses and bears and bingo games,'' says Marc Lawrence, who also directed Grant in Two Weeks Notice and Music and Lyrics. Playing a fish-out-of-water on location in New Mexico wasn't a stretch for London native Grant. ''I was just utterly fascinated,'' he says. ''When we were shooting a rodeo, the production company had to put up a sign at the gate saying 'No concealed weapons.' I never thought I'd be on a set like that.''

STARRING Sam Worthington, Sigourney Weaver, Zoë Saldana, Michelle Rodriguez
WRITTEN AND DIRECTED BY James Cameron

Maybe you've heard of a little movie called Avatar? It's a 3-D sci-fi adventure set on the planet Pandora; the characters are CG-rendered and blue; it's been in the works forever, it cost a ton of money, and it may very well revolutionize cinema. And cure baldness. At least that's the impression many got from last month's Comic-Con, where 25 minutes of the $200 million-plus production were unveiled to the breathless, slack-jawed masses. There's no doubt that, with his first directorial feature since 1997's Titanic (which remains the biggest box office hit of all time), James Cameron is swinging for the fences. ''The reality is, every movie I've ever made was a swing for the fences,'' he says. ''That's just how I'm built. I'm like a baby rattlesnake. I can't just inject some of the poison, I have to inject all the poison, you know what I mean?''

Avatar had its start before Cameron ever shot a frame of Titanic. Fifteen years ago, he wrote an outline about a paralyzed soldier from Earth who — in the body of a 10-foot-tall avatar — travels to a lush planet and meets a race called the Na'vi. He brought the idea to his then F/X company, Digital Domain. ''They said, 'We're years away from what you want to do,''' says Cameron. ''So I stuck it in a drawer and forgot about it.'' Since then, he and his F/X posse have had plenty of time (and check-writing goodwill from Fox) to realize his vision. It's been a long haul. Just ask Avatar star Sam Worthington (Terminator Salvation). ''I spent 13 months filming with Jim,'' he says. ''One day you love each other, the next you hate each other. But I've never had a guy push me like that. That's why I like working in America. You guys love making big movies!''