Main Title | The Final Mission from the Boss (e211990) |
---|---|
Official Title | x-jat |
Official Title | ja |
Play Length | 25 min |
Air/Release Date | 23.02.2019 |
Tags | no ending segmentAn episode with no ending segment lacks an ending credits segment, commonly known as ED. This tag only applies to anime that ordinarily contain an ED; do not apply to anime that ordinarily do not have an ED. This means that, instead of an ending segment showing up, the main body of the episode plays while the credits show up on the screen, or there aren`t ending credits to begin with; whether or not the song plays in the ED is not relevant for this tag. The inverse case is no opening segment. |
Resources | |
Rating | 7.70 (10) |
Added by | hidden on 2019-01-18 14:35 |
Edited by | hidden on 2019-03-06 22:25 |
Main Title | The Final Mission from the Boss (e211990) |
---|---|
Official Title | x-jat |
Official Title | ja |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Fighting Gold | 2-21, OP1, S1-S2 | N/A (5) | Vocals/Performed by ( |
Coda | |
Lyrics ( |
Oikawa Neko | |||||
Music Composition ( |
Oomori Toshiyuki | |||||
Music Arrangement ( |
Oomori Toshiyuki |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Sub Character Design (サブキャラクターデザイン) | Ishimoto Shun`ichi | 1-21 | |
Design Assistance (デザイン |
Matsuo Yuu | 16-21 | |
Anezaki Sayaka | |||
Onikubo Hirohisa | |||
Chief Animation Direction ( |
Ishimoto Shun`ichi | 1-2, 5, 7-21, 24-39, OP1 | |
Tanaka Haruka | 3-4, 6-7, 12, 14, 20-21, 24-25, 28-30, 32-39 | ||
Action Animation Direction (アクション |
Suzuki Kanta | 15, 20, 23, 25-26, 29, 31-35, 38 | |
Sound Work ( |
Studio Mausu | ||
Assistant Producer (アシスタントプロデューサー) | Dohi Noriko | ||
Kawae Yuuko | |||
Koga Ikumi | |||
Takano Takashi | |||
Planning Assistance ( |
Itou Ryou | ||
Ultra Jump Henshuubu | |||
Yokoi Hidekazu | |||
Script/Screenplay ( |
Tsuda Naokatsu | 20-21 | |
Storyboard ( |
Kamei Takahiro | 20, 26 | |
Episode Direction ( |
Kamei Takahiro | 5, 12, 20, 26, 36 | |
Animation Direction ( |
Ishimoto Shun`ichi | 1, 5, 12, 20-21, 24, 28, 30, 32-39, ED1a-ED1b | |
Yokoyama Kenji | 2, 4, 6, 12, 14, 17, 20-22, 25, 28, 31, 33, 36-39 | ||
Chibayama Natsue | 2, 6-7, 9, 12, 14, 17, 20-22, 25, 28, 32 | ||
Kinoshita Yui | 3, 8-9, 11, 13-14, 16, 18, 20-21, 23, 26, 31-34, 36-39 | ||
Kousaka Masaki | 5, 9, 11, 13, 16, 18, 20-23, 26, 30, 32-34, 36, 38-39 | ||
Anezaki Sayaka | 7, 9-10, 12, 14, 17, 20, 22 | ||
Morita Rina | 10-11, 15-16, 19-21, 24, 28, 31, 33, 36, 39 | ||
Suzuki Kanta | 20, 39 | ||
Key Animation ( |
Shinohara Yuuta | 1-2, 4, 16-17, 20-22, 26, 29-30, 32, 37, 39, OP2, OP3a-OP3b, OP4a-OP4b | |
Nomura Masashi | 2, 4-5, 9-10, 14-15, 20, 22, 28, 30, 33, 37-38 | ||
Fujii Daiki | 2, 14, 20, 22, 35 | (グラフィニカ |
|
Ishikawa Kentarou | 4-5, 7, 9-10, 14, 16-17, 20, 22, 26, 32, 37 | ||
Adachi Yuusuke | 5, 20, 24 | ||
Nakamura Kazuyo | 6, 12, 20, 23, 28, 38 | ||
Kitagawa Tomoko | 9-10, 15, 18-20, 23-24, 29, 32, 35 | ||
Kimura Yasutaka | 9-10, 16, 20, 23, 32, 39 | ||
Suzuki Kanta | 11, 15, 18, 20, 23, 25, 31, 34, 37-38, OP1-OP2, OP3a-OP3b, OP4a-OP4b | also credited under "Muda Muda Key Animation" ( |
|
Fujisaki Shingo | 11, 15, 20, 23, 25, 29 | ||
Takahashi Nobuo | 17-18, 20, 25, 35 | ||
Kimiya Ryousuke | 20 | ||
Moki Kaito | 20 | ||
Kinjou Masaru | 20, 22 | ||
Itou Yoshihiro | 20, 22, 28 | ||
Kawahara Kumiko | 20, 29 | ||
2nd Key Animation ( |
Kouno Miyuki | 1-9, 11-21, 24-25, 28 | |
Yamazaki Nana | 1-3, 7-9, 11, 16, 19-20, 23, 27 | ||
Miyata Mizuki | 2, 6, 9, 12-13, 15-18, 20-24, 26, 28 | ||
Kousaka Masaki | 2, 9, 14, 16, 20-21, 23, 25-26, 28 | ||
Toei Animation Philippines | 2, 15, 17-18, 20, 24-25 | ||
Triple A | 3, 5, 11, 13, 17-18, 20-26, 28 | ||
Anezaki Sayaka | 3, 6, 8-10, 14, 18, 20-21, 23-28, ED1a-ED1b, OP1, OP3a-OP3b, OP4a-OP4b | ||
Muraki Mahora | 4-8, 11-12, 14-25, 28, OP2, OP3a-OP3b, OP4a-OP4b | ||
Studio Massket | 4, 8, 10-14, 17, 19-20, 22 | ||
Ishino Masako | 5-9, 13-21, 23-28, OP2, OP3a-OP3b, OP4a-OP4b | ||
Murayama Tomoyoshi | 5-6, 8, 11-13, 15-21, 23-28, OP4a-OP4b | ||
Baba Kanako | 5, 8, 11, 15, 17, 20, 27 | ||
PRA | 5, 17, 20-22 | ||
Chibayama Natsue | 7, 9, 14, 20-21, 28 | ||
Matsumoto Midori | 7, 10, 14, 17, 19-20, 25, 27 | ||
Nishimura Kyouko | 7, 11-12, 15, 17, 19-20, 22-23 | ||
9, 13-14, 20 | |||
11, 17, 20 | |||
Gouda Masami | 13, 15, 20-22, 26 | ||
Takenaga Kazuki | 14-17, 20 | ||
Ebisu Youki | 14-17, 20, 27 | ||
BN Pictures | 17-20, 25-26 | ||
Ashiya Kouhei | 18-21 | ||
19-20, 23 | |||
Hakoda Nanami | 20 | ||
Kabashima Hiromi | 20 | ||
かまるぐ | 20 | ||
In-Between Animation ( |
Asahi Production | 1-13, 15-17, 19-25, 28, OP4a-OP4b | |
Toei Animation Philippines | 2, 15, 17, 20, 22-25, 28 | ||
Studio Massket | 5, 7-8, 10-12, 15, 17, 19-23 | ||
Wuxi TianSheng Donghua Zhizuo | 7-8, 10-11, 15-17, 19-24, 28, OP4a-OP4b | as Vista | |
Grain | 12, 19-23, 28 | ||
Trycell | 20-22, 28 | ||
Retouch (レタッチ) | Asahi Production | 1-39 | |
Satou Arisa | 1-39 | ||
Digital Work (デジタルワークス) | David Production | 1-39 | |
タービーポン | 1-39 | ||
Makidera Tomoaki | 2, 5-7, 9, 12, 15-17, 20-25, 27-39 | ||
5-6, 14, 16, 20-21, 28, 30-33, 38-39 | |||
Title Logo (タイトルロゴ) | Stereotype | 1-39 | |
Editing Studio ( |
Editz | 1-39 | |
Editing Assistant ( |
Yamada Satomi | 1-39 | |
Film Editing (フォーマット |
Q-tec | 1-39 | |
Film Editing Manager (フォーマット |
Arimatsu Masayasu | 1-32, 37-39 | |
Sound Work Manager ( |
Irie Nobuko | 1-39 | |
Dialogue Editing (ダイアログエディター) | Saitou Shiori | 1-39 | |
Recording ( |
1-39 | ||
Casting Assistance (キャスティング |
Shirakawa Daiki | 1-39 | |
Vehicle Assistance ( |
Alfa Road | 1-39 | |
Publicity Producer ( |
Yahata Takuto | 1-39 | |
Publicity Generalisation ( |
Iida Takashi | 1-39 | |
Design Manager ( |
1-39 | ||
System Manager (システム |
1-39 | ||
Production Desk ( |
Sugawara Hisashi | 1-39 | |
Sub Desk (サブデスク) | Shimoda Hayato | 1-39 | |
Assistant Production Manager ( |
5, 14, 20 | ||
Assistance/Cooperation ( |
Hayashi Yoshiki | 1-39 | |
Hisada Kazuko | 1-39 | ||
Ishikawa Isao | 1-39 | ||
Ootani Souko | 1-39 | ||
Ozawa Fumihiro | 1-39 |
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