Manuele Gragnolati, Elena Lombardi, and Francesca Southerden:
Introduction. Dante Unbound: A Vulnerable Life and the Openness of
Interpretation
Part I: Texts and Textuality
1: Justin Steinberg: The author
2: Lina Bolzoni: Memory
3: Mary Carruthers: Reading
4: Martin Eisner: Materiality of the text and manuscript
culture
5: Fabio Zinelli: The manuscript tradition, or on editing Dante
6: Luca Fiorentini: Commentary (both by Dante and on Dante)
7: Akash Kumar: Digital Dante
Part II: Dialogues
8: Zygmunt G. Baranski: The Classics
9: Antonio Montefusco: Roman de la Rose
10: William Burgwinkle: Troubadours
11: Roberto Rea: Early Italian lyric
12: Fabian Alfie: Comic culture
13: Gervase Rosser: Visual culture
Part III: Transforming Knowledge
14: Franziska Meier: Encyclopaedism
15: Natascia Tonelli: Medicine
16: Simon Gilson: Visual theory
17: Diego Quaglioni: The law
18: Tristan Kay: Politics
19: Pasquale Porro: Philosophy and theology
20: Alessandro Vettori: Religion
21: Elena Lombardi: Poetry
Part IV: Space(s) and places
22: Giuliano Milani: Florence and Rome
23: Elisa Brilli: Civitas/Community
24: Karla Mallette: The Mediterranean
25: Brenda Deen Schildgen: The East
26: Johannes Bartuschat: Exile
27: Theodore J. Cachey, Jr.: Travelling/wandering/mapping
28: Peter Hawkins: Dante's other worlds
Part V: A passionate selfhood
29: Manuele Gragnolati: Eschatological anthropology
30: Heather Webb: Language
31: Bernard McGinn: The mystical
32: Cary Howie: Bodies on fire
Part VI: A non-linear Dante
33: Nicolò Crisafi: The master narrative and its paradoxes
34: Jennifer Rushworth: Conversion, palinody, traces
35: Francesca Southerden: The lyric mode
36: Teodolinda Barolini: Errancy: A brief history of Dante's Ferm
Voler
Part VII: Nachleben
37: Martin McLaughlin: Translations
38: Rossend Arqués Corominas: Dante and the performing arts
39: John David Rhodes: Dante on screen
40: Daniela Caselli: Modernist Dante
41: Lino Pertile: Dante and the Shoah
42: Jason Allen-Paisant: Dante in Caribbean poetics: Language,
power, race
43: Gary Cestaro: Queering Dante
44: Marguerite Waller: A decolonial feminist Dante: Imperial
historiography and gender
Manuele Gragnolati, Co-editor, is Professor of Medieval Italian
Literature at Sorbonne Université, Associate Director of the ICI
Berlin Institute for Cultural Inquiry, and Senior Research Fellow
at Somerville College, Oxford. He is the author of Experiencing the
Afterlife: Soul and Body in Dante and Medieval Culture (2005) and
Amor che move. Linguaggio del corpo e forma del desiderio in Dante
and Medieval Culture (2013), and the co-editor
of several volumes, including Desire in Dante and the Middle Ages
(2012) and Vita nova. Fiore. Epistola XIII (2018). Elena Lombardi
is Professor of Italian Literature at Oxford, and the Paget Toynbee
Fellow at Balliol College.
She is the author of The Syntax of Desire: Language and Love in
Augustine, the Modistae and Dante (2007), The Wings of the Doves:
Love and Desire in Dante and Medieval Culture (2012), and Imagining
the Woman Reader in the Age of Dante (2018).
Francesca Southerden is Associate Professor of Medieval Italian at
Somerville College, Oxford. She has written several articles on
Dante and Petrarch and is author of Landscapes of Desire in the
Poetry of Vittorio Sereni (2012). She is currently working on Dante
and Petrarch in the Garden of Language.
The Handbook lives up to the most stringent expectations.
*F. Regina Psaki, Modern Language Review*
The handsome tome contains 45 remarkably diverse essays covering
multiple aspects of Dante Studies. Scholars from across Europe and
America examine everything from the transmission of texts and their
making, through the knowledge and traditions of Dante's own times,
to his afterlife in politics and the arts up to today.
*Dr Mark Vernon, Church Times*
I heartily recommend this volume as a true feast for the mind.
*Christopher Kleinhenz, Speculum 99/1*
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