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Jack Antonoff reveals plans to make public recording studios available to those who can't afford them
By Matt Mullen published
The Public Studios initiative will fund the building of studio spaces in LGBTQ+ youth shelters
"There are few producers who haven’t employed – or lusted after – it at some point or another, such is its legendary status": Why does everyone love the UREI/UA 1176 compressor?
By Andy Jones published
Here’s why the 1176 has made such an impact in the recording world, and how you can rack one up for peanuts and use it on your music
M-Audio’s new Forty Series monitors promise “precision sound, adaptability, and seamless connectivity”
By Si Truss published
Forty Sixty and Forty Eighty both feature Bluetooth streaming and DSP-assisted sound profiles
Want 33,000 classic sound effects for free? The BBC expand their enviable archive for musicians and creators
By Andy Price published
Time to get plundering a massive archive of vintage and classic audio recordings
AlphaTheta launches new ultra-low-latency headphones for DJs
By Simon Arblaster published
Can these ultra-low-latency, over-ear monitors replace your trusty old cans?
"The HDJ-F10s sound (mostly) great, and look good, but are they worth the £469 price tag just to remove a wire on the stage?": AlphaTheta HDJ-F10-TX review
By Dave Bushnell published
AlphaTheta adds a slick-looking pair of wireless DJ headphones to its line up
MusicRadar deals of the week: join the shred-fest with up to £780 off Charvel, Ibanez and more
By Daryl Robertson published
We've uncovered the very best offers on a range of music-making gear from the likes of Charvel, Guild, Ibanez and more
Focusrite’s top-end Scarlett interfaces get the 4th Gen treatment
By Si Truss published
16i16, 18i16 and 18i20 get a revamp with Auto-Gain, Clip Safe, Harmonic Drive and more
So Ringo said, 'Why don't we just shoot the cover outside and call it Abbey Road?': Beatles engineer Geoff Emerick on the recording of Abbey Road
By Joe Bosso published
A classic interview with the band's late chief engineer – "You could really see the joy in their faces as they played; it was like they were teenagers again"
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