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May-December Archeologists
Archeologists in movies always work in pairs: A beautiful young woman and a grizzled old man. No archeological adventure ever made has featured a grizzled old woman and beautiful young man.
Keith Hiatt, Emeryville, CA
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Arbitrage (R)
We tend to identify with the leading character of a film, even if he is a heartless bastard. Few films illustrate this curiosity better than Nicholas Jarecki's "Arbitrage," and few actors might have been better at making it work than Richard Gere. Here is man involved in a multimillion-dollar fraud, who cheats on his wife, tries to cover up the death of his mistress and would throw his own daughter under a bus. Yet we are tense with suspense while watching him try to get away with it.

Beloved (Unrated)
"Beloved" is a labyrinth of French love stories that wind their way from 1968 to the near-present, pausing along the way to employ the Russian invasion of Czechoslovakia and the 9/11 attacks as historical backdrops. It uses Catherine Deneuve and her real-life daughter Chiara Mastroianni as Madeleine and her daughter Vera, and Ludivine Sagnier as a younger version of Madeleine.

Samsara (PG-13)
Ron Fricke's "Samsara" is a film composed of powerful images, most magnificent, some shocking, all photographed with great care in the highest possible HD resolution — or in 70mm, if you can find it. Filmed over five years, in locations in 25 countries, it is the kind of experience you simply sink into.

The Words (PG-13)
Almost every word Ernest Hemingway wrote in the years immediately before 1922 was lost by his first wife Hadley, who packed the pages in a briefcase and lost it on a train. Hardly an American lit student lives who has not heard this story.

Alps (Unrated)
"Alps" is a film peculiar beyond all understanding, based on a premise that begs belief. It takes itself with agonizing seriousness, and although it has the form of a parable, I am at a loss to guess its meaning. Yet I was drawn hypnotically into the weirdness.

Lawless (R)
"Lawless" is a well-made film about ignorant and violent people. Like the recent "Killer Joe," I can only admire this film's craftsmanship and acting, and regret its failure to rise above them. Its characters live by a barbaric code that countenances murder. They live or die in a relentless hail of gunfire. It's not so much that the movie is too long, as that too many people must be killed before it can end.

Compliance (R)
Well, what would you do? You'd never go along with this, right? You're too smart. Me, too. "Compliance" encourages us to feel superior to the employees of a fast-food chicken chain in Ohio, and so we do: Audiences are said to be outraged at what the characters do, and San Francisco-based critic Omar Moore went back to more screenings to confirm that there were walk-outs.

Oslo, August 31 (Unrated)
"Oslo, August 31st" is about a day, a city and a 34-year-old man named Anders, who is on release from a drug rehab center so he can go to a job interview. The film opens with his memories of growing up in Oslo, described in snatches of dialogue and shown in glimpses of film. Here he was happy. Almost every street and turning is familiar.

Sleepwalk with Me (Unrated)
The hero of Mike Birbiglia's "Sleepwalk With Me" is a stand-up comic who suffers from REM behavior disorder. One night in a motel in Walla Walla, he leaps through a second-floor window and escapes death but has to have glass splinters removed from his legs. His doctor tells him to start using a sleeping bag — and to wear mittens so he can't get out of it.

The Possession (PG-13) (8/29) »

Little White Lies (Unrated) (8/29) »

For a Good Time Call... (R) (8/29) »

The Awakening (R) (8/29) »

Premium Rush (PG-13) (8/22) »

Hit and Run (R) (8/22) »

Red Hook Summer (R) (8/22) »

Cosmopolis (R) (8/22) »

Chicken with Plums (PG-13) (8/22) »

Robot and Frank (PG-13) (8/22) »

Nobody Else But You (Unrated) (8/22) »

Sparkle (PG-13) (8/16) »

Why Stop Now (Unrated) (8/15) »

2 Days in New York (Unrated) (8/15) »

The Odd Life of Timothy Green (PG) (8/14) »

The Bourne Legacy (PG-13) (8/8) »

The Campaign (R) (8/8) »

Celeste and Jesse Forever (R) (8/8) »

A Simple Life (Unrated) (8/8) »

Searching for Sugar Man (PG-13) (8/8) »

Unforgiveable (Unrated) (8/8) »

Kumare (Unrated) (8/8) »

The Curators of Dixon School (Unrated) (8/8) »

Hope Springs (PG-13) (8/7) »

Total Recall (PG-13) (8/1) »

Killer Joe (NC-17) (8/1) »

The Queen of Versailles (PG) (8/1) »

The Babymakers (R) (8/1) »

Bill W. (Unrated) (8/1) »

The Watch (R) (7/25) »

Step Up Revolution (PG-13) (7/25) »

El Velador (Unrated) (7/25) »

Red Lights (R) (7/25) »

Sacrifice (Unrated) (7/25) »

Qwerty (Unrated) (7/25) »

Sleepless Night (Unrated) (7/25) »

Ruby Sparks (R) (7/24) »

Trishna (R) (7/17) »

Farewell, My Queen (R) (7/17) »

The Dark Knight Rises (PG-13) (7/17) »


 
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Set aside for a moment all of the controversy. Do me the favor of reading the actual words of the statement released by our Egyptian Embassy six hours before it was attacked by radicals, and before a similar attack in Libya that took four lives. Here it is:

Time travel, as we all know, is (1) impossible in any real-life, non-quantum sense, and (2) irresistible to filmmakers. Rian Johnson's Toronto entry "Looper" asks us to accept it as a premise, and you know what? It's handled more realistically here than anything in the plots of the average superhero movie. One of the strengths of time travel is its demonstration that if we could travel through time and meet our parents or even ourselves at an earlier age, it could be an unbearably emotional experience.

The winner of the Academy Award for Best Picture will be Ben Affleck's tense new thriller "Argo." How do I know this? Because it is the audience favorite coming out of the top-loaded opening weekend of the Toronto Film Festival. Success at Toronto has an uncanny way of predicting Academy winners; I point you to the Best Pictures of the last five years in a row: "No Country for Old Men," "Slumdog Millionaire," "The Hurt Locker," "The King's Speech" and "The Artist."
• Charlie Schmidlin

Sumptuous light, favorably bathed across richly-drawn characters and their worlds, have long been signifiers of a Patrice Leconte film, yet while such environments exist in the auteur's 1996 comedy-drama, "Ridicule," the words produced within them hold much more prominence.

• Omer M. Mozaffar in Chicago

As we race further and faster toward a global war between Christians and Muslims, and as we feel compelled to choose sides, I have to think back to my childhood. One of the blessings of my youth is that my parents raised me in the simple, small life of the South Suburbs of Chicago. When we landed, the overwhelming majority of South Asian immigrants took residence in the North and West sides. The blessing is not that I was raised away from most other Pakistanis and Indians. Rather, that I grew up in a town that boldly, humbly calls itself a "Community of Churches." It is a small town that banned all business on Sundays and prohibited any liquor sales any time of the day or week. And, what becomes more important is that when watching a film like Ridley Scott's "Kingdom of Heaven" (2005), I remember my wonderful neighbors, childhood friends, and teachers far more than I remember the television and internet bigots who today masquerade as Christians, no matter how many of them there seem to be.
thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.

Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.
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