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A Good Day to Die Hard (R)
by Richard Roeper

According to the "Die Hard" wiki, John McClane has killed a total of 58 people in the first four "Die Hard" films.
That number seems low, but let's go with it.

Beautiful Creatures (PG-13)
by Richard Roeper

With "Beautiful Creatures," we continue the seemingly inevitable march toward a cinematic America with a population 50 percent human, 50 percent "other," including but not limited to superheroes, mutants, vampires, zombies, werewolves, mummies, fairies, angels, witches, ghosts, demons and the undefined undead.

Safe Haven (PG-13)
by Richard Roeper

If it can be said movies have personalities, I give you three words to sum up the basic core identity of "Safe Haven":

Bat. Bleep. Crazy.

This film is nuts. Not in a "wacky comedy" or "outrageous adventure" or "insanely effective romance" kind of way.

A Glimpse Inside the Mind of Charles Swan III (R)
by Roger Ebert

A film is a terrible thing to waste. For Roman Coppola to waste one on "A Glimpse Inside the Mind of Charles Swan III" is a sad sight to behold. I'll go further. For Charlie Sheen to waste a role in it is also a great pity. 

I stop not: For Bill Murray to occupy his time in this dreck sandwich is a calamity. Of Charlie Sheen, we've seen more than enough, at least until he gets his act together. But there's a sad shortage of Bill Murray performances, and his work here is telephoned in as if Thomas Alva Edison had never been born.

Lore (Unrated)
by Steven Boone

“Lore” gets right down to business. We're in Germany at the end of World War II, watching a large, once-prosperous family pack hurriedly to avoid the onslaught of Allied forces. A Swastika emblem on a discarded piece of clothing tells us we're dealing not with mere German citizens but Nazis. No wonder the mother looks petrified as she torches documents and the father flees at the first opportunity.

Like Someone in Love (Unrated)
by Steven Boone

There is a shot about a third of the way through "Like Someone in Love" of a pretty, perky young lady emerging from an apartment bathroom a different woman. Her hair no longer tied up in a bun but falling wide at her shoulders, her feet bare, her legs no longer moving with girlish timidity but easing along in languid strides that show off their shapeliness. She moves down the hallway to the bedroom, turned away from the camera as the rustle of her simple dress fills the silence. An invitation.

North Sea Texas (Unrated)
by Ignatiy Vishnevetzky

"North Sea Texas" is a toothless coming-of-age story set in a small Belgian town sometime around 1970. The movie is pleasant to look at; the props and sets, painted in hazy primary colors, seem as though they were carved out of glycerin soap. But while the movie is often pretty, it's only intermittently compelling. Lacking much depth or spark, "North Sea Texas" feels like a short film stretched to feature length; its flaws — inertness, tissue-thin characterizations — are the sorts of things that can pass by unnoticed in a fifteen-minute movie, but get a little boring after an hour.

Side Effects (R)
by Roger Ebert

The music tells us what kind of movie "Side Effects" is going to be. It coils beneath what seems like a realistic plot and whispers that something haunted and possessed is going on. Imagine music for a sorcery-related plot and then dial it down to ominous forebodings. Without Thomas Newman's score, "Side Effects" would be a lesser film, even another film.

Identity Thief (R)
by Richard Roeper

It's really tough to have it both ways.

Let's say you want to do a broad, shtick-filled comedy filled with "Three Stooges" humor, e.g., a character is hit head-on by a speeding car, tumbles over the roof, lands with a cringe-inducing thud on the highway — and suffers nary a scratch or even a hairline fracture. The stuff of cartoons.

John Dies at the End (R) (2/6) »

Lost in Thailand (Unrated) (2/8) »

Stolen Seas (Unrated) (2/6) »

Not Yet Begun to Fight (Unrated) (2/6) »

Small Apartments (R) (2/6) »

Warm Bodies (PG-13) (1/30) »

Stand Up Guys (R) (1/30) »

56 Up (Unrated) (1/30) »

Bullet to the Head (R) (1/30) »

Neighboring Sounds (Unrated) (1/30) »

No star rating Oscar shorts: Animation (Unrated) (1/30) »

No star rating Oscar shorts: Live action (Unrated) (1/30) »

In the Hive (R) (1/30) »

Parker (R) (1/23) »

Quartet (PG-13) (1/23) »

Zero stars Movie 43 (R) (1/23) »

Happy People: A Year in the Taiga (Unrated) (1/23) »

Consuming Spirits (Unrated) (1/23) »

Tiger Tail in Blue (Unrated) (1/23) »

The Loneliest Planet (Unrated) (1/23) »

Broken City (R) (1/16) »

Mama (PG-13) (1/16) »

The Last Stand (R) (1/16) »

LUV (R) (1/16) »

West of Memphis (R) (12/7) »

Amour (PG-13) (1/9) »

Gangster Squad (R) (1/9) »

The Trouble with the Truth (R) (1/9) »

Somewhere Between (Unrated) (1/9) »

Zero Dark Thirty (R) (1/2) »

Sister (Unrated) (1/4) »

Struck by Lightning (Unrated) (1/2) »

The Impossible (PG-13) (12/19) »

Hyde Park on Hudson (R) (12/12) »

The Matchmaker (Unrated) (12/12) »

Playing for Keeps (PG-13) (12/5) »

Citadel (R) (12/5) »

The Central Park Five (Unrated) (12/5) »

Starlet (Unrated) (12/5) »

New Jerusalem (Unrated) (12/5) »


 
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The first Chicago bar I drank in was the Old Town Ale House. That bar was destroyed by fire in the 1960s, the customers hosed off, and the Ale House moved directly across the street to its present location, where it has been named Chicago's Best Dive Bar by the Chicago Tribune.

This year's Outguess Ebert contest seems a little like shooting fish in a barrel. For the first time in many a year, maybe ever, I think I've guessed every one correctly.

A few years ago, I came across an article about the newly identified psychological concept of Elevation. Scientists claim it is as real as love or fear. It describes a state in which we feel unreasonable joy; you know, like when you sit quiet and still and tingles run up and down your back, and you think things can never get any better.

I believe it was the writer W. G. Sebald who said: "Men and animals regard one another across a gulf of mutual incomprehension." No animal seems to comprehend us better than the dog. For that matter, I comprehend them more than any other. Like the Nicolas Cage character in Herzog's "Bad Lieutenant," I have no idea what an iguana is thinking. Does an iguana?
• Seongyong Cho in South Korea

Call it a "torture film" if you want, but the South Korean film "National Security" (2012) darkly resonates with raw disturbing power. The movie itself is a fiction, but the terrible historical fact revealed through that fiction gave me a memorably uncomfortable experience at the screening room last November. We all knew what was depicted in the movie actually happened many times during that dark era in South Korean history, and the movie deeply disturbed us with its unflinching observation of authorized force brutally and mercilessly stomping on basic human rights.

• Gerardo Valero in Mexico City

Jan de Bont's "Speed 2: Cruise Control" is one of the most maligned movies of all time, earning the wrath of critics and audiences alike. It has a Rotten Tomatoes rating of two percent and an average IMDB grade of 3.5--levels usually reserved for such monstrosities as The Village People's "Can't Stop the Music" (8/ 3.7) and the insult to all things good and decent that is Adam Sandler's "That's my Boy" (21/ 5.5). Judging from its box office performance, more people hated "Speed 2" than actually saw it. Yet I have to admit that after watching it on its opening weekend in 1997, I left the theater more than happy and was not surprised by the thumbs-ups it received from Siskel & Ebert. Then all hell broke loose. When I dis a movie a friend likes, all he has to do is bring up "Speed 2."
thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.

Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.
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