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Lessing was the first important Romantic critic. He stated one of Romanticism’s chief innovations in his Hamburg Dramaturgy (1767–69):
The names of princes and heroes can lend pomp and majesty to a play, but they contribute nothing to our emotion. The misfortune of those whose circumstances most resemble our own, must naturally penetrate most deeply into our hearts, and if we pity kings, we pity them as human beings, not as kings.
Within a generation, revolutions in Europe and America offered social expression of this literary precept, and a dramatic tradition dominant for 22 centuries was ... (100 of 18073 words)
Aspects of the topic tragedy are discussed in the following places at Britannica.
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