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The Globe and Mail (Toronto) Profile - Metacritic
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The Globe and Mail (Toronto)'s Scores

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For 6,591 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 3.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Neil Young Trunk Show
Lowest review score: 0 Transformers: The Last Knight
Score distribution:
  1. Positive: 3,877 out of 6591
  2. Mixed: 1,666 out of 6591
  3. Negative: 1,048 out of 6591
6591 movie reviews
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  1. Eternals
    Eternals is shockingly, depressingly lifeless.
  2. A Mouthful of Air
    There is a delicate touch deployed here, and not only with Julie, but those surrounding her. Depression, Koppleman seems to be saying, is not a one-person battle. It can swallow everyone in a victim’s orbit.
  3. The Harder They Fall
    Buoyed by its urgent yet playful references to the real-life history of the Black West, Netflix’s newest genre outing The Harder They Fall is an energetic and poppy crowd-pleaser of a film made even better by its punky indifference toward staid conventions of period filmmaking.
  4. Army of Thieves
    If you squint hard and focus most of your mental energy on folding your laundry, yeah, Army of Thieves is kinda cool. But it’s also kinda bland, kinda formulaic, and kinda sad. If this is the sort of instantly franchisable content that the streaming giant thinks its audiences want or need, then we’re truly doomed.
  5. Antlers
    Russell, Plemons and especially the young Thomas excel at highlighting the emotional and spiritual fissures that can result from living in an easy-to-ignore, easier-to-disdain community. But there is a ultimately a hollow sickness to Antlers – a film intended to provoke gasps and gags, but at the same time so superficially produced that it chokes on its own ambitions.
  6. Wife of a Spy
    The story is captivating, the characters are magnificently fleshed out, and the emotional stakes are entirely, utterly believable.
  7. Ron's Gone Wrong
    The bond between Barney and Ron is clearly the reason this movie works.
  8. The French Dispatch
    Whimsically beautiful, as if Anderson discovered a long-lost Antoine de Saint-Exupéry picture book.
  9. Dune: Part One
    Denis Villeneuve’s new Dune is a breathtaking film worthy of the visionary Herbert’s rich, sophisticated source material.
  10. Mass
    Kranz can’t quite figure out a way to make his characters’ collective misery cinematically interesting. This is a serious movie, but not a searing one.
  11. Live at Mister Kelly's
    With his film, Bogosian remembers a springboard venue in the evolution of the uniquely American artforms of jazz and comedy.
  12. Halloween Kills
    There is something entertaining, or maybe just enjoyably puzzling, about what Gordon Green and McBride think a Michael Myers movie could or ought to be. If it ain’t dead, don’t kill it.
  13. The Last Duel
    By the time Marguerite’s chapter concludes, laying bare the wrenching source of the story’s tensions, The Last Duel will have you in the palm of its calloused hand, whether you like it or not. It is as ambitious and memorable and impressively messy a storytelling experiment as major-studio films come these days.
  14. The Addams Family 2
    The Addams Family 2 allowed me a couple of nostalgic chuckles, while the kids were entertained by the antics. It wasn’t entirely a snooze, but I can’t say it was particularly memorable for either of us.
  15. Lamb
    More Tusk than, say, the goat who runs wild in The Witch. I won’t make the obvious joke and say it’s baaad. But its sheep thrills are mutton to write home about, either.
  16. Events Transpiring Before, During, and After a High School Basketball Game
    The combination of less-experienced actors with a deadpan script is hit-and-miss. The naturalistic performances give the feeling of real high-school students, but at times that vibe veers more toward high-school drama production.
  17. The Rescue
    Whereas the directors’ last project, the Oscar-winning free-climbing doc Free Solo, chronicled an open-air kind of anxiety, The Rescue is a claustrophobic exercise in tension, expertly assembled for maximum emotional impact.
  18. Mayday
    The coolest-looking movie of the year is surprisingly lame.
  19. The Many Saints of Newark
    The result is an indecisive and shapeless drama that never seems confident in the characters or situations it has created.
  20. Venom: Let There Be Carnage
    Hardy’s use-it-or-lose-it charm very nearly drowns out the dreadfulness all around him, but ultimately it’s not enough to sustain life. And given that the actor has a “story by” credit here, he deserves more blame than praise.
  21. No Time to Die
    It is both eager to distinguish itself from the series’ shaggiest shenanigans but also happy to embrace them whenever it feels things threaten to get too heavy. The result is an overlong and conceptually loopy thing – but when it works, which let’s say is, oh, I dunno, 83 per cent of the time, it offers one helluva view … to kill!
  22. Titane
    French director Julia Ducournau, however, delivers a mindblower that keeps you guessing for all of the film’s excellent 108 minutes. She shocks; she entertains; she wickedly defies expectations.
  23. Snakehead
    Leong’s documentary realism is powerful – if tough on an audience – but his fiction skills are erratic in a film that relies too heavily on Sister Tse’s narration, much repeated flashbacks and heavy exposition of the characters’ motivations.
    • tbd Metascore
    • 88 Critic Score
    Farha
    Best known for her award-winning shorts, Sallam extends her storytelling here to great effect, making it clear she is a talent to watch.
  25. The Wheel
    With compelling performances from leads Amber Midthunder and Taylor Gray, it’s impossible not to be invested in where they end up.
  26. The Survivor
    This isn’t a boxing film. Rather, it’s about moral dilemmas, the will to survive and moving beyond the past.
  27. The Good House
    If you can ignore an ending ripped straight from the AA playbook, there’s minor fun to be had along the way.
    • 57 Metascore
    • 63 Critic Score
    Best Sellers
    Clichés abound and you think you know where this is going. But in her feature debut, Canadian director Lina Roessler manages some genuine surprises. Caine is wonderful, Plaza is charming. The film has its moments, but one for the books this ain’t.
  29. Blue Bayou
    The film lays emotions on thick, with strong performances and dreamy cinematography. The high points are devastating and show off Chon’s empathetic storytelling. But at its ebb, the film tries to do too much at once, spilling every which way.
  30. Prisoners of the Ghostland
    It is an overstuffed, manic, exhausting piece of instant movie-meme catnip – likely impenetrable to all but the hardest of hardcore genre devotees.
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