(Translated by https://www.hiragana.jp/)
 Song Period Arts (www.chinaknowledge.de)

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Architecture
Already during the second half of the Tang period から the face of large cities had changed from the strict pattern of UMWALLT STADTVIERTEL (lifang 里坊さとぼう) to a WEICHBILD that was much more AUFGELOCKERT. It was especially the restrictions for markets - including night markets (yeshi よる) -, shops and foodstalls that were abolished and allowed commercial business to be established throughout the cities. Merchants and craftsmen were allowed to open their shops (dianpu 店舖てんぽ) and workshops (zuofang さくぼう) within AUSGEZEICHNETE specialized ZUNFTGASSEN. Other GEWERBE like (didian やしきてん), restaurants (jiulou 酒樓しゅろう) and other entertainment AXXX were also allowed to be founded within certain lanes of the city. Several monasteries UNTERHALTEN parks within the city that served as recreation zone for the inhabitants.
Generally, larger compounds, monasteries and palaces (gongshi 宮室きゅうしつ) during the Song period were not as large as during the Tang period, but instead architects spent more time for decoration and the XXX of details like glazed tiles (boli wa 玻璃はりかわら) and SCHNITZEREIEN (diaoke 雕刻). It was especially during the Southern Song period that craftsmen from the south (Jiangnan 江南えな) were engaged in the task to ornate the timber buildings with their pending roofs (xuanshan ding かか山頂さんちょう) and developed styles that endured until the Qing period きよし.
The capital city of Northern Song, Kaifeng 開封かいふう (Bianzhou 汴州, Bianliang 汴梁; modern Kaifeng/Henan) was protected by a threefold city wall (cheng しろ, chengqiang しろ牆), each of the city gates (chengmen 城門じょうもん) was protected by a tower (quelou 闕樓) and a counter-tower (dilou てきろう). The inner city wall (neicheng 內城) enclosed the imperial palace (gongcheng 宮城みやぎ, huangcheng すめらぎじょう), the city administration (yashu 衙署), monasteries (Buddhist siyuan 寺院じいん, Daoist daoguan みちかん) and temples (cimiao ほこらびょう), residences of princes (wanggong zhai 王公おうこうたく), and the "normal" population with their houses, shops and XXX. The imperial city was located in the northwest of the inner city and was protected by large ECK-towers (jiaolou かくろう) and a heavily protected southern gate (Danfengmen おおとりもん "Red Phoenix Gate"). One of the largest halls of the imperial palace was the Daqing Hall 大慶たいけい殿どの "Hall of Great Ceremony" where the great court audiences were held. The highest ministers met with the emperor in the Zichen Hall 紫宸殿ししんでん "XXX". In the northeastern corner of the Imperial city was an imperial garden with a hill (Genyue Hill うしとらだけ) and an artificial lake (Jinming Lake 金明きんめい). Of all these buildings, nothing has survived.
During the Song period several changes took place that should influence the lifestyle and architecture style leading to shapes and customs that are still in use today. People of Chinese antiquity did not use any chairs but were sitting on reet mats on the floor. This custom had been gradually replaced by the manner of sitting on high chairs and eating, debating and working on high tables like it is in common use today and has even been in the west. The traditional Chinese house and lifestyle thus developed during the Song period. This is also valid for the shape of gates, the ornaments of roofs and paintings on roof beams. In the houses of the rich, artificial gardens (yuanlin えんりん) with mountains, river and lakes, chrysanthemums (mudan 牡丹ぼたん, shaoyao 芍藥しゃくやく) in pots, GÄNGE (zoulang はしろう, huilang 迴廊, 回廊かいろう) and many different shapes of gates, entrances and passages created the atmoshpere of a microcosm that can still be admired in the gardens of Suzhou 蘇州そしゅう/Jiangsu. Although the traditional house arrangement is a central court, flanked by four FLÜGEL (siheyuan よんごういん), the EMPFANGSHALLE in the front in the south and the private rooms behind in the north, natural conditions - especially in the south - made it possible to ABWEICHEN from this pattern and to create ABWECHSLUNGSREICHE arrangements for chambers, GÄNGE and pavillions (ting ちん).
There are still some Song Dynasty buildings and many temple statues left like the Shengmu Hall 聖母せいぼ殿どの of the Jinsi Temple すすむほこら in Taiyuan/Shanxi, the Double Pagoda そうとう of the Luohan Court 羅漢らかんいん in Suzhou, the open Liaodi Pagoda りょうてきとう of Kaiyuan Monastery ひらき元寺もとてら in Dingxian ていけん/Hebei, the pagoda of the state monastery Youguosi たすくこくてら in Kaifeng, or the archaic pagoda of the Yunyan Monastery 雲岩寺うんがんじ near Suzhou. One of the most impressive monasteries of the Song period is Longxing Monastery たかしきょうてら in Zhengding せいじょう/Hebei.


2000 ff. © Ulrich Theobald · Mail

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