... video installation are the particular media the artists choose to borrow their technologies and reception patterns from. In the case of the video installation, they are mostly electronic and digital: film, television, computer, the ...
... video installation” become the norm, and the term “immersive environment” become accepted currency. In one of the earliest and among the most important meditations on video art and video installation, Rosalind Krauss reads video art as ...
... video installation in technological terms. Yet, should a video installation which so overtly foregrounds cinematic devices, and which moreover includes so many references to film, primarily be defined in terms of video? On the other ...
... video installation equipment had become popular at universi- ties for instruction , particularly by sociologists and anthropologists . In this milieu , video installation feedback had been employed to instruct psychologists and social ...
... video installation , 1990–1993 . 43 : Lynn Hershman , Virtual Love , USA , 1993 , 1:20:00 , color , sound . 44 : Gary Hill , Between Cinema and a Hard Place , USA , 1991 , video installation . 45 : Gary Hill , Electronic Linguistics ...
... Video Installation Art: The Body, the Image and the Space-in- Between' media theorist and critic Margaret Morse examines the nature and functions of video installation, speculating on some of the most fundamental questions raised in ...
... video installation consisting of thirty color monitors at the Galeria Bonino . Videotapes on one half of Paik's color monitors displayed images of tropical fish swimming around ; the other half showed tapes of jet aircrafts flying ...
... Video Installation Art: The Body, the Image, and the Space-in-Between” (1989). Liz Kotz also addressed this aspect in detail in her “Video Projection: The Space Between Screens” (2005). Kate Mondloch, in Screens: Viewing Media ...