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South Asian arts :: Dance and theatre -- Britannica Online Encyclopedia
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South Asian arts

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Dance and theatre

Theatre and dance in South Asia stem principally from Indian tradition. The principles of aesthetics and gesture language in the Natya-shastra, a 2,000-year-old Sanskrit treatise on dramaturgy, have been the mainstay of all the traditional dancers and actors in India. Even folk performers follow some of its conventions; e.g., the Kandyan dancers of Sri Lanka preserve some of the whirls and spins described in this ancient Indian text. Despite the influence of the different religious waves that swept the subcontinent through the centuries, the forms of South Asian dance and theatre were always able to preserve their ancient core.

Traditionally, dance and acting are inseparable. The classical South Asian dancer, equipped with a repertoire of gesture language, alternates between nritta, pure dance; nritya, interpretive dance; and natya, dance with a dramatic element. (The Sanskrit word nata means a dancer-actor.) Traditional theatre throughout both South and Southeast Asia is a combination of music, dance, mime, stylized speech, and spectacle. The classical and folk actor must be a dancer, a singer, and a mime in one.

Between the 2nd century bce and the 8th century ce, South Indian kings sent overseas trade missions, priests, court dancers, and sometimes armies to Southeast Asia. During these years of cultural expansion, Indian dance forms, mythological lore, and the language of gesture flourished in Myanmar (Burma), Cambodia, Java, Sumatra, and Bali. Later, when India’s economic and political power shrank, its cultural empire remained intact. Even when these Southeast Asian countries embraced Buddhism or Islam, they continued performing dance dramas with Hindu gods and goddesses, adding to these their own local myths, costumes, and masks. The two Hindu epics, the Ramayana and the Mahabharata, storehouses of dramatic personae of traditional dramas, have been absorbed by these countries as part of their own cultural heritage. Some dance forms and gesture vocabulary that died out in their land of birth have been preserved in Bali. For a discussion of the dance and theatre of Southeast Asia, see Southeast Asian arts: The performing arts.

Citations

MLA Style:

"South Asian arts." Encyclopædia Britannica. 2010. Encyclopædia Britannica Online. 20 Nov. 2010 <http://www.britannica.com/EBchecked/topic/556016/South-Asian-arts>.

APA Style:

South Asian arts. (2010). In Encyclopædia Britannica. Retrieved November 20, 2010, from Encyclopædia Britannica Online: http://www.britannica.com/EBchecked/topic/556016/South-Asian-arts

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IMAGES
  • Pallavi Krishnan performing the mohini attam.
[K K Gopalakrishnan]
  • Elevation of a North Indian temple with the latina type of superstructure.
  • Elevation of a North Indian temple with the śekharī type of superstructure.
  • Plan of the sanctum of a South Indian temple.
  • Elevation of a South Indian temple with the kūṭina type of …
  • Southern gopura of the Śiva temple at Chidambaram, Tamil Nadu, India, c. ad 1248
[P. Chandra]
  • Steatite seal, Indus valley civilization, c. 2300–c. 1750 bce; in the National …
[P. Chandra]
  • Mithuna, terra-cotta sculpture from India, Gupta period, 5th century ce; in the Honolulu Academy …
[Photograph by L. Mandle. Honolulu Academy of Arts, purchase, 2003 (12,476.1)]
  • Dagger with a horse-head handle, steel, jade, gold, rubies, diamond, and emerald, from India, …
[Photograph by L. Mandle. Honolulu Academy of Arts, gift of Drs. Edmund J. and Julie Lewis, 2002 (11851.1)]
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