(Translated by https://www.hiragana.jp/)
making art with the iPhone | Pixiq
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Art with the iPhone: case study

a multi-version example of iPhone art

More and more we see the iPhone becoming an important medium for the creative photographer. Here’s an example of how to do something different to brand your art photography.

A full vase of colorful tulips in slanting, afternoon sun looked like a fun image, so I casually picked up my iPhone 4S right there on the table. Not a bad result, but pretty garden variety. Nothing really worth showing to others or even a Tumblr post. Too simple, no impact, no emotion, no style.

Off to the app and Photoshop worlds to transform a snap into another medium, an interpretation that would evoke reaction and engender interest that would speak to audience.

About the manipulation of photographs: nothing is new. In 1903 Edward Steichen said . . .

In the very beginning, when the operator controls and regulates his time of exposure, when in the dark room the developer is mixed for detail, breath, flatness or contrast, faking has been resorted to. In fact every photograph is a fake from start to finish, a purely impersonal, unmanipulated photograph being practically impossible. When all is said, it still remains entirely a matter of degree and ability. Adobe Magazine 6(3), 104)

When speaking of art photography, I prefer to eliminate the word “fake”, substituting interpretation, fabrication, transformation. Basically it means using any method found to recreate a vision that suits ourselves and conveys a message different, greater or more interesting than the so-called “straight” image. 

tulipsoriginal.jpg

Original iPhone image as shot

This original image is just another garden variety flower picture; the world is awash in them. But by asking, “What more can I do with this image?”, that’s when creativity can take over. Much of this process is trail and error; not every experiment will be a satisfactory result. And much at this point becomes subjective, sometimes with the only criteria being an impact that stops the viewer long enough to elicit a reaction, relationship or understanding. 

I didn’t like the background details, or the vertical and horizontal posts. I began to think of a wash of color and light with halations. Something along the lines of watercolor. I admit to being influenced first by my past love for manipulated Polaroid SX70 and second by my many friends in the watercolor medium. 

tulipsstage1.jpg

Version 1 tulip iPhone image manipulation

The first manipulated version headed in the direction I hoped, but needed saturation and still less background.

tulipsstage2.jpg

version 2 tulips iPhone manipulated image

The second version turned out too contrasty, but the removal of the vertical was a major step forward. I was begining to get the granular, washy-color look I wanted.

tulipsfinal.jpg

Final manipulated tulip iPhone image

The final version combined a bit of all 3 versions, seriously desaturated the green (also changing it’s hue), removing almost all of the horizontal bars and adding effects partly of watercolor and partly of serigraph.

Duration of manipulation: about 1 1/2 person days. Public acceptance: sold image 3 times so far and made a 16x20 canvas wrap enlargement.

Just because everybody asks, here are several alternative versions I tried out, before settling on the direction I wanted to go.

tulipsalt1.jpg

"Man Ray" homage iPhone manipulated image

tulipsalt2.jpg

Antique sepia style iPhone manipulated image

tulipsalt3.jpg

Selective hand color style iPhone manipulated image

tagline1.jpg

Going Pro with Sara Frances

 

Comments

This is the worst defense of "slapping instagram filters on pedestrian camera phone pictures makes art" I've ever read.

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Perhaps has not been explained to you Ms Sara, but proper workflow is not "take bad picture, continue to add filters until entirely different brand of bad," proper workflow is "take good picture, make more good with some post-processing"

If original has "no impact, no emotion, no style," then all the filters in Photoshop do not make it less terrible, just different terrible

Hope this helps in future

I have to agree here - there has to be value in the original image as shot: thought needs to be given to composition, at the very least.

I wasn't sure whether you meant to use the image as a base merely to illustrate the use of filters, but, in the column, you call the image "not a bad result".

The thing is, it really is a bad result - the exposure is all over the place, one of the flowers is partially cut off, the composition is cramped and unpleasant. Even with the flowers filling so much of the frame, the background still manages to be far too busy and distracting. Also, the shot is out of focus.

I'm not dismissing the overall idea out of hand, far from it, but I'd like to see you present an example of this with an already well composed, quality image, followed by some thoughtful, inventive, artistic post processing.

Finally, and I will try my hardest to remain polite here, but I fail to see what the Man Ray tribute image has in common with the work of one of the most influential modernist artists of the turn of the century, and it's a bit silly to equate a rushed photo of some tulips with a couple of filters applied to it with the work of a seminal, historical surrealist.

"so I casually picked up my"

There's your first problem. Post never works well when you do it after the fact, and even worse when you're randomly taking photos with no thought to composition for either the current picture or for your planned direction in post.

Would you either:
1. Take a photo of a cat and later turn it into a dog in post because you actually wanted to take a photo of a dog but you were too lazy; or
2. Take a photo of a dog.

Rather, post is used to improve on the good/great photo you just took. (It's not for making something out of nothing)

The image you've used above is terrible to begin with. You've made it worse. Just because you can use the "effects" tool menu in photoshop doesn't mean you can make an amazing image out of something that you put no work into in the beginning.

"an interpretation that would evoke reaction and engender interest that would speak to audience."

"I didn’t like the background details, or the vertical and horizontal posts."

"just another garden variety flower picture; the world is awash in them."

These are all things you could have alleviated / lessened through thinking about composition and technique, rather than TAKE PHOTO NOW AND PLAY WITH PRETTY SLIDERS. If you didn't like these things in the first place, why take the photo?

I also find the image name hilariously apt for the final image. Tulips taken with a grain of salt indeed.

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