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"The Mamas and the Papas- Twelve-Thirty (Young Girls Are Coming To The Canyon)"

49 Comments -

1 – 49 of 49
Anonymous Anonymous said...

I had a different interpretation of the lyrics, although the New York vs. L.A. theme might at first seem like the obvious interpretation. I see the the "canyon" in the song as a street in New York with tall buildings on either side. It doesn't make sense that girls are going into a Southern Californian canyon (for what?) but through blinds in NYC one can see girls "coming into the canyon" in the morning walking on their way to work.

December 26, 2007 at 8:52 PM

Anonymous Anonymous said...

What an amazing interpretation of this song. Living in N.Z. "radio" music was usually a background sound creation. I'd have never sought lyrics or meaning beyond superficial (what my ear could discern) until now. I get music during sleep (dreams) and 500 songs later I get Twelve - Thirty. I get messages about my life and the life of a man in the US. Why this song? The man aged 54 unmarried worked hard but no recognition traveled the US & elsewhere, lots of "friends" lots of living for the day but seeking that love beyond all lesser loves - not finding it until 2000. Slow process of shedding layers of paranoia (love is picky and is gone in a flash - one bad heartbreak kills trust long ago) suspicion, fakery, "hellos" with no spirit of warmth, shedding falseness. Why? True Love has come along but it's not to be truly met or consummated for some time. Last verse? Reflecting back as he's moving forward. Born Ithaca maybe lived NYC too.....he's warming to life but slowly so slowly 8 years so far. The girls? True love slowly melting the ice but so slowly. He can't keep closed to this, no-one can who yearns for it so much. But he needs a step. A quick marriage while on the high but this will go it's way - it is not lasting. My God this guy was living an illusion in the illusion though for nigh on 47 years. Not there yet.

April 11, 2008 at 6:32 PM

Anonymous Anonymous said...

The canyon is Laurel Canyon, just off Sunset Blvd.,where many musicians, actors and lost seekers lived and experimented with unconventional stuff like drugs, occult, and assorted "living arrangements". It started out so promising, but ended up a let-down.

September 18, 2008 at 9:49 AM

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March 23, 2010 at 6:16 AM

Blogger kengullette said...

I just found this in 2011 and it's one of the best reviews and analysis of a pop song that I've ever read. Twelve Thirty is one of the songs from the Sixties that really haunts me and I listen to it often. I never knew what it meant until now. What an amazing bit of writing this post is!!

June 28, 2011 at 5:32 PM

Blogger Ray Ruiz said...

Thanks, Mark. I am so happy I came across your post, and the comments. I was searching for the meaning of this song that I love so much. I too wondered if the Canyon were the canyons (that's what they feel like to me) of New York City streets, or Laurel Canyon in L.A.
Well, I know an artist is entitled to all its interpretations :-) So, no problem there. However, if it's New York, then it makes more sense to me. The way the song depicts NYC is exactly the way I view it. Excitement and a rush, but at what cost humanity? I feel joy in Paris. I feel joy in Nice, France. I feel joy, excitement and exuberance in San Francisco and New Orleans. But, 12:30 describes EXACTLY my feelings when I visit New York City-- even the "new" NYC-- even under Bloomberg. I feel the weight of it on my shoulders. The fight everyday for your very existence. However, I do agree with the old adage: "If you can make it there, you can make it anywhere." :-) Anyway, I loved your interpretation. I've thought about that song a lot for nearly 44 years. I'm 66 now. Thanks again :-)

November 23, 2011 at 11:39 AM

Anonymous Anonymous said...

Back in the mid 60s, the teeny boppers (rarely guys) would "go home" with the pop musicians and such from the Wiskey a-go-go, Pandoras Box, The Toubadore, etc... who had places in Laurel Canyon up from Sunset Blvd. In the morning you would see them walking back to wherever they came from. It was pretty sad in the morning light. I was there. I saw it.

December 2, 2011 at 7:58 PM

Anonymous Anonymous said...

Thanks so much for the interpretation. Eloquent and much appreciated.

January 2, 2012 at 8:41 AM

Blogger Mr. Pat said...

I discovered this song as a 6-year-old, in my parents' stack of 45s, and instantly bonded with it, as though I had been meant to find it and it was my song alone. To this day it is still me favorite pop recording, and its lyrics were quite fateful as I was raised in Manhattan and would eventually be much happier living in Southern California. Both John and Michelle mentioned the song in their biographies, and indeed there is no doubt that the canyon of the song is Laurel Canyon, and the young girls were those whom Denny had brought home the night before. Denny was enjoying his fame and the girls he was able to win as a single and very attractive celebrity, much to the sadness of Cass, who had carried a torch for him for years. John and Michelle were married, but it was quite unstable already due to their age difference, her wandering, his controlling, and the money and celebrity that complicated these things further.
When they'd all first met in New York, they were great friends and very creative and hard-working - but hungry and struggling. The steeple in the song was actually that of a Library in Greenwich Village, which is still there. The Phillips could see it from their window, and indeed, in the mid-sixties, it underweant a long renovation, thus the clock would not have been working, and was probably stuck at 12:30, giving John his title and theme.
Although it's not documented as such, I have often felt that this song was years in the writing, with two distinct ideas melded together. It was their last successful single, but it didn't climb very high, and was part of their last album before their reluctant but necessary breakup. I also find it interesting that the only voices you hear, in the verses, are Cass and Denny, the superior singers of the four. All four may be in the chorus, it's harder to tell because the mix is so rich.

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Blogger Jol Martyn-Clark said...

I like all the interpretations. I was so sorry the music stopped when Cass died - in the UK. I was in my late teens and hot for any West Coast music. This for me was very complex and sophisticated - it still is. I never worked the lyrics out - I never had to! However like Steinbeck it painted my own pictures in my head. The way the song is put together just fits in that half dozen or so "songs" that we all carry around with us for ever. Someone, somewhere will be playing that internal(eternal) song player to themselves right now and that song will be on it!

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Blogger KAS said...

You are absolutely correct. It is really far fetched to think this refers to a busy skyscraper canyon, in a city that he already described as being dark and dirty.

April 9, 2013 at 11:53 PM

Blogger KAS said...

No, Laurel Canyon makes far more sense than a canyon of skyscrapers in New York City. A skyscraper canyon is a rare interpretation of the word canyon. He already described New York City as being dark and dirty. To say good morning and really mean it is more indicative of California than New York City. Don't forget he also wrote "California Dreamin",.where he felt safe and warm in L.A.

April 10, 2013 at 12:02 AM

Blogger I LOVE ROCK & ROLL MUSIC said...

Read the first verse again....Clearly it was written in reference when the Mamas and the Papas were still living in NYC. To the exact time, almost, when "California Dreamin'" was written.. .It was not a dig, in any way at NYC

April 17, 2013 at 1:28 AM

Blogger I LOVE ROCK & ROLL MUSIC said...

Read the first verse again....Clearly it was written in reference when the Mamas and the Papas were still living in NYC. To the exact time, almost, when "California Dreamin'" was written.. .It was not a dig, in any way at NYC

April 17, 2013 at 1:28 AM

Blogger I LOVE ROCK & ROLL MUSIC said...

The clock was clearly broken...That's why it always read 12:30..The "Canyon" was Laurel Canyon in L.A NOT the skyscrapers in NYC
I repeat: I've seen more than a few post, I think, thinking that the first verse was a dig at NYC. .Clearly, it was not.

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Anonymous Anonymous said...

The song is about the difference between the grim streets of New York (where newcomers are advised to never talk to strangers and to avoid eye contact on the street), and the natural warmth of L.A.'s Laurel Canyon. Back in the '60s, the Canyon was at the heart of the Summer of Love and the birth of new musical forms. Laurel Canyon, despite being just a short distance from the busy Sunset Strip, has (to this day) a wooded, almost rural feel to it, and with the cheap rents available at the time, its homes became a virtual commune to a cluster of up & coming singer-songwriters from the era, including Cass Elliott & Denny, Jackson Browne, Joni Mitchell, Crosby, Stills & Nash, Jim Morrison, Linda Ronstadt, Frank Zappa, Mickey Dolenz & Peter Tork, The Doors, The Byrds, Buffalo Springfield, Carole King, et al. It was a common sight to see young girls hitchhiking into Laurel Canyon; some were groupies in pursuit of stars, while others were just flower children in search of the new counterculture Eden. The song speaks of the simple joy of being able to say "Good morning" to passersby and really mean it, rather than as a mere formality, of opening the drawn blinds to embrace a new sunny world of promise and a genuine sense of community. The lines about muddy water casting no reflection are a critical comment on the old world left behind in New York (with the iconic broken clock), where this genuine beauty is lost in the cynical eye of the beholder. And, importantly, the song notes the changes happening in the songwriter, feelings that surprise & delight them, as they open up to this new reality of optimism and neighborliness, where they can no longer keep themselves from talking to strangers - as they slowly lose the shackles of bleak urban convention, and realize the simple joys of being part of a new, friendly, creative community - far removed from the gritty streets they left behind.

May 15, 2013 at 2:15 PM

Anonymous Anonymous said...

The song is about the difference between the grim streets of New York (where newcomers are advised to never talk to strangers and to avoid eye contact on the street), and the natural warmth of L.A.'s Laurel Canyon. Back in the '60s, the Canyon was at the heart of the Summer of Love and the birth of new musical forms. Laurel Canyon, despite being just a short distance from the busy Sunset Strip, has (to this day) a wooded, almost rural feel to it, and with the cheap rents available at the time, its homes became a virtual commune to a cluster of up & coming singer-songwriters from the era, including Cass Elliott & Denny, Jackson Browne, Joni Mitchell, Crosby, Stills & Nash, Jim Morrison, Linda Ronstadt, Frank Zappa, Mickey Dolenz & Peter Tork, The Doors, The Byrds, Buffalo Springfield, Carole King, et al. It was a common sight to see young girls hitchhiking into Laurel Canyon; some were groupies in pursuit of stars, while others were just flower children in search of the new counterculture Eden. The song speaks of the simple joy of being able to say "Good morning" to passersby and really mean it, rather than as a mere formality, of opening the drawn blinds to embrace a new sunny world of promise and a genuine sense of community. The lines about muddy water casting no reflection are a critical comment on the old world left behind in New York (with the iconic broken clock), where this genuine beauty is lost in the cynical eye of the beholder. And, importantly, the song notes the changes happening in the songwriter, feelings that surprise & delight them, as they open up to this new reality of optimism and neighborliness, where they can no longer keep themselves from talking to strangers - as they slowly lose the shackles of bleak urban convention, and realize the simple joys of being part of a new, friendly, creative community - far removed from the gritty streets they left behind.

May 15, 2013 at 2:15 PM

Anonymous Anonymous said...

It is Laurel Canyou, off Sonset. When the M&Ps got back tggether, they got separate homes and Denny bought a home in Laurel Canyon.

Denny allegedly was a chick magnet...ergo, the young girls were coming into the Canyon to be with him. And in the morning? Well, I guess they had to walk home down Laurel Canyon Dr.

Keep in mind that John wrote this song. His wife, Michelle, had an affair with Denny. Some have said that John has Michelle speaking in the lyrics.

The bridge is the strange part. Some think that's the heroin talking.

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Anonymous Anonymous said...

I really enjoyed this post and the relevant comments. This is a song that I rarely listen to just once; I almost always hit the repeat button because it's such a magnificent piece of music. It's good to understand it better now.

July 22, 2013 at 4:16 AM

Anonymous Anonymous said...

It’s really starts out as a beautiful piece of existential poetry, one might expect from a person on reflection. Musically, the piece begins with Denny’s beautiful tenor voice dancing with Cass’s high alto, in contrary harmony.

But then it comes in with an almost intrusive wall of sound, reminiscent of Phil Specter’s music…Young girls who come into the canyon… The full foursome, with Michelle’s childish shouts actually pronounced in reverb. It’s a deliberate contrast, no question. Reflective thought…then, almost anger? John is thinking one thought, and then exploding with Michelle’s perspective: damn fillies are flocking to Denny’s house in the canyon; and in the morning I can see the tramps walking home; I used to just try to ignore it; but now I have to speak out.

The song should end there, but John finds more to say. However, it is something he only interprets himself. He repeats the chorus three times. The last time he uses echo lyrics of the lines. He definitely wants to emphasize that chorus.

I think it’s the early character that draws people in, and then he hammers home his anger.

October 18, 2013 at 12:11 AM

Anonymous Anonymous said...

Just an unnecessary note of agreement with those who say it's about the contrast between dirty/cold New York and Southern California. I'm not from California, but recognized the Laurel Canyon reference as such. Even if people don't know the name of the specific canyon, I think most people are aware there are hip canyony residential areas in LA from seeing them on TV or whatever. Additional though: it's kind of a Southern California companion-piece to "San Francisco," which was also written by John Phillips.

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November 8, 2015 at 2:30 PM

Blogger Unknown said...

Simply put: The girls partied with the Rockers in the Canyon and would leave with the morning sun. They were visible to all from the area and that particular march from the Canyon's hidden homes to Sunset Blvd lasted 'til the mid eighties when the homes there skyrocketed in value and long haired types moved away to cheaper pastures. Read Pamela Des Barres book about groupies for a better explanation.

December 6, 2015 at 12:38 PM

Blogger Unknown said...

Sad song lamenting our shallow distractions as user friendly victims and commodities for others profit or hedonism. When we came off the land to live in un natural industrialised enviroments with careers that compromise our integrity we started the journey away from what is real and intended for us. Solution is to go and find purpose wherever that may be but preferably in a natural surround. For example in a farming community everybody is needed regardless how dumb one may be as a purpose is readily available for all. Such lifestyle promotes self esteem, a community mindset that lubricates purpose and generates meaningful output for local needs not profit.

November 6, 2016 at 8:33 PM

Blogger DCramer said...

12:30
basically creates two halves of the clock / Circle, one half represents New York and the other Los Angeles, just like the verse and chorus reflects the attitude of Nee York versus Los Angeles. It’s true a lot of young girls ran away from home seeking fame and fortune, and found themselves in Laurel Canyon drinking, tripping, and sleeping with their favorite rock stars. The lines about the water and the reflection refers to seeing them passed out, and unresponsive -mascara smeared & hair tangled, basically the morning after.
The hippie movement in the 60s for a moment created an atmosphere where people would say good morning or hello, or can I help you, and it made you feel good, and you felt like you were proud to be a human being, it didn’t last, but for a moment it was beautiful.

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Blogger DCramer said...

I can’t keep myself from talking, do a line of Coke and try and stop talking LOL

March 24, 2018 at 10:55 PM

Anonymous bcameron54 said...

Besides the Canyon reference, the song title calls up a dissonant metaphor of a broken tower clock in a church steeple - churches do not commonly tell us the time of day, but do post scripture by chapter and verse. An uncommon steeple clock stuck at 12:30 (hour hand towards heaven, minute hand towards earth) makes an esoteric and perhaps unconscious cultural reference to love of God in Mark 12:30, which says "And thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind, and with all thy strength: this is the first commandment." The melody and lyrics trace a transformation from metaphorical unconscious darkness to light, from grey to brightness, from the dark gloom of New York City to the joyful sunlight of Laurel Canyon in California, coherent with an emotional awakening and transformation in social awareness or fellowship. This otherwise arbitrary lyrical nonsense rhyme of twelve-thirty connects the transformation and brightening of awareness brought by social and spiritual enlightening, from an arrest of time or progress in the works of the City, to an awakening of artistic creativity in the Canyon.

September 21, 2020 at 5:00 AM

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