Camera and Lens Features

Voigtländer is one of the oldest names in photography, with a long history of making cameras and lenses. Recently, the company has turned its focus from affordable M-mount lenses to lenses with digital cameras in mind. We recently got our hands on the 40mm VM f/2.8 Heliar, made specifically for full-frame and APS-C Sony E-mount cameras. Read more

Photographer Joe Capra got started shooting landscapes but in recent years he's been making a name for himself with high-resolution timelapse videos, shot on dedicated stills cameras and painstakingly put together using specialist software. Click through to view some of his stunning imagery and to learn more about his process in our detailed Q&A

Tamron claims that its new SP 15-30mm F2.8 Di VC USD offers prime quality across its focal length range, paired with a fast maximum aperture and - uniquely in its class - optical vibration compensation. We've been impressed by how this wideangle zoom performs in our studio, but that's only half the story. Our latest video field test follows DPReview Deputy / Technical Editor Rishi Sanyal as he uses the Tamron 15-30mm to shoot architecture, cityscapes and waterfalls. Watch the video 

Today Canon released the XC10, a camera that for all practical purposes is equal part a stills and a video camera. It promises to deliver not only both types of media, but an appropriate user experience for either type of shooting. It may be the first true 'convergence' camera. Learn more about this camera and why it's a significant milestone of technology. Read more

The Samsung NX500 takes some of the best bits of the NX1, including the same 28MP APS-C format sensor and still imaging pipeline, and wraps them up in a smaller, less expensive body. We recently had the opportunity to shoot with an NX500 on the beautiful island of Hawaii. We've already published a couple of samples galleries, but click through to read about how we got on with Samsung's newest mirrorless interchangeable lens camera

James McDaniel is a self-taught photographer with a special interest in roller derby. He's also a Micro Four Thirds shooter, so when we were looking for someone to test out the E-M5 II in the real world with us, we immediately thought of James. Watch our latest video field test to see how how the camera performed on game day, and don't miss an opportunity to see Barney on roller skates. See video

The Olympus OM-D E-M5 II has attracted a lot of attention, both for its technology and because it succeeds an already popular camera. We sat down with Product Manager Richard Pelkowski to find out more about the technology that went into the E-M5's successor and what might be possible in the future. See video

On our recent visit to Japan to attend the CP+ show in Yokohama we were fortunate to be invited to tour Sigma's factory in Aizu. The Aizu factory is where all of Sigma's lenses are manufactured, including the company's impressive new 'Art' line of primes. Click through to take a virtual tour of the factory, in the company of Kazuto Yamaki, Sigma's CEO. 

While we were at CP+ 2015 in Japan, we met with Tamron, and the company was kind enough to lend us their newly announced 15-30mm F2.8 Di VC USD. In Nikon mount, no less. It's a wide range for a full-frame zoom, made more impressive by the inclusion of vibration compensation (VC). With a price tag of $1200, Tamron is taking the Nikon 14-24 head-on, and so we decided to do the same: pit the two against one another in a shootout, which you can view here

Alongside new full-frame and Rebel-class DSLRs, Canon also announced a new mirrorless camera this week - the EOS M3. The third in Canon's M-series range of mirrorless interchangeable lens models, the M3 uses the same 24MP APS-C format sensor and Hybrid CMOS III AF system as the new Rebel T6s and T6i, and features a control dial and articulating rear screen. Click through for more information and some images

Canon's new 11-24mm F4 L wideangle zoom lens has been a long time coming. Canon's widest ever rectilinear zoom by some margin, the new 11-24mm may also challenge Nikon's venerable 14-24mm F2.8 as the tool of choice for landscape, property and architectural photographers. We got our hands on a prototype recently at Canon's US headquarters. Click through for a closer look

It's been on Fujifilm's X-series roadmap for a while, but now it's real - the XF 16-55mm F2.8 R LM WR is a 24-83mm equivalent, weather-sealed standard zoom for Fujifilm's high-end X-series interchangeable lens cameras, which offers a fast maximum aperture of F2.8 throughout its zoom range. As CES gets started in Las Vegas, we grabbed a few minutes with the new zoom. Click through for some images

Nikon's D5500 is, on the face of it a pretty minor update to the D5300, but with the key addition of a touch-sensitive rear LCD screen and slightly altered ergonomics. In almost every other respect the D5500 is a compact, lightweight 24MP entry-level DSLR cut from almost exactly the same cloth as its predecessor. We're at the Consumer Electronics Show in Las Vegas, where we got our hands on a pre-production camera. Click through for some pictures

The D750 is Nikon's enthusiast-oriented full-frame DSLR, featuring a 24MP sensor and a raft of high-end features borrowed from the D810 and D4S. These include a tweaked version of their highly capable 51-point AF system and a very solid HD video specification. We're working on a full review of the D750 right now, and as part of that process we made a short video, highlighting some of the camera's key features in real-world use. Click through to watch.

As often as we can, we like to put the cameras that we test into the hands of working photographers to find out what they think. Recently we gave the Samsung NX1 to Jordan Stead, staff photographer at SeattlePI.com, and ventured out to nearby Carkeek Park to photograph the salmon run. A seasoned shooter accustomed to pro camera bodies, Jordan gave the NX1's hybrid AF system and 28.2MP BSI-CMOS sensor a try. See the video

Sony announced the Alpha 7 II last week relatively quietly, introducing a new member to its full-frame mirrorless family. The a7 II brings 5-axis in-body stabilization to a full-frame camera for the first time, claiming 4.5 stops in shake reduction. Other updates include improved ergonomics - you can see these for yourself in our hands-on overview of the a7 II. Here's what you need to know about Sony's newest Alpha camera. Read more

When we review high-end DSLRs, one of the most common requests we receive is to get them into the hands of professional photographers that work in the kinds of environments for which they were designed. That's why when we received the Canon EOS 7D Mark II we joined up with Adam Jones, a professional wildlife and nature photographer, to see what he makes of the new camera. Click through to watch our video

With the increasing affordability of digital full frame cameras, there's been speculation about the future of APS-C as an enthusiast format. But with the launch of the 7D Mark II, Canon has made it pretty clear it believes there's still a high-end market for crop-sensor formats. We spoke to Bettina Hansen, a photographer who regularly shoots Canon and has experience working with the original EOS 7D to see what she made of the new camera

Like any travel photographer, David Julian is happy to carry less gear whenever possible on his trips. With a photo expedition to Alaska on the horizon, he agreed to take the Canon G1 X Mark II for a spin and try it out from a travel photographer's perspective. No doubt it's easy to carry on a long journey, but is it versatile enough to be a traveler's primary camera? Read more

Five years is a long time in the camera world, but that's how long Canon's EOS 7D was on the market - buoyed by a midlife firmware update that kept it impressively competitive against APS-C offerings from other manufacturers. Canon has not been idle in the past few years, it seems, and the new EOS 7D Mark II is a huge upgrade over the original 7D, offering improvements to every aspect of its feature set. We got hands-on with a pre-production sample recently. Click through to see more.  

When Panasonic came to see us recently in our Seattle offices we were expecting the much-rumored LX8. That didn't happen, but what we saw was quite a surprise. The LX100 is one of Panasonic's most ambitious cameras yet, marrying a Four Thirds sensor with a 24-75mm (equivalent) F1.7-2.8 lens, in a body not much bigger than that of the LX7. Full manual control, a built-in EVF and 4K video round-out the specification sheet nicely. Click through for a hands-on tour of the new camera.

The death of the point-and-shoot compact has been disastrous for all the major camera manufacturers, but it's not all bad news. Manufacturers  are clambering over themselves to offer the most attractive features to the last group of people willing to pay for a good camera, spurring the kind of innovation we've not seen in a long time. Find out why we think photographers are reaping the greatest benefits from the decline of the point-and-shoot. Read more

Canon has been busy - its latest high-end compact, the PowerShot G7 X slots in beneath the G1 X Mark II, and offers a 20MP 1'-type sensor, 24-100mm equivalent F1.8-2.8 zoom lens and a host of other enthusiast-friendly features. We spoke to Canon recently and got access to a pre-production G7 X. Click through for a hands-on tour of the new camera. 

The D750 is Nikon's latest full-frame DSLR, and sits between the D610 and D810 in the company's FX format lineup. With specifications in common with both cameras, the D750 may be of interest to anyone considering stepping up to full-frame from one of Nikon's APS-C format models. As well as our detailed first impressions review we've prepared a quick 'cheat sheet', telling you everything you need to know about the new camera. Click through to read more.

The Panasonic Lumix DMC-GM5 borrows the styling of the fashion conscious GM1, but adds enough additional control to give it broader appeal. So while it's still a smart, diminutive thing, Panasonic has found room for a viewfinder, control dial and hotshoe. We look at the two cameras side by side and examine the changes that've been made at the petite end of the Micro Four Thirds range.

With the camera industry moved on somewhat since the birth of the Fuji X series compact, is there still room for a 12 million pixel compact in a less-than compact body? In this opinion piece, senior contributing writer Damien Demolder ponders the very existence of Fujifim's newest X-series camera. Read more

The X30, Fujifilm's latest enthusiast compact camera, offers the same 12MP sensor and 28-112mm (equivalent) lens as the X20 but improves on its predecessor with updated ergonomics. Changes include a new electronic viewfinder, a tilting screen, and Wi-Fi. We've had access to a prototype X30 for a few days - click through for a hands-on tour of the new camera. 

The Sony Alpha a5100 is a petite, compact mirrorless interchangeable lens camera with a lot to offer. We've had access to a pre-production sample for a few days, and as well as a full first impressions review we also got hands-on with Sony's latest Alpha. Click through for a tour of the a5100's major features.

UK-based sports photographer Guy Swarbrick specializes in shooting cycling events, but this summer he got the opportunity to shoot the Commonwealth Games in Glasgow Scotland. Just before the games he took delivery of Nikon's latest full-frame DSLR the D810, and in this article he shares his experiences of using the camera. Click through to read his impressions of the D810, and take a look at some of his pictures. 

Lomography isn't a company we've historically talked about much on DPReview; with its emphasis on low-fi, 'shoot from the hip' photography using plastic film cameras, it's a long way from the typical interests of our readers. But last year the company came up with an interesting idea: to recreate a classic 19th century portrait lens for modern SLRs. The result is the Petzval 85mm F2.2, which is available now to fit Canon or Nikon SLRs. So what's it like? Read more

Nikon's new D810 replaces two models, the D800 and D800E. It brings a number of refinements, some of which are minor, but some that are potentially very significant. The D810's specification sheet is enormous and it's easy to miss things - in this article we're cutting through the PR jargon and breaking out the D810's main selling points. Click through to read more

Our DIY forum isn't a month old and we've already seen it fill with interesting projects. Some solve a problem, while others are pure fun. Decidedly in the latter category, dpreview forum member vkphoto has put a Sony NEX-F3 'digital back' on a vintage ICA Toska camera from the early 1900s and a Carl Zeiss Tessar 135mm 1:6.3. See how he brought new life to an antique with a $15 modification. Learn more

Roller derby is a bit of an unconventional sport, so it's fitting that James McDaniel uses a somewhat unconventional system to photograph the action. He's been shooting roller derby with Micro Four Thirds cameras and lenses for the past couple of years. With no formal training in sports photography, he found himself with some exciting new equipment and an opportunity to photograph a fast-paced sport up close. He hasn't looked back since - see his work and read our Q&A. Read more

Some history of Nikon's lens generations and information about the difference between non-AI, AI, AI-S, AF and AF-S lenses.

It's hard to resist the opportunity to play with a new medium format DSLR, so we quickly took up Ricoh's offer to try out its 645Z. While it may look intimidating, the 645Z is surprisingly accessible, with an experience that feels strangely familiar to those who have handled Pentax cameras like the K-3. It's also a bargain by medium format standards, and not a huge step up from full-frame. Learn more about the 645Z.

Kodak famously failed to adapt to the transition from film to digital photography, and finally stopped making digital cameras in early 2012. Now the famous old brand has been resurrected by JK Imaging Ltd, which is producing cameras in partnership with Asia Optical. We got a quick look at some of the 2014 product portfolio earlier this year at CES but this week we had a more detailed briefing at a European press event. Click through to take a closer look. 

A quick look at the Nikon 1 V3 mirrorless camera

We take a quick look at the basic specifications of Canon's PowerShot G1 X Mark II, and how it compares with Canon's original large-sensor zoom compact.

A summary of the Panasonic GH4's features, based on a product briefing and time spent handling the camera.

The Canon EOS 5D Mark III has a very sophisticated and complex AF System. The possible combinations to tweak the AF properties are basically unlimited, so especially for beginners it can be hard to assess which configuration will yield the best results.

In theory, if you've got a collection of old or obscure lenses for long-defunct 35mm film cameras, the full-frame a7 / a7R may allow you to breath new life into them. In this article, Barney Britton describes his experiences.

In this series of short articles, DPReview staff are highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software.

A real-world look at using Nikon's new rugged mirrorless camera.

In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. In part 4, Richard Butler discusses the Sigma 18-35mm F1.8 DC HSM and what it means for APS-C shooters.

In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. In part 3, Andy Westlake talks about his personal favorite - the Olympus OM-D E-M1.

In this article, we're highlighting our pick of outstanding third party lenses. We've chosen them based on their ability to offer something different to the camera manufacturers' own, in terms of either focal length range, maximum aperture, image quality or value.

In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. In part 2, Allison Johnson comments on her personal favorite - the Panasonic Lumix DMC-GM1.

Some photographers use UV filters while others do not. Who is right? I set out the pros and cons as I see them.

In this series of short articles, DPReview staff will be highlighting their personal standout products of the year. It might be a camera, a lens, an accessory or even a piece of software. This week, editor Barnaby Britton takes us through his personal favorite - the Fujifilm X100S.

We've had a chance to spend some time with Nikon's retro Df digital SLR. This full-frame camera, which is designed to resemble Nikon's classic manual focus film SLRs, is loaded with dials for virtually every function imaginable, and is backward compatible with nearly every Nikon F-mount lens ever made. If you want to see the Df from every possible angle, then click to view our hands-on gallery.