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Aspects of the topic voice type are discussed in the following places at Britannica.
In Renaissance vocal music there were two principal variation techniques: contrapuntal variations following the stanzas of strophic chants; and sets of variations over a single, often quite lengthy, foundation voice in a mass or motet. In instrumental music a quite different sort of...
...or decreasing the air pressure on the glottal lips and not by enlarging the oral chamber, which merely resulted in a larger tonal volume. The style was also based on the principle that the voice has two “tones,” a diapason tone produced when the larynx is in a relatively low position, and a ...
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