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Bubbling Down Under: Kiss
Showing posts with label Kiss. Show all posts
Showing posts with label Kiss. Show all posts

10 September 2021

Week commencing 10 September 1990

There isn't an obvious theme connecting this week's new entries, so let's dive straight in.
 
49ers: more like the 119ers this week.
 
Top 150 debuts:
 
Number 132 "Girl to Girl" by 49ers
Peak: number 116
Peak date: 22 October 1990
Weeks in top 150: 6 weeks
Weeks on chart: 6 weeks
 
Italian house music project 49ers landed a top 20 single in Australia with "Touch Me" (number 18, July 1990), which was a top 20 hit across Europe.
 
The vocal lines for "Touch Me" were lifted entirely from from Aretha Franklin's "Rock-A-Lott" (released in Australia in September 1987, did not chart), and Alisha Warren's "Touch Me".  As often seemed to be the case for Italian dance tracks from this era, a model, Dawn Mitchell, lip synced the vocals in the music video... rather unconvincingly, I must say!  Two of my favourite misheard lyrics ever belong to "Touch Me" - those being "Peter Pan and his nan" and "bring a pen and a spare pad" (actual lyric: "People can't understand it", ironically).

49ers' second single in Australia, "Don't You Love Me" (number 61, July 1990), sampled vocals from Jody Watley's "Don't You Want Me", which reached fourth place on the Australian Music Report's list of singles receiving significant sales reports beyond the top 100 in February 1988.  Dawn Mitchell again performs in the music video.  I am not sure whether it is Dawn's vocals making up the rest of the track, but they don't sound technically 'good' enough to not be her.  If you were getting a model to lpi sync someone else's vocals, surely you would select someone with a better voice than this.
 
"Girl to Girl", the third single lifted from the album 49ers (number 56, July 1990) in Australia, registered within the top 100 on four of the five state charts, only falling short in Queensland, but could not break into the top 100 nationally.  "Girl to Girl" performed strongest in Western Australia, where it reached number 93.  On the Australian Music Report chart, "Girl to Girl" peaked at number 89.
 
Internationally, "Girl to Girl" peaked at number 31 in the UK in June 1990, number 13 in Ireland in June 1990, number 20 in Switzerland in July 1990, and number 70 in Germany in August 1990.
 
In typical Italo house style, the lyrics for "Girl to Girl" don't make a whole lot of sense.  The verses seem addressed to a Mr DJ, but then the chorus lyrics switch to "now we're talking girl to girl".  Comprendere?

"Girl to Girl" was the third 49ers single in a row I purchased on cassette, so I must have really liked them.  There was a nifty "49ers Megamix" as the B-side, containing "Don't You Love Me", "How Longer" (an album track, with vocals sampled from Kym Mazelle's "Useless (I Don't Need You Now)" - except Kym actually sings "no longer will I be your fool"), and "Touch Me".

We will next see 49ers, with a new (real) vocalist, in 1992.
 
 
 
Number 133 "Girls Nite Out" by Tyler Collins
Peak: number 133
Peak date: 10 September 1990
Weeks in top 150: 4 weeks

Continuing with this week's "girls" song theme, American singer Tyler Collins took "Girls Nite Out" to number 6 on the US Billboard Hot 100 in August 1990.  While another three of her singles registered on the Hot 100, this was the only one to make the top 40.  "Girls Nite Out" also peaked at number 65 in Canada.

As a casual listener of the American Top 40 radio show at the time, I must have heard this song at the time, but have no recollection of it.  Surprisingly for a US top 10 hit, the view count on the official "Girls Nite Out" music video YouTube upload (embedded below) is rather low, with little more than 5,000 views accrued in 5 and a half years.  It seems I'm not the only one who doesn't remember this song, despite it being a US top 10 hit.

"Girls Nite Out" was Tyler's only single released in Australia.  While it missed the ARIA top 100, "Girls Night Out" reached number 86 on the Australian Music Report chart.



Number 143 "Don't Miss the Party Line" by Bizz Nizz
Peak: number 124
Peak date: 22 October 1990
Weeks in top 150: 5 weeks

Australia always seemed to be behind the times when it came to embracing rap and new dance music styles during this era.  Originating in Belgium, Bizz Nizz's "Don't Miss the Party Line" had been released in the UK six months earlier, peaking at number 7 there in April 1990.  It also reached the top 10 in Germany, Austria, and Ireland.

In Australia, Bizz Nizz had to settle for number 124, although it reached a much higher peak of number 75 on the Australian Music Report chart.

One of the studio boffins behind the project, Jean-Paul De Coster, would go on to much greater success producing for 2 Unlimited.  Peter Neefs, who was also behind Bizz Nizz, would go on to co-produce 2 Unlimited's "The Magic Friend" (number 16, November 1992).
 
While "Don't Miss the Party Line" did not have much chart success in Australia, it was one of several tracks sampled on Megabass' "Time to Make the Floor Burn" megamix, which reached number 40 in April 1991.

"Don't Miss the Party Line" was the only Bizz Nizz single issued in Australia.  They did not release an album.



Number 144 "Smoke on the Water" by Rock Aid Armenia
Peak: number 108
Peak date: 1 October 1990
Weeks in top 150: 8 weeks

Rock Aid Armenia was an ensemble of rock artists - as you would expect - including, on vocals, Ian Gillan from Deep Purple, Bruce Dickinson from Iron Maiden, Paul Rodgers, David Gilmour from Pink Floyd, and Bryan Adams.  Among the artists providing musical backing were Brian May and Roger Taylor from Queen.

The group joined forces to record a version of Deep Purple's "Smoke on the Water" to raise funds for survivors of the December 1988 Armenian earthquake, which killed approximately 38,000 people and injured between 31 and 130 thousand others.

The Rock Aid Armenia single peaked at number 39 in the UK in December 1989, and does not appear to have charted elsewhere, so it surely mustn't have raised much money for the cause.  I'm not sure why it took so long to get released in Australia (it was released locally on 20 August 1990).  Being released so long after the natural disaster probably didn't help matters.

Charity records are always a bit hit and miss... well, let's be honest, they are almost always 'miss'.



Number 146 "Just Came Back" by Colin James
Peak: number 125
Peak date: 22 October 1990
Weeks in top 150: 7 weeks

Colin James, real name Colin James Munn, is a Canadian singer-songwriter.  "Just Came Back" was the lead single from his second album Sudden Stop.  "Just Came Back" reached number 5 in Canada in August 1990.  It also peaked at number 94 in the UK in September 1990.

Colin's Sudden Stop album, released locally in October 1990, missed the ARIA top 150 albums chart, but his debut album Colin James - which spawned no top 150 singles - reached number 134 in February 1989.

I don't recall hearing this one before, but the "just came back to say goodbye" chorus lyric seems vaguely familiar.



Number 148 "Rise to It" by Kiss
Peak: number 144
Peak date: 17 September 1990
Weeks in top 150: 2 weeks

Between 1976 and 1989, American glam rock group Kiss placed 20 singles on the Australian top 100 chart, with the biggest of those being "I Was Made for Lovin' You" (number 2, September 1979).  "Rise to It" continues the sexual innuendo theme of the song we saw Kiss bubble under with back in July 1989.
 
At this point in time, Kiss were in the middle of a flop era on the Australian charts, with none of their singles released between "Crazy Crazy Nights" (number 34, November 1987) and "God Gave Rock & Roll to You II" (number 18, August 1992) reaching the top 40.
 
"Rise to It" was the last of three singles released from Kiss' fifteenth studio album Hot in the Shade (number 30, November 1989).  It followed "Hide Your Heart" (number 60, November 1989) and "Forever" (number 73, May 1989).
 
"Rise to It" had greater, albeit modest, success on the US Billboard Hot 100, where it peaked at number 81 in June 1990.  I didn't realise this until now, but Kiss only ever had two top 10 singles on the Hot 100, with previous single "Forever" (peaking at number 8 in April 1990) being their second biggest hit there.

"Rise to It" was the last Kiss single to chart in Australia before the untimely death of the band's drummer, Eric Carr (born Paul Charles Caravello) in November 1991, aged 41, from heart cancer.  Eric appears in the "God Gave Rock & Roll to You II" music video, however, as it was filmed in July 1991.  Eric's death was somewhat overshadowed by that of Freddie Mercury from Queen, who died on the same day.

 
 
Bubbling WAY down under:
 
Number 151 "Loving You" by Massivo featuring Tracy
Peak: number 151
Peak date: 10 September 1990
Weeks on chart: 5 weeks
 
In 1975, American singer Minnie Riperton released "Lovin' You", a song she co-wrote with her husband Richard Rudolph.  The single topped the US Billboard Hot 100 chart in April 1975, went top 10 across Europe, and reached number 5 in Australia in May 1975.  It would be Minnie's only real hit, and her sole top 100 singles chart entry in Australia.  Sadly, Minnie died in July 1979, aged 31, after a three and a half year illness with breast cancer.  Minnie possessed an expansive vocal range, evidenced by her seemingly effortless use of the whistle register.  Mariah Carey took note, and cites Minnie as a musical influence.

Fast forward to 1990, and Massivo, who were Darren Pearce and Steve McCutcheon, teamed up with singer Tracy Ackerman (credited here as just 'Tracy') to release an updated version of "Lovin' You", with a mellow dance groove behind it.  Their version of the song reached number 25 in the UK in July 1990.

If a music video for Massivo's "Lovin' You" exists, it has not made its way onto YouTube.  But an impressive Top of the Pops TV performance - with actual live vocals - is available as a substitute, embedded below.  Tracy pulls off the whistle notes at the end of the chorus rather well in this performance.  The studio version of the track can be listened to here.

"Lovin' You" was Massivo's only local release, although two further singles were released in the UK.
 
While weekly chart information outside the top 150 is not available other than debut and peak positions, Massivo's "Lovin' You" had an interesting chart run in Australia.  Its five weeks on the chart were spread across a period of at least five months, as it did not peak in Western Australia until 25 February 1991!  It also peaked on three of the five state charts on 5 November 1990.
 
Steve from Massivo would go on to be part of Undercover, who scored a number 100 'hit' in Australia in October 1992 with their version of "Baker Street", originally a number 1 hit for Gerry Rafferty in June 1978.

Tracy will be a featured vocalist on a cover version by another artist that will bubble under in 1995.  She also became a successful songwriter for many different artists, including co-writing credits on B*Witched's "C'est La Vie" (number 6, September 1998) and "Rollercoaster" (number 1, November 1998).
 

 
Number 153 "Talk It Over" by Arthur Baker and The Backbeat Disciples featuring John Warren
Peak: number 153
Peak date: 10 September 1990
Weeks on chart: 1 week
 
American songwriter, producer and remixer Arthur Baker has been involved in numerous hit singles for other artists, notably in Australia - New Edition's "Candy Girl" (number 10, August 1983), Freeez's "I.O.U." (number 3, September 1983), Suzanne Vega's "Left of Center" (number 35, July 1986), Taylor Dayne's "With Every Beat of My Heart" (number 67, December 1989), and Kate Ceberano's "See Right Through" (number 33, December 1991).

Arthur began releasing material as Arthur Baker and The Backbeat Disciples in 1989, with the single "It's Your Time", featuring Luke Goss from Bros's then-girlfriend and later wife (they split in 2020 after 33 years together) Shirley Lewis on vocals.  That single was released in locally in July 1989 but failed to chart.

Arthur found minor chart success in Australia with his next release, "The Message Is Love" (number 46, July 1990), this time with Al Green on vocals.  "Talk It Over" was released as the follow-up in Australia, with John Warren as featured vocalist; although the single preceded "The Message of Love" in the UK, where it peaked at number 132 (number 104 on the compressed chart) in July 1989.  Both tracks were lifted from the album Merge (number 112, July 1990).

In Australia, "Talk It Over" performed strongest in New South Wales/Australian Capital Territory, where it reached number 142.

This would be Arthur Baker and The Backbeat Disciples' final charting single in Australia, although later singles co-written or produced by Arthur would chart.
 


Next week (17 September): A bumper week with ten new top 150 entries.
 
< Previous week: 3 September 1990                                   Next week: 17 September 1990 >

24 July 2020

Week commencing 24 July 1989

This week's new entries are split between big names having flop singles and new and upcoming acts struggling to make a dent.  Among them are two singles that peaked at number 101, and another that peaked at number 102!  Let's take a look...

Kiss: let's put the hair in Cher.

Top 150 debuts:

Number 101 "One" by Bee Gees
Peak: number 101
Peak date: 24 July 1989
Weeks in top 150: 12 weeks
Weeks on chart: 15 weeks

Peaking 100 places lower than the title would suggest, I've written about this "one" previously in my special post on singles peaking at number 101 between 1989 and 1991.  "One" was the second single lifted from the album One, and followed up "Ordinary Lives", which we saw in May.  "One" was a much bigger hit in the US, where it peaked at number 7.  Bee Gees (note: no 'The') will join us again in October.


Number 139 "(You Make Me) Rock Hard" by Kiss
Peak: number 101
Peak date: 14 August 1989
Weeks in top 150: 6 weeks

Coincidentally, here's another single that peaked at number 101, which I have also already written about.  The second single lifted from their Smashes, Thrashes & Hits greatest hits compilation, the subtly-titled (!) song failed to register on a reputable national chart anywhere, that I am aware of, other than coming within a whisker of making the ARIA top 100.  But, such is the size of their fan-base that the music video (embedded below) currently has over 5.5 million views on YouTube, in spite of being a flop single.  Kiss will join us again in 1990.

 
Number 142 "A Friend Is a Friend" by Pete Townshend
Peak: number 113
Peak date: 7 August 1989
Weeks in top 150: 8 weeks

Former frontman of The Who, Pete Townshend was last on the Australian singles chart in 1986 with "Give Blood", peaking at number 77.  Immediately prior to that, he scored his biggest, and only real, solo hit single down under with "Face the Face", which peaked at number 9 in Australia in February 1986.  This track was lifted from The Iron Man: The Musical by Pete Townshend, which peaked at number 59 on the ARIA albums chart in July 1989.  "A Friend Is a Friend" did not manage to chart anywhere else.


Number 145 "Naturally" by Clive Young
Peak: number 102
Peak date: 7 August 1989
Weeks in top 150: 10 weeks 
Weeks on chart: 10 weeks

Follow-up to Australian singer-songwriter Clive Young's single "Something Special" (number 50, June 1989), "Naturally" narrowly missed the top 100.  "Naturally" follows in much the same vein as its predecessor.  Oddly, Clive did not release an album until 1992, and neither "Something Special" nor "Naturally" appear on it, owing to Clive changing record labels in the interim.  The rear sleeve of the "Naturally" single states that the song is from the forthcoming album Naturally, but this does not appear to have ever been released.

On the state charts, "Naturally" performed much stronger in Victoria/Tasmania, where it reached number 50, than elsewhere.  A similar feat occurred with "Something Special", which peaked at number 15 on the Victoria/Tasmania state chart vs. its national peak of number 50; although it also reached number 21 in South Australia/Northern Territory.

We will next see Clive in 1991.


 
Number 147 "Take Me" by Adult Net
Peak: number 137
Peak dates: 14 August 1989 and 4 September 1989
Weeks in top 150: 7 weeks 
Weeks on chart: 7 weeks

Britain-based American singer Brix Smith formed Adult Net as a side project after joining The Fall in 1983.  "Take Me" peaked at number 78 on the UK singles chart in March 1989, and was lifted from the album The Honey Tangle.  Given that nothing released by the group peaked higher than number 66 anywhere in the world, I am pleasantly surprised that this one even registered on the Australian charts - especially since I wasn't aware of it at the time.
 
"Take Me" performed strongest on the Queensland chart, where it reached number 111.  This would be Adult Net's only charting release in Australia.


Number 148 "Youth Gone Wild" by Skid Row
Peak: number 148
Peak date: 24 July 1989
Weeks in top 150: 1 week
Weeks on chart: 2 weeks

When writing the 'next week' preview blurb on last week's post, I was going to write that we would see the arrival of a new hair metal act... except Skid Row weren't exactly 'hair metal', were they?  When googling to see what genre the group's music is considered being (Metal? Hair metal? Rock?), I came across a comment that Skid Row were the missing link between 80s hair metal and 90s grunge, and I think that is an apt description.  One thing I vividly remember from this period is that the cassette sleeve for their album Skid Row (number 12, May 1990) was one that had been replaced by a photocopy in a record store I visited, "to prevent theft".  What that says about their (presumably teenage) fans of the time, I don't know.  Now, onto the song itself, this was the group's debut release, peaking at number 99 in the US in June 1989, and number 42 in the UK in November 1989.  I am surprised that "Youth Gone Wild" didn't perform better on our chart, as I remember hearing it and seeing the video several times (and I was not a 'metal' kid).  Perhaps their fans were stealing the single instead of buying it...  We will see Skid Row again in December.

 
 
 
Number 149 "Little Fighter" by White Lion
Peak: number 136
Peak date: 21 August 1989
Weeks in top 150: 5 weeks 
Weeks on chart: 7 weeks

Now, for something less-ambiguously glam 'metal', "Little Fighter" was White Lion's second foray onto the Australian singles chart, following their debut in May 1989.  "Little Fighter" was the lead single from the band's third album, Big Game (number 119, August 1989). "Little Fighter" peaked at number 52 in the US.

On the ARIA state charts, "Little Lion" performed strongest in Victoria/Tasmania, where it reached number 99.

We will see White Lion next in December.

 
 
Bubbling WAY down under:

Number 153 "Little Jackie Wants to Be a Star" by Lisa Lisa & Cult Jam
Peak: number 153
Peak date: 24 July 1989
Weeks on chart: 1 week
 
Lisa Lisa (real name Liza Velez), Alex "Spanador" Moseley and Mike Hughes together formed Lisa Lisa & Cult Jam.  The group formed in New York in 1984, and placed two singles on the Australian top 100 in 1987, "Head to Toe" (number 52, July 1987) and "Lost in Emotion" (number 83, November 1987).
 
"Little Jackie Wants to Be a Star" was the first single, and only one released in Australia, from the band's third album Straight to the Sky.

Internationally, "Little Jackie..." peaked at number 29 on the US Billboard Hot 100 in May 1989, number 90 in the UK in May 1989, and peaked within the top 10 in the Netherlands and New Zealand, and the top 20 in the Flanders region of Belgium.

We will see Lisa Lisa & Cult Jam again in 1992.


Next week (31 July): Four new top 150 entries, and four bubbling WAY down under debuts.  You can follow my posts on facebook here.

< Previous week: 17 July 1989                                               Next week: 31 July 1989 >

03 February 2020

Livin' on the Edge of the Top 100: 13 singles that peaked at number 101 in Australia (1989-1991)


This post is the first in a series of occasional 'special' posts, that differ in content from my weekly recaps of top 150 debuts.

Since following the charts, it has always been a fascination of mine to see which releases have just missed out on reaching certain coveted positions - whether that's a number 2 single that missed reaching the top, a number 11 single that just missed the top ten, or a number 41 single that narrowly missed the top 40.

Remember that time that Gail and Jane from Neighbours tried to become pop stars?  Thought not.

In this post, we'll take a look at singles that just missed the top 100, between January 1989 and December 1991.


Singles peaking at number 101 on the Australian singles chart (1989-1991):

"Hey Ciao" by Albie Wilde & The Dayglos
 Peak date: 12 June 1989

The most interesting thing about this release is that it features Jane (Annie Jones) and Gail (Fiona Corke) from Neighbours, who also appear in the video, as backing vocalists!  I remember this track being reviewed in either Smash Hits or rival Hit Songwords, with the comment that it was probably the first time an act's backing singers were more-famous than the front person of a group.  Still, 'Hey Ciao' performed better on the charts here than fellow Neighbour Stefan Dennis's attempt at becoming a pop star - though I'm not certain that got a local release, as it does not appear in the Australian Music Reports new releases lists, despite rage playing the video.



"Sky High" (1989 Remix) by Jigsaw UK
Peak date: 17 July 1989

I guess we must have had an Australian band called Jigsaw for the UK act to be re-branded 'Jigsaw UK' down under.  Before Newton's Stock/Aitken-produced cover version of the 1975 Jigsaw track in 1994, Pete Hammond (also associated with Stock Aitken Waterman) had a go at remixing the original for a 1989 release.  This sounds remarkably similar to the Newton version, to my ears - at least vocally.  Curiously, this version took eight weeks to reach its peak of number 101, before falling off the chart the following week.



"One" by Bee Gees
Peak date: 24 July 1989

This 'one' interestingly debuted at its peak of number 101 and could not manage to climb 'one' place higher to reach the top 100.  The Australian top 100 singles chart remained a hit-free zone for the Bee Gees for nearly a decade, between when 'You Win Again' left the top 100 in February 1988 and 'Alone' gave them another hit in June 1997.  A case of the tall poppy?



"(You Make Me) Rock Hard" by Kiss
Peak date: 14 August 1989

Gotta love that title, eh?  The follow-up to 'Let's Put the X in Sex', '(You Make Me) Rock Hard' was also lifted from their Smashes, Thrashes & Hits greatest hits album.  Except that this one didn't become a hit - or even chart - anywhere else, from what I can gather.

Kiss seemed to be well into their glam metal phase, with several if not all of the band members (dare I say it) not looking that unlike Cher in the late 80s in the music video.



"Great Balls of Fire" by Jerry Lee Lewis
Peak date: 11 September 1989

Jerry re-recorded his 1957 hit for the soundtrack of the 1989 movie of the same name.  Surprisingly, this had no connection to Jive Bunny and The Mastermixers, who sampled this song on one of their two 1989 hits.



"Prayer for You" by Texas
Peak date: 12 February 1990

Texas had a hard time following up their top 10 single from 1989 with anything substantial.  Until 1997, their next-biggest hit on the Australian singles chart could reach no higher than number 52.  They'd have to settle for number 101 with this, the fourth and final single from their Southside album.



"Livin' on the Edge of the Night" by Iggy Pop
Peak date: 26 March 1990

Iggy actually wears a shirt and jacket in the video for this one, unusually.  Iggy would score a hit later in 1990 with his duet with Kate Pearson, but for now, he'd have to settle for livin' on the edge of the top 100.



"Don't Be Cruel" (Rapacious Edit) by Bobby Brown
Peak date: 11 June 1990

The original peaked at number 72 in 1989, but this remixed version fared even worse on the Australian chart.  Bobby would peak 100 places higher though with his next release.



"All I'm Missing Is You" by Glenn Medeiros
Peak date: 29 October 1990

Speaking of Bobby Brown, Glenn seemed to have undergone a 'Bobby Brown' makeover in 1990, with the aforementioned star featuring on his second and final hit.  It didn't seem terribly convincing.  Neither did this.



"From a Distance" by Cliff Richard
Peak date: 7 January 1991

Debuting on the chart a mere six weeks after the Bette Midler version of the same song, Cliff's version landed just a small distance from the top 100.  Now Cliff is the sort of artist who seems more likely to sing lyrics like "God is watching us" than Bette...



"Auberge" by Chris Rea
Peak date: 25 March 1991

'Auberge' is a French word for inn, and Chris Rea couldn't quite make it in to the top 100 with this one.  In fact, Chris wouldn't make it into the top 100 singles chart in Oz again.



"Happy" by Ned's Atomic Dustbin
Peak date: 3 June 1991

I remember hearing Ned's Atomic Dustbin being mentioned on the ABC's The Afternoon Show, but don't recall hearing any of their music before.



"Only You" by Keith Urban
Peak date: 1 July 1991

Everyone's got to start somewhere, and for Keith, that was at number 101, with his second single release - a whole 11 and a half years before scoring his first top 100 entry on the Australian singles chart.



Normal service will resume with my recap of new top 150 entries on 6 February.

                                            Singles that peaked at number 101 in Australia 1992-1994 >