Black Gate

The Last Days of the Edge of the World (Ace Books, September 1985), The Empire of Fear
(Ballantine Books, October 1993), and The Werewolves of London (Carroll & Graf,
November 1994). Covers by Don Maitz, uncredited, and uncredited

Perhaps it is recency bias, or poor memory, or some other artifact of how human minds process data, but I cannot recall a time when the science fiction field lost so many significant writers in such a short time. At any rate, I know I have never written so many obituaries for significant SF writers in such a short time!

Brian Stableford died February 24, after an extended period of poor health. He was 75. I never met him, and only corresponded with him as part of a mailing list (he did recommend a time viewer story to me!), but I have read his work extensively, and even so, have barely scratched the surface.

His bibliography is, frankly, intimidating. He wrote dozens of SF and Fantasy novels, as many or more short stories. He was a very prolific anthologist, with a particular interest in early SF, and, especially, in French works of fantastika. He translated countless* French novels and stories into English. He wrote hundreds of book reviews and essays, and published many non-fiction books. And for all that prolificity, his work was of exceptional quality.

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Galaxy December 1973, containing Part I of The Inverted World. Cover by Brian Boyle

I find myself writing another obituary for a major SF writer — this has been a terrible couple of months. Christopher Priest, one of the true giants of our field, has died at 80. He is survived by his partner, Nina Allan, a brilliant SF writer in her own right. (I suppose Priest had a “type,” as his two ex-wives, Lisa Tuttle and Leigh Kennedy, are also first-rate SF writers.)

When did I first know of Christopher Priest? That would have been when his novel, The Inverted World, was first serialized in Galaxy, December 1973 through March 1974, or at least when I first read the book. I have a probably false memory of reading the serial, which would have had to have been in back issues, as I first bought Galaxy in August of 1974. So likely I actually read the paperback from 1975. Be that as it may, the novel purely blew me away. I quickly read Darkening Island (the American title of his novel Fugue for a Darkening Island) and was entranced by its radically non-linear narrative, something new to teenaged me.

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Farewell, Earth’s Bliss (Ace Books, 1971), Synthajoy (Berkley Books, September 1979), and
Ascendancies (Ace, January 1985). Covers by Reginald Lloyd, Richard Powers, and Barclay Shaw

I learned this week that David Guy Compton died on November 10. He was born on August 19, 1930, in London, the child of two actors. He lived to the age of 93.

He wrote SF as “D. G. Compton,” mysteries as “Guy Compton,” romance novels as “Frances Lynch,” and also radio plays, some non-fiction (including a book about stuttering), and some non-genre books, including his last, a semi-autobiographical novel called So Here’s Our Leo, from 2022.

He had his greatest success with his science fiction, especially a dozen novels published between 1965 and 1980, of which the best known is The Continuous Katherine Mortenhoe (1974), published in the US as The Unsleeping Eye, and made into a well-regarded movie, Death Watch (1980), directed by Bernard Tavernier. But all of these novels were provocative and original — really unlike what anyone else was doing. I particularly recommend Farewell, Earth’s Bliss (1966), The Steel Crocodile (1970), and Ascendancies (1980).

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Michael Bishop

The first issue of The Magazine of Fantasy & Science Fiction I bought was August 1974, and it had some fine work, perhaps most notably John Varley’s first published story, “Picnic on Nearside.” But… the second issue had, as the cover story, “Cathadonian Odyssey,” by Michael Bishop. At that time, I had no idea who Michael Bishop was. But that story fair blew me away. I was awed. Overwhelmed. I thought it a sure Hugo winner and it was on my first ever Hugo nomination ballot (and it was a finalist, losing to a good but not great Larry Niven story, “The Hole Man.”)

Shortly later I read his story “Death and Designation Among the Asadi” in Donald Wollheim’s Best of the Year collection, and was again wowed. And I continued reading his work with great enjoyment — short fiction such as “The Samurai and the Willows,” “Saving Face,” “The Quickening,” “Dogs’ Lives,” “Apartheid, Superstrings, and Mordecai Thubana,” “Cri de Coeur,” and “Twenty Lights to the Land of Snow” being particular favorites.

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