Michael Wilmington
Select another critic »For 1,781 reviews, this critic has graded:
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74% higher than the average critic
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2% same as the average critic
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24% lower than the average critic
On average, this critic grades 7.3 points higher than other critics.
(0-100 point scale)
Michael Wilmington's Scores
- Movies
- TV
Average review score: | 72 | |
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Highest review score: | It's a Wonderful Life | |
Lowest review score: | Repossessed |
Score distribution:
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Positive: 1,333 out of 1781
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Mixed: 293 out of 1781
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Negative: 155 out of 1781
1781
movie
reviews
- By Date
- By Critic Score
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- Michael Wilmington
The screen's most magical tale of the world of theater is this lush, intoxicating period epic: the summit of the collaboration of writer Jacques Prevert and director Carne. [12 Jan 2007, p.C3]- Chicago Tribune
Posted Apr 16, 2020 -
- Michael Wilmington
Most of the jokes in Eddie Murphy Raw are the kind you regale buddies with to show off. Anyone as good as Eddie Murphy should have outgrown that years ago.- Los Angeles Times
- Posted Jun 29, 2017
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- Michael Wilmington
It's Whoopi Goldberg, however, who gives you something extraordinary. At the center of all this formula tongue-in-cheek thriller pablum, she keeps sending out weird curves and bent splinters of off-center energy. She's a remarkably empathic actress, and you only hope she'll get a few vehicles that push her to the limit.- Los Angeles Times
- Posted Jun 28, 2017
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- Chicago Tribune
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- Michael Wilmington
The movie's great end-title sequence redeems everything. Under the credits, we see and hear the real-life game veterans as they are now--including, movingly, ex-Lakers coach Riley.- Chicago Tribune
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- Michael Wilmington
Hollywood's great holiday musical is this sparkling adaptation of writer Sally Benson's memoir: a movie that takes us on a Currier and Ives 1903 holiday tour of St. Louis with the postcard-perfect Smith family. [08 Jan 2004, p.N1]- Chicago Tribune
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- Michael Wilmington
A modernized version of that great sentimental horse movie, 1943's "My Friend Flicka," and it comes with the shiny trappings, high professionalism and glamorous accessories you might expect...Something is missing though.- Chicago Tribune
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- Michael Wilmington
It's possible to admire or respect a movie without enjoying it too much, and that's partly the reaction I had to Darren Aronofsky's The Fountain. It's an incredibly ambitious film of sometimes thrilling visual achievement, but it didn't connect fully to my mind and nerves.- Chicago Tribune
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- Michael Wilmington
This movie offers four of the best -- and best-looking -- Hollywood stars cavorting together in material so slight and inconsequential it often seems ready to float away like a toy balloon. [16 Oct 1997, p.1]- Chicago Tribune
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- Michael Wilmington
A near-classic blend of mystery, personality, humor and terror, laced with one stunning shock after another. [18 August 1995, Friday, p.C]- Chicago Tribune
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- Michael Wilmington
It has ideas as well as jolts, themes as well as special effects, characters as well as gore. But, as adapted by writer W. D. Richter and director Fraser Heston, these Things seem disappointingly diminished, squeezed and stuffed into a box too small.- Los Angeles Times
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- Michael Wilmington
One of the most entertaining movies this year, and one of the few that shows real invention and audacity, along with big-studio technical flash. [8 June 1986, p.C27]- Los Angeles Times
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- Michael Wilmington
Too rich, too loaded, Maverick may have misplayed its cards, kept its eyes on the pot instead of the players. In movies, as in poker, you can't always trust a pat hand.- Chicago Tribune
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- Michael Wilmington
It’s not a bad film. Brightly designed, slickly paced, it has its cargo of youth elements: laughs, sexual tease, action and music. But, halfway through, you can almost feel everyone relaxing, waiting for the next bit of spiritless slapstick or car-chase to carry them through to the end.- Los Angeles Times
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- Michael Wilmington
This is a movie that rocks and socks you, and has a performance by Washington that's ruthless and scary. But in the end, it leaves you unmarked.- Chicago Tribune
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- Michael Wilmington
there's no joy in this movie. It's a safe, compromised, even preachy, fable; a wannabe hip romp that never gets going. [07 Jul 1995]- Chicago Tribune
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- Michael Wilmington
The two halves of Hiding Out--thriller and teen sex comedy--never meld, working against each other rather than together. Hiding Out never escapes its absurd hook, this mechanical collision of genres. After all, if someone really needs to hide out, isn't the best plan to simply . . . hide out?- Los Angeles Times
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- Michael Wilmington
A sports bio movie that I really enjoyed about a sport and sports hero I barely knew existed: the World Hour Record competition for bicyclists and its gutsy, tormented and most unusual champion, Graeme Obree.- Chicago Tribune
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- Michael Wilmington
Three Men strikes a funny chord. The audience seems to want to believe that these guys can be domesticated, but on another level, they don't want the trio broken. They want bachelor fathers, domesticated swingers.- Los Angeles Times
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- Michael Wilmington
Two suggestions as you watch it: Never take anything for granted, and keep your hand on your wallet as you leave the theater.- Chicago Tribune
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- Michael Wilmington
Mystic River is classic Eastwood, classic noir. If there is still some doubt about whether this one-time macho star is actually a world-class moviemaker, Mystic River should end the argument for good. One of the best American movies of the year, crisply well-crafted and beautifully acted.- Chicago Tribune
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- Michael Wilmington
It's a real shame that most new boxing movies try to copy the crowd-pleasing, sentiment-choked tactics of "Rocky" rather than the stark drama of "Raging Bull" or the realistic grit of "On the Waterfront" and "The Harder They Fall." Against the Ropes is only the latest sorry example. The sad thing is that, with this real-life story and subject, it could have been a contender.- Chicago Tribune
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- Michael Wilmington
It's a movie of uncommon eloquence and elegance, acted by a truly gifted cast.- Chicago Tribune
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- Chicago Tribune
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- Chicago Tribune
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- Michael Wilmington
Everything about the movie is overscaled, overbrutal, overbroad, full of holes. Yet there's something cheerful and wacky about it; it's a light-hearted blood bath.- Los Angeles Times
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- Michael Wilmington
There's a zest and brilliance in Neil Jordan's racy heist thriller The Good Thief that makes it almost intoxicating to watch.- Chicago Tribune
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- Michael Wilmington
A film of almost paralyzing gravity and large ambitions that, almost inevitably, it can't quite meet.- Chicago Tribune
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- Michael Wilmington
Freaky Friday commits a lot of sins; luckily, it has Curtis and a few others to cover them up.- Chicago Tribune
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- Michael Wilmington
Altman's dreamy, snowy northwestern about wily operator McCabe (Warren Beatty), sexy Madame Miller (Julie Christie) and a bittersweet tale of how the West was unzipped. [04 May 2007, p.C2]- Chicago Tribune