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Both raga and tala provide bases for composition and improvisation in Indian classical music. A performance usually begins with an improvised section, called alapa, played in free time without accompaniment of drums. It may have various sections and might on occasion last half an hour or longer. It is followed by a composed piece in the same raga, set in a particular tala. In South Indian music all composed pieces are primarily for the voice and have lyrics. In North India, however, there are also some purely instrumental compositions, called gat and dhun. The ... (100 of 87193 words)
Aspects of the topic South Asian arts are discussed in the following places at Britannica.
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