(Translated by https://www.hiragana.jp/)
Intro: "A Horrible Experience of Unbearable Length" - Roger Ebert's Journal
The Wayback Machine - https://web.archive.org/web/20120919185359/http://blogs.suntimes.com/ebert/introduction-a-horrible-experi.html

Intro: "A Horrible Experience of Unbearable Length"

My third collection of reviews of movies I really hated. Order A Horrible Experience of Unbearable Length: More Movies That Suck from Barnes and Noble, Amazon or the independent bookstore of your choice:








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Introduction to the book By Roger Ebert I received several messages from readers asking me why I felt it was even necessary for me to review "The Human Centipede II." (There was also one telling me it should have been titled "Human Centipede Number Two," but never mind that one.) My reply was that it was my duty. I feared it would attract large crowds to the box office, and as it turned out I was right. I did what I could to warn people away. Certain colleagues of mine discussed it as a work of art (however "flawed"). I would beg them to think really, really hard of another movie opening the same weekend that might possibly be better for the mental health of their readers.

It was not my duty to review many of the other movies in this book. I review most of the major releases during the year, but I also make it a point to review lots of indie films, documentaries, foreign films, and what we used to call "art movies" and might now call "movies for grown ups." If I had skipped a few of these titles, I don't believe my job would have been threatened. But I might have enjoyed it less.

After reviewing a truly good movie, the second most fun is viewing a truly bad one. It's the in-between movies that can begin to feel routine. Consider, for example, the truly bad "Transformers: Revenge of the Fallen" (2009), the movie that provided the title for this book. I saw the movie, returned home, sat down at the computer keyboard, and the opening words of my review fairly flew from my fingertips: "Transformers: Revenge of the Fallen" is a horrible experience of unbearable length, briefly punctuated by three or four amusing moments. Where did those words come from? They were the simple truth. Gene Siskel always argued that he was a newspaperman first and a film critic second: "I cover the movie beat." What that meant for him is that his first paragraph should be the kind of "lead" they teach you to write in journalism school. Before you get to your opinion about a new movie, you should begin with the news. We could have an interesting discussion about whether the opening of my "TROF" review was news or opinion. To me, it was completely factual. To many readers who posted comments on my blog, it was completely inaccurate. It was opinion, and my opinion was wrong.

Yes, there are people who like the Transformers movies. I sorta liked the first one myself, in 2007. The charm wore off. The third in the series, "Transformers: Dark of the Moon" (2011) was no better. Predictably, some critics were inspired by TDOM to analyze the visual style of Michael Bay. Finding success in a Michael Bay film is like finding the Virgin on a slice of toast, but less rewarding.

Sometimes in my negative reviews I have weaknesses. I'm aware of them, and yet I indulge them all the same. Show me a bad movie about zombies or vampires, for example, and I will inevitably go into speculation about the reality that underlies their conditions. A few days ago, I was re-watching Murnau's original "Nosferatu" (1922), and something struck me for the first time. As you may recall, Graf Oriok, a character inspired by Count Dracula, encloses himself in a coffin and ships himself along with a group of similar coffins on a freighter bound for Wisbourg. He carries with him the Black Plague, which will kill everyone on board.

It struck me that this was an extraordinary leap of faith on his part. Inside the coffin he is presumably in the trance-like state of all vampires. He certainly must anticipate that everyone on board will soon be dead. The ship will be at the mercy of the winds and tides. If by good chance it drifts to Wisbourg (which it does), what can the good people of Wisbourg be expected to do? Prudently throw the coffins overboard or sink the ship to protect themselves from the plague, I imagine. But if they happen to open his coffin in sunlight, Graf Oriok will be destroyed. Luckily, he releases himself from the coffin at night, sitting bolt upright in a famous scene. But think of the things that could have gone wrong.

That's how my mind works. We are now far away from the topic of "Nosferatu." I am also fascinated by Darwin's Theory of Evolution as it implies to zombies. Since Richard Dawkins teaches us that the only concern of a selfish gene is to survive until the next generation of the organism that carries it, what are the prospects of zombie genes, which can presumably be transmitted only by the dead? And now do zombies reproduce, or spread? Oh, I could go on. Why must they eat flesh? Why not a whole foods diet of fruits, vegetables and grains? Maybe a little fish?

I know this has nothing to do with film criticism. I am blown along by the winds of my own zeal. If a good vampire or zombie movie comes along, I do my best to play fair with it. With a bad one, I am merciless and irresponsible. That's why I like the bad ones best.

Perhaps my reasoning goes like this: Few people buying the newspaper are likely to require a serious analysis of, for example, James Raynor's "Angry and Moist: An Undead Chronicle" (2004). This is a zombie movie I haven't seen so it will work well as an example. Therefore, it is my task to write a review that will be enjoyable to read even if the reader has no interest in the film and no plans to ever see it.

I suppose that explains a good many of the reviews in this book. Some of the films herein are only fairly bad. Some are not bad so much as evil and reprehensible. Others, let's face it, have no importance at all other than in inspiring movie reviews. Of all the films in this book, it is for those I am most grateful.
 

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25 Comments

A book with this title is not going to be easy to dedicate.

Ebert: The dedication reads:

"For Peter Sobczynski and his merry band of wise-crackers at the Lake Street Screening Room."

Regarding your Nosferatu musings: in the novel Dracula, Count Dracula can conrtol the storms, and uses the storm to navigate the ship he's on right in to the port he seeks. It was not left to chance at all. Also, even in Nosferatu he's not comatose in the onboard coffins at night. The shots of him rising from his coffin and stalking about the ship are some of the most-celebrated in the movie. As for dumping his coffin overboard, it would work even not at sunrise. According to Stoker, the running water would imprison him in the coffin and probably kill him.

Does it ever fit into your unfourtunate scheme that the knowledge of the person making the films overdawms his.imaginative pwers he was eclipsed in knowing and when he sought tips for how to provide an audience. But sone theatres just like don't give a daamn about bad reputation. So the opinion of art was bad then it became ruthless. And that takes us to me who would do art tasteful local respectful dignified. Comedick. Be a dick about comedy. Slogan!
But seriously how do you suffer all such foolery and far off distant places. And when are we gona build africa gant space shades?

Ordered. I adore your bad review books. They make me scream with laughter, once resulting in some embarrassment. That said, I do wish you'd give up this awful vendetta against Michael Bay. TROF was fun. The criticisms seemed unfounded to me. Dark of the Moon was a different story, disjunct and overblown, difficult to watch. My kids took me to see it, and at one point (that big thing tunneling through the building) she turned to me with a fatalistic shrug, and whispered, "OK, we're f***ed. What could anybody do??) That about summed it up. While on the subject, I love many of the films of Night Shyamalan, which seem to give you a severe headache. I confess I watch his films in an unorthodox way, more as poems than as prose, but I find them delightful. Thanks - anticipating some serious roars of laughter when the book arrives.

"Why does Michael Bay get to keep onnnn makin' movies? 'Cause Transformers sucked...just a little bit morrrre than I miss you."

Anyone who deals fairly with a bad movie and then gives it a negative review has performed an inestimable public service. I hope you appreciate how many hours of torment you've saved people from by throwing yourself onto the hand grenade of bad cinema.

Now, here's a curious thing. I've noticed that, in recent years, while you're quite merciless in skewering bad films, you seldom criticize bad performances, which seems to be the bread and butter of other film reviewers. And I wonder why that is.

You wrote Orlok as "Oriok". Just a minor mistake.
Until you mentioned TROF, I couldn't remember from which review came the title words...

Two comments:
1. Why no picture of you this time? Same thing with the Movie Yearbook. Run out of pictures of yourself?
2. This better not be like Your Movie Sucks where you only picked recent titles you didn't like. The first book was better, going back over many years to reviews never printed out before.

You the man, Roger.

Zombies eat brains because they need all the help they can get!

Kudos to Tim Lynch for the wonderful cover on your book, Roger. A great job!

I always thought you'd give a nod to the guy who suggested the title. Someone mentioned (I forget who) that you ought to name your next collection of sucky movies "A Horrible Experience of Unbearable Length".

Your reply: "That's it!"

Ebert: And so it was. Before anyone suggested it.

Okay. When I first read it well over a year ago, I had thought you placed "That's it!" as a reply because it was a eureka moment.

Donald Miller - the guy c'est moi. And given I too mistook the Eureka Moment, Roger and I have come to an undisclosed agreement. Ok, I'll disclose it: Roger has to refer to me as "my close personal friend Mike Spearns" once annually in a blog entry or Facebook status.

Reading reviews of bad movies is truly one of my greatest pleasures.

I have a smile on my face after reading, "I would rather eat a golf ball than see this movie again."

:)

Just bought the IBook, noticed a typo btw, in the index for Atlas Shrugged. Anyway, I just love your reviews on bad movies!

Roger, you're the only critic who can get me to buy collections of reviews I could just read online for free. My copies of I Hated Hated Hated This Movie and Your Movie Sucks are well worn from the hours I've read them with a nightcap.

It should be noted that Michael Bay later agreed that Revenge of the Fallen was bad, but only after it made $800 million. Dark of the Moon wasn't quite as bad, if only because it had so much going on (JFK, President Obama, Buzz Aldrin, Russian gangsters, and half the regular company of the Coen brothers all in one movie) that it was never quite boring. What gets me is how a fantasy manages to be drained of any real sense of fun in the hands of Bay.

I have the first two. I see on the back cover the third one contains your review of the execrable "The Last Airbender." I will be purchasing book three, you betcha.

Now, now..."The Rock" was a lot of fun, and you liked it a lot. If David Gordon Green can fall from grace, perhaps Michael Bay can rise to the angels. The theologian in me believes that all might be saved, even Michael Bay.

Roger I am truly blessed to have basked in your light. Keep it coming!

My favorite zombie movie: "Children Shouldn't Play with Dead Things." Made me laugh even when I saw it at age 12. http://en.wikipedia.org/wiki/Children_Shouldn%27t_Play_with_Dead_Things

Well, I've looked at the new book in the bookstore (will buy it later). Can see that you basically only used recent years again. I will compliment you on putting in some reviews that are not yet in your Yearbook but will be in the 2013 Edition, as you did in your first book of bad movies. However, I hope for the fourth one you try to go back a little bit more and put in some reviews that haven't appeared in print. It is pretty easy to do: Just go to your website and look for some one star reviews. If you need any suggestions, I'll help you out, my friend.

You the man Roger.

Could be someone else has injected this niggle, but just in case no one has--and out of deference to Irish authors, of which there have been not enough. Orlok and his story weren't "patterned" after Stoker, but plagiarized. Surely you know the tale of how the missus sued to get every copy of Nosferatu destroyed, and almost succeeded. Much as I support copyright laws, I'm glad she missed one.

Re Graf,

Im sure he's done it before. I suppose as a vampire you just learn to trust your intuition about some things. Somehow he discovered that if he put himself on a boat somehow things tend to work out for him. Including waking before the alarm clock. Likely if you asked him he wouldnt have been able to tell you much more than that.

I admit, i tune in to read the 1-1.5 stars. Your wit is attractive in that it contains humour and you dont feel you are about to pull a hamstring trying to outdo yourself. As you mention, your review goes with the movie, allowing the movie to remain the centerpiece. Sometimes, when I read 1 star reviews from other critics I get the sense the movie is the pretext and the "wit" of their review is the centerpiece.

Yes, re lines arriving. That is the territory of a natural writer/reader. Like Graf, you just allow it to happen and feel mildly amused when it does.

I read "because they need all the scalp they can get". i like my version. am currently reading blood meridian. i guess i have scalps on my mind. ohh.

best,

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