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movie Glossary
Catch-Up Movie
A film that frustrates the audience because the characters spend the bulk of the film slowly and laboriously learning information that the audience was given during the first 10 minutes. (See "In Dreams.")

Stuart Cleland, Evanston
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Admission (PG-13)
by Richard Roeper

Has Tiny Fey ever played a character we weren't rooting for?

In smart features such as “Mean Girls,” “Baby Mama” and “Date Night,” on the just-completed NBC series “30 Rock,” on “Saturday Night Live” and in her book “Bossypants” or even co-hosting the Golden Globes, Fey's either likable or lovable. We're on her side, through all her pratfalls and fashion faux pas and quick, self-deprecating quips.

The Croods (PG)
by Nell Minow

At least in some respects all children are Neanderthals. It is the grand challenge of parenthood to civilize these sometimes savage little creatures by teaching them language, manners and safety. Some of the most difficult choices parents must make come when we try to encourage children to be strong, brave, independent and adventuresome when it comes to accomplishing goals in school, sports and chores while protecting them from mistakes that could be hurtful or even devastating.

Phil Spector (TV)
by Roger Ebert

Phil Spector remains an enigma after his 2009 conviction for the death of actress Lana Clarkson six years earlier. He's in prison today. Clarkson, dead of a gunshot wound, was found in his mansion. Was it suicide, an accident or murder?

Spring Breakers (R)
by Richard Roeper

A candy-colored fever dream is the most unforgettable movie of the year so far.

Yes, I'm talking about "Spring Breakers," that movie where those former Disney stars spend every waking moment on the verge of bursting out of their bikinis and short-shorts as they gyrate their way through a week of drinking, snorting, sniffing, tonguing, robbing, laughing and sometimes crying in St. Petersburg, trying to create the all-time memorable experience before they have to return to their drab lives in Kentucky.

Olympus Has Fallen (R)
by Bill Zwecker

It's almost a given that the White House is the most secure place in the nation — possibly in the world. So when a North Korean terrorist plot can be executed with frightening precision — circumventing the seemingly impenetrable defenses surrounding the U.S. president and everyone around him — it boggles the mind.

Ginger and Rosa (PG-13)
by Roger Ebert

Born in 1945 in the shadow of Hiroshima, Ginger and Rosa grow up in a London of weary shortages of food, living space and cheer. Who could have guessed Swinging London and the Beatles were on the way? The girls become fast friends: Ginger, whose father Roland was a conscientious objector during World War II, and Rosa, whose father isn't in the picture.

The Angels Share (Unrated)
by Steven Boone

"The Angel's Share" finds UK director Ken Loach doing as he's done for 45 years, filming mercurial human beings like a wildlife cameraman, tracking their spontaneous behavior from afar through an extreme telephoto lens mounted on a loose tripod head. He didn't invent the technique. It goes at least as far back as Akira Kurosawa's rain storm battle in "Seven Samurai." And Loach doesn't even claim credit for originating the British flavor of that style: He says one of his earliest cinematographers, fellow improvisatory genius Chris Menges, copped it from the Czech cameraman Miroslav Ondricek ("If ...").

Everybody Has a Plan (R)
by Matt Zoller Seitz

"Everybody Has a Plan" is a pretty good existential crime thriller set in a snake-infested jungle swampland of Argentina. Its relaxed air of menace, and occasional bursts of violence hold one's attention even when the plot falters, which is often. Its chief virtue is its lead performance, in which twin brothers are played by a promising new Argentinian actor named Viggo Mortensen.

Gimme the Loot (Unrted)
by Sheila O'Malley

"Somebody's gonna bomb that Apple." The Apple in question is the Mets' Citi Field's Home Run Apple, which has never been "bombed" by graffiti in its entire history and therefore represents the Holy Grail to New York graffiti artists. If you could somehow get access to that Home Run Apple, and "bomb" it, your work would be broadcast to the masses and you'd be a legend!

On the Road (R)
by Roger Ebert

Although Jack Kerouac's “On the Road” has been praised as a milestone in American literature, this film version brings into question how much of a story it really offers. Kerouac's hero, Sal Paradise, becomes transfixed by the rambling outlaw vision of a charismatic car thief, Dean Moriarity, and joins him in a series of journeys from his mother's apartment in Ozone Park, N.Y., as they crisscross the continent to Chicago, Denver, San Francisco and then back again, until it occurs to Sal “I've never been south.” They turn to Mexico, finding in its long, straight cactus-lined roads, some secret to themselves. They also find marijuana; the two may not be unrelated.

The Door (Unrated)
by Michał Oleszczyk

When Emerenc, the central character of István Szabó's "The Door," sweeps the pavement to rid it of snow, she looks like she's fighting an enemy. Every sweep is fierce and deliberate and there's a determination to the old woman's movements that testifies to far greater battles she's fought in the past. By the time she's done, the snow has covered the pavement again — which for Emerenc doesn't mean defeat. It just means more sweeping.

The Incredible Burt Wonderstone (PG-13)
by Richard Roeper

Welcome back, Hilarious Jim Carrey. We've missed you.

In "The Incredible Burt Wonderstone," a predictable but often terrific absurdist comedy, Carrey plays Steve Gray, a long-haired, tattoo-spangled, masochistic performance artist/illusionist from the Criss Angel/David Blaine school. Forget about walking on hot coals; this guy sleeps overnight on hot coals and asks for a wake-up call.

The Silence (Unrated)
by Jim Emerson

In your average movie, helicopter shots are just for decoration. The camera soars over a breathtaking landscape or cityscape to show off the scenery and the production budget. These glorified establishing shots make the scale and the scope of the movie appear to be more expansive, even if they really aren't.

The Silence (Unrated) (3/13) »

The Call (R) (3/13) »

Bates Motel (Unrated) (3/13) »

Reincarnated (R) (3/13) »

Upside Down (PG-13) (3/13) »

You Ain't Seen Nothin' Yet (Unrated) (3/13) »

Spring Breakers (R)
by Simon Abrams

American enfant terrible Harmony Korine's characters are all so self-absorbed that they never quite realize just how freakish they are. The sideshow characters in "Spring Breakers" are prettier than Korine's usual protagonists, especially when compared to the Halloween-mask-clad stars of his last film, "Trash Humpers." But that difference only accentuates the joke that Korine ("Gummo," "Mister Lonely") leans too hard on throughout "Spring Breakers": here are attractive monsters. Their primary aspirations in life are to doff their clothes, take drugs and generally push themselves to new levels of MTV-approved Bacchanalian debauchery.

Alex Kazhinsky of Lincolnwood is this year's Grand Prize winner in the annual Outguess Ebert contest — and tells me, "It's a big thrill to win your contest after playing it for so many years!"

Kazhinsky had a perfect score across all the categories. "For many years," he says, "I have worked as an actor in Chicago's entertainment industry. I've had speaking roles in independent films, web series, and commercials. Some of my most notable roles are the following:
The Ballad of Narayama (Unrated) (1958)
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens up between its origins in the kabuki style and its subject of starvation in a mountain village! The village enforces a tradition of carrying those who have reached the age of 70 up the side of mountain and abandoning them there to die of exposure.
ebert's dvd commentaries









Jay Leno and I go way back. One of my fondest memories is of Jay chasing me around the parking lot of the Hotel Bel-Air in Los Angeles. I always tell people that I thought of the Bel-Air, which I could still afford in those days (long long ago), as more a sanitarium than a hotel. You know how in L.A. your waiter has probably written a screenplay or two? At the Bel-Air, one of the parking attendants had actually starred in an ABC network series several years earlier! He played a wolf-boy.
PRESS RELEASE: CHAMPAIGN, Ill. -- Terrence Malick's 1978 film "Days of Heaven" won an Oscar for best cinematography, and Roger Ebert likely found that no surprise. It is "above all one of the most beautiful films ever made," Ebert said in a 1997 review. So it's only appropriate that the film will open the 15th annual Roger Ebert's Film Festival on April 17 in the big-screen, newly renovated Virginia Theater in downtown Champaign.
I have watched with a kind of petrified fascination in recent years as the world creeps closer to what looks to me like disastrous climate change. The poles are melting. Ocean levels are rising. The face of the planet is torn by unprecedented natural disasters. States of emergency have become so routine that governors always seem to be proclaiming one. Do they have drafts of proclamations on file?
When I was a graduate student at the University of Chicago, I must have driven past the little park a few times. Hyde Park, where the University is located, is a neighborhood including fraternity houses, foundation headquarters, school department offices, even President Obama's family home. Frank Lloyd Wright's Robie House can be found there, and Henry Moore's chilling death's-sculpture marking the place where scientists first split the atom.
Follow @ebertchicago on Twitter
The last words spoken in David Mamet's HBO feature film "Phil Spector" are "reasonable doubt." The first words appear in white letters on a black screen:

This is a work of fiction. It's not "based on a true story." ... It is a drama inspired by actual persons on a trial, but it is neither an attempt to depict the actual persons, nor to comment upon the trial or its outcome.
But what really matters is the Muriels. You know, that time-honored annual movie award that is not named after Bette Davis's Uncle Oscar, but after co-founder Paul Clark's guinea pig. Throughout the month of February (the 6th through the 23rd), the winners have been announced, as you know because you've been regularly clicking on the Muriels link right here on Scanners. Anyway, you know what "Argo" can do; the Muriel voters, on the other hand, chose to give the top prize to what, to me, was obviously the most rewarding movie experience of the year: Leos Carax's "Holy Motors."
Another brawl in the square
Another stink in the air!
Was there a witness to this?
Well, let him speak to Javert!

-- Javert, a character in the musical "Les Misérables"

I was an eyewitness to "Les Misérables."

After repeated exposure to that dreadful theatrical trailer-cum-featurette about how the singing is all done live on camera! -- It's live! It's Live! IT'S LIVE! -- I had no intention of seeing Tom "The King's Speech" Hooper's film version of the 1980s stage musical. But when it finally came out, some of the reviews were so bad that part of me wanted to see what the stink was all about. Still, I'm not a masochist; I don't enjoy going to movies I know I'm probably predisposed to dislike just so I can dump on them. On the other hand, there's nothing better than having your low expectations upended. I did enjoy that Susan Boyle YouTube video back in 2009, but that was all I knew about the musical. I remained curious but skeptical. And then ...
Opening Shot Project Index
• Jana J. Monji in Los Angeles

Women's History month is just the right time to watch, "Miss Navajo," a documentary that premiered at Sundance in 2007 and was broadcast on PBS the same year. The title alone may turn people away if you are, like me, not a big fan of beauty pageants but Miss Navajo is the kind of pageant that perhaps even Gloria Steinem could get behind.
• Jana J. Monji in Los Angeles

With the passing of Andy Williams, I keep imagining his golden tenor singing Henry Mancini's "Moon River." The song talks about crossing life in style. "Breakfast at Tiffany's" is all about fashionable cafe society and love; in an adult fairy tale, you can have both even if you are two drifters.
More than anyone else, Jeannette Hereniko introduced me to the concept of the cinema of the Pacific Rim. I knew Ronald Richie through his books, and in particular learned from him about Ozu. More than anyone else, he was responsible for the introduction of Japanese films to the West, Particularly when he brought a group of great titles to the Venice Film Festival, circa 1960. He also wrote fiction and on Japanese society, and a wonderful autobiographical travel book, The Inland Sea, about a young GI who returned to Japan after WWII and stayed, inspired a film. Here is Jeanette's appreciation of Donald, who died on Feb. 19. -- RE
• Krishna Bala Shenoi, in Bangalore, India

In my copy of his book "Scorsese," Roger Ebert wrote these words: "Every movie lover needs a hero."

I've found mine in Steven Spielberg.

Spielberg has been my hero ever since I, in my childhood, saw his more popular films (" Jaws," "Temple of Doom," "Hook," " E.T.," "Close Encounters," et al.), but recently, as I covered areas in his filmography I hadn't before, and doubled back to some that I didn't quite remember, I was struck by how much he really is my hero.
ebert & the oscar movies
thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.
Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.
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