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A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet. The book publishing process is the series of steps involved in their creation and dissemination.

As a conceptual object, a book refers to a written work of substantial length, which may be distributed either physically or digitally as an ebook. These works can be broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth). A physical book may not contain such a work: for example, it may contain only drawings, engravings, photographs, puzzles, or removable content like paper dolls. It may also be left empty for personal use, as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks.

Books are sold at both regular stores and specialized bookstores, as well as online for delivery, and can be borrowed from libraries. The reception of books has led to a number of social consequences, including censorship.

The modern book industry has seen several major changes due to new technologies, including ebooks and audiobooks (recordings of books being read aloud). Awareness of the needs of print-disabled people has led to a rise in formats designed for greater accessibility, such as braille printing and large-print editions. Google Books estimated in 2010 that approximately 130 million total unique books had been published. (Full article...)

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  • Image 1 The General in His Labyrinth (original Spanish title: El general en su laberinto) is a 1989 dictator novel by Colombian writer and Nobel laureate Gabriel García Márquez. It is a fictionalized account of the last seven months of Simón Bolívar, liberator and leader of Gran Colombia. The book traces Bolívar's final journey from Bogotá to the Caribbean coastline of Colombia in his attempt to leave South America for exile in Europe. Breaking with the traditional heroic portrayal of Bolívar El Libertador, García Márquez depicts a pathetic protagonist, a prematurely aged man who is physically ill and mentally exhausted. The story explores the labyrinth of Bolívar's life through the narrative of his memories, in which "despair, sickness, and death inevitably win out over love, health, and life". Following the success of One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985), García Márquez decided to write about the "Great Liberator" after reading an unfinished novel by his friend Álvaro Mutis. He borrowed the setting—Bolívar's voyage down the Magdalena River in 1830—from Mutis. García Márquez spent two years researching the subject, encompassing the extensive memoirs of Bolívar's Irish aide-de-camp, Daniel Florencio O'Leary, as well as numerous other historical documents and consultations with academics. (Full article...)
    The General in His Labyrinth (original Spanish title: El general en su laberinto) is a 1989 dictator novel by Colombian writer and Nobel laureate Gabriel García Márquez. It is a fictionalized account of the last seven months of Simón Bolívar, liberator and leader of Gran Colombia. The book traces Bolívar's final journey from Bogotá to the Caribbean coastline of Colombia in his attempt to leave South America for exile in Europe. Breaking with the traditional heroic portrayal of Bolívar El Libertador, García Márquez depicts a pathetic protagonist, a prematurely aged man who is physically ill and mentally exhausted. The story explores the labyrinth of Bolívar's life through the narrative of his memories, in which "despair, sickness, and death inevitably win out over love, health, and life".

    Following the success of One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985), García Márquez decided to write about the "Great Liberator" after reading an unfinished novel by his friend Álvaro Mutis. He borrowed the setting—Bolívar's voyage down the Magdalena River in 1830—from Mutis. García Márquez spent two years researching the subject, encompassing the extensive memoirs of Bolívar's Irish aide-de-camp, Daniel Florencio O'Leary, as well as numerous other historical documents and consultations with academics. (Full article...)
  • Image 2 Trinity College, Cambridge MS O.2.1 The Liber Eliensis is a 12th-century English chronicle and history, written in Latin. Composed in three books, it was written at Ely Abbey on the island of Ely in the fenlands of eastern Cambridgeshire. Ely Abbey became the cathedral of a newly formed bishopric in 1109. Traditionally the author of the anonymous work has been given as Richard or Thomas, two monks at Ely, one of whom, Richard, has been identified with an official of the monastery, but some historians hold that neither Richard nor Thomas was the author. The Liber covers the period from the founding of the abbey in 673 until the middle of the 12th century, building on earlier historical works. It incorporates documents and stories of saints' lives. The work typifies a type of local history produced during the latter part of the 12th century. Similar books were written at other English monasteries. The longest of the contemporary local histories, the Liber chronicles the devastation that the Anarchy caused during the reign of King Stephen. It also documents the career of Nigel, the Bishop of Ely from 1133 to 1169, and his disputes with King Stephen. Other themes include the miracles worked by the monastery's patron saint, Æthelthryth, and gifts of land to Ely. (Full article...)

    Trinity College, Cambridge MS O.2.1

    The Liber Eliensis is a 12th-century English chronicle and history, written in Latin. Composed in three books, it was written at Ely Abbey on the island of Ely in the fenlands of eastern Cambridgeshire. Ely Abbey became the cathedral of a newly formed bishopric in 1109. Traditionally the author of the anonymous work has been given as Richard or Thomas, two monks at Ely, one of whom, Richard, has been identified with an official of the monastery, but some historians hold that neither Richard nor Thomas was the author.

    The Liber covers the period from the founding of the abbey in 673 until the middle of the 12th century, building on earlier historical works. It incorporates documents and stories of saints' lives. The work typifies a type of local history produced during the latter part of the 12th century. Similar books were written at other English monasteries. The longest of the contemporary local histories, the Liber chronicles the devastation that the Anarchy caused during the reign of King Stephen. It also documents the career of Nigel, the Bishop of Ely from 1133 to 1169, and his disputes with King Stephen. Other themes include the miracles worked by the monastery's patron saint, Æthelthryth, and gifts of land to Ely. (Full article...)
  • Image 3 Literary Hall, viewed from the south, facing West Main Street in Romney Literary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society. Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)

    Literary Hall, viewed from the south, facing West Main Street in Romney

    Literary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society.

    Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)
  • Image 4 Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London. History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings. Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman. (Full article...)
    Page reads "History of a Six Weeks' Tour through a Part of France, Switzerland, Germany, and Holland: with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni. By Percy Bysshe Shelley. London: Published by T. Hookham, Jun. Old Bond Street; and C. and J. Ollier, Welldeck Street. 1817."
    Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London.

    History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

    Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman. (Full article...)
  • Image 5 Night is a 1960 memoir by Elie Wiesel based on his Holocaust experiences with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–1945, toward the end of the Second World War in Europe. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about his loss of faith and increasing disgust with humanity, recounting his experiences from the Nazi-established ghettos in his hometown of Sighet, Romania, to his migration through multiple concentration camps. The typical parent–child relationship is inverted as his father dwindled in the camps to a helpless state while Wiesel himself became his teenaged caregiver. His father died in January 1945, taken to the crematory after deteriorating from dysentery and a beating while Wiesel lay silently on the bunk above him for fear of being beaten too. The memoir ends shortly after the United States Army liberated Buchenwald in April 1945. After the war, Wiesel moved to Paris and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night. (Full article...)
    Night is a 1960 memoir by Elie Wiesel based on his Holocaust experiences with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–1945, toward the end of the Second World War in Europe. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about his loss of faith and increasing disgust with humanity, recounting his experiences from the Nazi-established ghettos in his hometown of Sighet, Romania, to his migration through multiple concentration camps. The typical parent–child relationship is inverted as his father dwindled in the camps to a helpless state while Wiesel himself became his teenaged caregiver. His father died in January 1945, taken to the crematory after deteriorating from dysentery and a beating while Wiesel lay silently on the bunk above him for fear of being beaten too. The memoir ends shortly after the United States Army liberated Buchenwald in April 1945.

    After the war, Wiesel moved to Paris and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night. (Full article...)
  • Image 6 Title page from the first edition of A Voyage Round the World A Voyage Round the World (complete title A Voyage Round the World in His Britannic Majesty's Sloop, Resolution, Commanded by Capt. James Cook, During the Years 1772, 3, 4, and 5) is Georg Forster's report on the second voyage of the British explorer James Cook. During the preparations for Cook's voyage, the expedition's naturalist Joseph Banks had withdrawn his participation, and Georg's father, Johann Reinhold Forster, had taken his place at very short notice, with his seventeen-year-old son as his assistant. They sailed on HMS Resolution with Cook, accompanied by HMS Adventure under Tobias Furneaux. On the voyage, they circumnavigated the world, crossed the Antarctic Circle and sailed as far south as 71° 10′, discovered several Pacific islands, encountered diverse cultures and described many species of plants and animals. When they returned to England after more than three years, disagreement about the publication rights for a narrative of the journey arose. After plans agreed with John Montagu, 4th Earl of Sandwich, the First Lord of the Admiralty, to publish a joint work with contributions by both Cook and Reinhold Forster had fallen through, Georg, who was not bound by any agreement with the Admiralty, began writing Voyage in July 1776. He published on 17 March 1777, six weeks before Cook's A Voyage Towards the South Pole and Round the World appeared. While 63 copper engravings, paid for by the Admiralty, illustrated Cook's account, only a chart of the Southern Hemisphere showing the expedition ships' courses illustrated Forster's Voyage, which was sold for the same price. (Full article...)

    Title page from the first edition of A Voyage Round the World

    A Voyage Round the World (complete title A Voyage Round the World in His Britannic Majesty's Sloop, Resolution, Commanded by Capt. James Cook, During the Years 1772, 3, 4, and 5) is Georg Forster's report on the second voyage of the British explorer James Cook. During the preparations for Cook's voyage, the expedition's naturalist Joseph Banks had withdrawn his participation, and Georg's father, Johann Reinhold Forster, had taken his place at very short notice, with his seventeen-year-old son as his assistant. They sailed on HMS Resolution with Cook, accompanied by HMS Adventure under Tobias Furneaux. On the voyage, they circumnavigated the world, crossed the Antarctic Circle and sailed as far south as 71° 10′, discovered several Pacific islands, encountered diverse cultures and described many species of plants and animals.

    When they returned to England after more than three years, disagreement about the publication rights for a narrative of the journey arose. After plans agreed with John Montagu, 4th Earl of Sandwich, the First Lord of the Admiralty, to publish a joint work with contributions by both Cook and Reinhold Forster had fallen through, Georg, who was not bound by any agreement with the Admiralty, began writing Voyage in July 1776. He published on 17 March 1777, six weeks before Cook's A Voyage Towards the South Pole and Round the World appeared. While 63 copper engravings, paid for by the Admiralty, illustrated Cook's account, only a chart of the Southern Hemisphere showing the expedition ships' courses illustrated Forster's Voyage, which was sold for the same price. (Full article...)
  • Image 7 Lemurs of Madagascar is a 2010 reference work and field guide for the lemurs of Madagascar, giving descriptions and biogeographic data for the known species. The primary contributor is Russell Mittermeier, president of Conservation International, and the cover art and illustrations are drawn by Stephen D. Nash. Currently in its third edition, the book provides details about all known lemur species, general information about lemurs and their history, and tips for identifying species. Four related pocket field guides have also been released, containing color illustrations of each species, miniature range maps, and species checklists. The first edition was reviewed favorably in the International Journal of Primatology, Conservation Biology, and Lemur News. Reviewers, including Alison Jolly, praised the book for its depth of coverage, illustrations, and discussion of topics including conservation, evolution, and the recently extinct subfossil lemurs. Each agreed that the book was an excellent resource for a wide audience, including ecotourists and lemur researchers. A lengthy review of the second edition was published in the American Journal of Primatology, where it received similar favorable comments. The third edition was reviewed favorably in Lemur News; the reviewer praised the expanded content of the book but was concerned that the edition was not as portable as its predecessors. (Full article...)
    Lemurs of Madagascar is a 2010 reference work and field guide for the lemurs of Madagascar, giving descriptions and biogeographic data for the known species. The primary contributor is Russell Mittermeier, president of Conservation International, and the cover art and illustrations are drawn by Stephen D. Nash. Currently in its third edition, the book provides details about all known lemur species, general information about lemurs and their history, and tips for identifying species. Four related pocket field guides have also been released, containing color illustrations of each species, miniature range maps, and species checklists.

    The first edition was reviewed favorably in the International Journal of Primatology, Conservation Biology, and Lemur News. Reviewers, including Alison Jolly, praised the book for its depth of coverage, illustrations, and discussion of topics including conservation, evolution, and the recently extinct subfossil lemurs. Each agreed that the book was an excellent resource for a wide audience, including ecotourists and lemur researchers. A lengthy review of the second edition was published in the American Journal of Primatology, where it received similar favorable comments. The third edition was reviewed favorably in Lemur News; the reviewer praised the expanded content of the book but was concerned that the edition was not as portable as its predecessors. (Full article...)
  • Image 8 The Slave Community: Plantation Life in the Antebellum South is a book written by American historian John W. Blassingame. Published in 1972, it is one of the first historical studies of slavery in the United States to be presented from the perspective of the enslaved. The Slave Community contradicted those historians who had interpreted history to suggest that African-American slaves were docile and submissive "Sambos" who enjoyed the benefits of a paternalistic master–slave relationship on southern plantations. Using psychology, Blassingame analyzes fugitive slave narratives published in the 19th century to conclude that an independent culture developed among the enslaved and that there were a variety of personality types exhibited by slaves. Although the importance of The Slave Community was recognized by scholars of American slavery, Blassingame's conclusions, methodology, and sources were heavily criticized. Historians criticized the use of slave narratives that were seen as unreliable and biased. They questioned Blassingame's decision to exclude the more than 2,000 interviews with former slaves conducted by the Works Progress Administration (WPA) in the 1930s. Historians argued that Blassingame's use of psychological theory proved unhelpful in his interpretation. Blassingame defended his conclusions at a 1976 meeting of the Association for the Study of Afro-American Life and History and in 1979 published a revised and enlarged edition of The Slave Community. Despite criticisms, The Slave Community is a foundational text in the study of the life and culture of slaves in the Antebellum South. (Full article...)
    The Slave Community: Plantation Life in the Antebellum South is a book written by American historian John W. Blassingame. Published in 1972, it is one of the first historical studies of slavery in the United States to be presented from the perspective of the enslaved. The Slave Community contradicted those historians who had interpreted history to suggest that African-American slaves were docile and submissive "Sambos" who enjoyed the benefits of a paternalistic master–slave relationship on southern plantations. Using psychology, Blassingame analyzes fugitive slave narratives published in the 19th century to conclude that an independent culture developed among the enslaved and that there were a variety of personality types exhibited by slaves.

    Although the importance of The Slave Community was recognized by scholars of American slavery, Blassingame's conclusions, methodology, and sources were heavily criticized. Historians criticized the use of slave narratives that were seen as unreliable and biased. They questioned Blassingame's decision to exclude the more than 2,000 interviews with former slaves conducted by the Works Progress Administration (WPA) in the 1930s. Historians argued that Blassingame's use of psychological theory proved unhelpful in his interpretation. Blassingame defended his conclusions at a 1976 meeting of the Association for the Study of Afro-American Life and History and in 1979 published a revised and enlarged edition of The Slave Community. Despite criticisms, The Slave Community is a foundational text in the study of the life and culture of slaves in the Antebellum South. (Full article...)
  • Image 9 A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings. As she had begun to do in Caged Bird, and continued throughout her series, Angelou upheld the long tradition of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Most reviewers agreed that the book was made up of a series of vignettes. By the time Song was written in 2002, sixteen years after her previous autobiography, Angelou had experienced great fame and recognition as an author and poet. She recited her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, becoming the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's in 1961. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become, as reviewer Richard Long stated, "a major autobiographical voice of the time". (Full article...)
    A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings.

    As she had begun to do in Caged Bird, and continued throughout her series, Angelou upheld the long tradition of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. Most reviewers agreed that the book was made up of a series of vignettes. By the time Song was written in 2002, sixteen years after her previous autobiography, Angelou had experienced great fame and recognition as an author and poet. She recited her poem "On the Pulse of Morning" at the inauguration of President Bill Clinton in 1993, becoming the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's in 1961. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become, as reviewer Richard Long stated, "a major autobiographical voice of the time". (Full article...)
  • Image 10 Title page from the second edition of A Vindication of the Rights of Men, the first to carry Wollstonecraft's name A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France (1790) is a political pamphlet, written by the 18th-century British writer and women's rights advocate Mary Wollstonecraft, which attacks aristocracy and advocates republicanism. Wollstonecraft's was the first response in a pamphlet war sparked by the publication of Edmund Burke's Reflections on the Revolution in France (1790), a defense of constitutional monarchy, aristocracy, and the Church of England. Wollstonecraft attacked not only hereditary privilege, but also the rhetoric that Burke used to defend it. Most of Burke's detractors deplored what they viewed as his theatrical pity for Marie Antoinette, but Wollstonecraft was unique in her love of Burke's gendered language. By saying the sublime and the beautiful, terms first established by Burke himself in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756), she kept his rhetoric as well as his argument. In her first unabashedly feminist critique, which Wollstonecraft scholar Claudia Johnson describes as unsurpassed in its argumentative force, Wollstonecraft indicts Burke's justification of an equal society founded on the passivity of women. (Full article...)
    Page reads "A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France. By Mary Wollstonecraft. The Second Edition. London: Printed for J. Johnson, No. 72, St. Paul's Church-Yard. M.DCC.XC."
    Title page from the second edition of A Vindication of the Rights of Men, the first to carry Wollstonecraft's name


    A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France (1790) is a political pamphlet, written by the 18th-century British writer and women's rights advocate Mary Wollstonecraft, which attacks aristocracy and advocates republicanism. Wollstonecraft's was the first response in a pamphlet war sparked by the publication of Edmund Burke's Reflections on the Revolution in France (1790), a defense of constitutional monarchy, aristocracy, and the Church of England.

    Wollstonecraft attacked not only hereditary privilege, but also the rhetoric that Burke used to defend it. Most of Burke's detractors deplored what they viewed as his theatrical pity for Marie Antoinette, but Wollstonecraft was unique in her love of Burke's gendered language. By saying the sublime and the beautiful, terms first established by Burke himself in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756), she kept his rhetoric as well as his argument. In her first unabashedly feminist critique, which Wollstonecraft scholar Claudia Johnson describes as unsurpassed in its argumentative force, Wollstonecraft indicts Burke's justification of an equal society founded on the passivity of women. (Full article...)
  • Image 11 The initial page of the Peterborough Chronicle The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons. The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
    The initial page of the Peterborough Chronicle

    The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons.

    The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
  • Image 12 I Never Liked You is a graphic novel by Canadian cartoonist Chester Brown. The story first ran between 1991 and 1993 under the title Fuck, in issues #26–30 of Brown's comic book Yummy Fur; published in book form by Drawn & Quarterly in 1994. It deals with the teenage Brown's introversion and difficulty talking to others, especially members of the opposite sex—including his mother. The story has minimal dialogue and is sparsely narrated. The artwork is amongst the simplest in Brown's body of work—some pages consist only of a single small panel. Brown established his reputation in the early alternative comics scene of the 1980s with the surreal, taboo-breaking Ed the Happy Clown. He brought that story to an abrupt end in 1989 when, excited by the autobiographical comics of Joe Matt and Julie Doucet, he turned towards personal stories. The uncomplicated artwork of his friend and fellow Toronto cartoonist Seth inspired him to simplify his own. Brown intended I Never Liked You as part of a longer work with what became his previous book, The Playboy (1992), but found the larger story too complex to handle at once. I Never Liked You was the last work of Brown's early autobiographical period. (Full article...)
    I Never Liked You is a graphic novel by Canadian cartoonist Chester Brown. The story first ran between 1991 and 1993 under the title Fuck, in issues #26–30 of Brown's comic book Yummy Fur; published in book form by Drawn & Quarterly in 1994. It deals with the teenage Brown's introversion and difficulty talking to others, especially members of the opposite sex—including his mother. The story has minimal dialogue and is sparsely narrated. The artwork is amongst the simplest in Brown's body of work—some pages consist only of a single small panel.

    Brown established his reputation in the early alternative comics scene of the 1980s with the surreal, taboo-breaking Ed the Happy Clown. He brought that story to an abrupt end in 1989 when, excited by the autobiographical comics of Joe Matt and Julie Doucet, he turned towards personal stories. The uncomplicated artwork of his friend and fellow Toronto cartoonist Seth inspired him to simplify his own. Brown intended I Never Liked You as part of a longer work with what became his previous book, The Playboy (1992), but found the larger story too complex to handle at once. I Never Liked You was the last work of Brown's early autobiographical period. (Full article...)
  • Image 13 Gods' Man is a wordless novel by American artist Lynd Ward (1905–1985) published in 1929. In 139 captionless woodblock prints, it tells the Faustian story of an artist who signs away his soul for a magic paintbrush. Gods' Man was the first American wordless novel, and is considered a precursor of the graphic novel, whose development it influenced. Ward first encountered the wordless novel with Frans Masereel's The Sun (1919) while studying art in Germany in 1926. He returned to the United States in 1927 and established a career for himself as an illustrator. He found Otto Nückel's wordless novel Destiny (1926) in New York City in 1929, and it inspired him to create such a work of his own. Gods' Man appeared a week before the Wall Street Crash of 1929; it nevertheless enjoyed strong sales and remains the best-selling American wordless novel. Its success inspired other Americans to experiment with the medium, including cartoonist Milt Gross, who parodied Gods' Man in He Done Her Wrong (1930). In the 1970s, Ward's example of wordless novels inspired cartoonists Art Spiegelman and Will Eisner to create their first graphic novels. (Full article...)
    Gods' Man is a wordless novel by American artist Lynd Ward (1905–1985) published in 1929. In 139 captionless woodblock prints, it tells the Faustian story of an artist who signs away his soul for a magic paintbrush. Gods' Man was the first American wordless novel, and is considered a precursor of the graphic novel, whose development it influenced.

    Ward first encountered the wordless novel with Frans Masereel's The Sun (1919) while studying art in Germany in 1926. He returned to the United States in 1927 and established a career for himself as an illustrator. He found Otto Nückel's wordless novel Destiny (1926) in New York City in 1929, and it inspired him to create such a work of his own. Gods' Man appeared a week before the Wall Street Crash of 1929; it nevertheless enjoyed strong sales and remains the best-selling American wordless novel. Its success inspired other Americans to experiment with the medium, including cartoonist Milt Gross, who parodied Gods' Man in He Done Her Wrong (1930). In the 1970s, Ward's example of wordless novels inspired cartoonists Art Spiegelman and Will Eisner to create their first graphic novels. (Full article...)
  • Image 14 The Halo Graphic Novel is a graphic novel anthology of the military science fiction video game series Halo, published by Marvel Comics in partnership with Bungie. The Halo Graphic Novel was the series' first entry into the sequential art medium, and features aspects of the Halo universe which until then had not been discussed or seen in any medium. The majority of the book is divided into four short stories by different writers and artists from the computer game and comic industries. Each story focuses on different aspects of the Halo universe, revealing stories that are tangential to the main plot of the game. Apart from the stories, the book also contains an extensive art gallery compiled of contributions from Bungie, Marvel and independent sources. (Full article...)
    The Halo Graphic Novel is a graphic novel anthology of the military science fiction video game series Halo, published by Marvel Comics in partnership with Bungie. The Halo Graphic Novel was the series' first entry into the sequential art medium, and features aspects of the Halo universe which until then had not been discussed or seen in any medium.

    The majority of the book is divided into four short stories by different writers and artists from the computer game and comic industries. Each story focuses on different aspects of the Halo universe, revealing stories that are tangential to the main plot of the game. Apart from the stories, the book also contains an extensive art gallery compiled of contributions from Bungie, Marvel and independent sources. (Full article...)
  • Image 15 Race Against Time: Searching for Hope in AIDS-Ravaged Africa is a non-fiction book written by Stephen Lewis for the Massey Lectures. Lewis wrote it in early to mid-2005 and House of Anansi Press released it as a corresponding lecture series began in October 2005. Each of the book's chapters were delivered as a different lecture in a different Canadian city, beginning in Vancouver on October 18 and ending in Toronto on October 28. The speeches were aired on CBC Radio One between November 7 and 11. The author and orator, Stephen Lewis, was at that time the United Nations Special Envoy for HIV/AIDS in Africa and former Canadian ambassador to the United Nations. Although he wrote the book and lectures in his role as a concerned Canadian citizen, his criticism of the United Nations (UN), international organizations, and other diplomats, including naming specific people, was called undiplomatic and led several reviewers to speculate whether he would be removed from his UN position. In the book and the lectures, Lewis argues that significant changes are required to meet the Millennium Development Goals in Africa by their 2015 deadline. Lewis explains the historical context of Africa since the 1980s, citing a succession of disastrous economic policies by international financial institutions that contributed to, rather than reduced, poverty. He connects the structural adjustment loans, with conditions of limited public spending on health and education infrastructure, to the uncontrolled spread of AIDS and subsequent food shortages as the disease infected much of the working-age population. Lewis also addresses such issues as discrimination against women and primary education for children. To help alleviate problems, he ends with potential solutions which mainly require increased funding by G8 countries to levels beyond what they promise. (Full article...)
    Race Against Time: Searching for Hope in AIDS-Ravaged Africa is a non-fiction book written by Stephen Lewis for the Massey Lectures. Lewis wrote it in early to mid-2005 and House of Anansi Press released it as a corresponding lecture series began in October 2005. Each of the book's chapters were delivered as a different lecture in a different Canadian city, beginning in Vancouver on October 18 and ending in Toronto on October 28. The speeches were aired on CBC Radio One between November 7 and 11. The author and orator, Stephen Lewis, was at that time the United Nations Special Envoy for HIV/AIDS in Africa and former Canadian ambassador to the United Nations. Although he wrote the book and lectures in his role as a concerned Canadian citizen, his criticism of the United Nations (UN), international organizations, and other diplomats, including naming specific people, was called undiplomatic and led several reviewers to speculate whether he would be removed from his UN position.

    In the book and the lectures, Lewis argues that significant changes are required to meet the Millennium Development Goals in Africa by their 2015 deadline. Lewis explains the historical context of Africa since the 1980s, citing a succession of disastrous economic policies by international financial institutions that contributed to, rather than reduced, poverty. He connects the structural adjustment loans, with conditions of limited public spending on health and education infrastructure, to the uncontrolled spread of AIDS and subsequent food shortages as the disease infected much of the working-age population. Lewis also addresses such issues as discrimination against women and primary education for children. To help alleviate problems, he ends with potential solutions which mainly require increased funding by G8 countries to levels beyond what they promise. (Full article...)
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Diagram of a warship, From the 1728 Cyclopaedia, Volume 2.
Diagram of a warship, From the 1728 Cyclopaedia, Volume 2.

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Diagrams of first and third rate warships in the Cyclopaedia: or, An Universal Dictionary of Arts and Sciences (folio, 2 vols.) an encyclopedia published by Ephraim Chambers in London in 1728, and reprinted in numerous editions in the 18th Century. The Cyclopaedia was one of the first general encyclopedias to be produced in English.
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  • Image 1 Ontogeny and Phylogeny is a 1977 book on evolution by Stephen Jay Gould, in which the author explores the relationship between embryonic development (ontogeny) and biological evolution (phylogeny). Unlike his many popular books of essays, it was a technical book, and over the following decades it was influential in stimulating research into heterochrony (changes in the timing of embryonic development), which had been neglected since Ernst Haeckel's theory that ontogeny recapitulates phylogeny had been largely discredited. This helped to create the field of evolutionary developmental biology. (Full article...)
    Ontogeny and Phylogeny is a 1977 book on evolution by Stephen Jay Gould, in which the author explores the relationship between embryonic development (ontogeny) and biological evolution (phylogeny). Unlike his many popular books of essays, it was a technical book, and over the following decades it was influential in stimulating research into heterochrony (changes in the timing of embryonic development), which had been neglected since Ernst Haeckel's theory that ontogeny recapitulates phylogeny had been largely discredited. This helped to create the field of evolutionary developmental biology. (Full article...)
  • Image 2 Ursula K. Le Guin, the author, in 2004. "Coming of Age in Karhide" is a science fiction short story by Ursula K. Le Guin, first published in 1995. The story is set on the fictional planet of Gethen, the same as Le Guin's 1969 novel The Left Hand of Darkness, and is a part of Le Guin's Hainish cycle. The story explores themes of growing into adulthood on a planet where individuals have no fixed gender identity. Reviewers stated that the story went further than Left Hand in its exploration of gender and sexuality, and was a "quietly feminist" work. It was also described as lacking the "dizzying impact" of Left Hand. In 2002, it was anthologized in the volume The Birthday of the World, along with many other stories exploring marriage and sexual relationships. (Full article...)
    Ursula K. Le Guin, the author, in 2004.

    "Coming of Age in Karhide" is a science fiction short story by Ursula K. Le Guin, first published in 1995. The story is set on the fictional planet of Gethen, the same as Le Guin's 1969 novel The Left Hand of Darkness, and is a part of Le Guin's Hainish cycle. The story explores themes of growing into adulthood on a planet where individuals have no fixed gender identity. Reviewers stated that the story went further than Left Hand in its exploration of gender and sexuality, and was a "quietly feminist" work. It was also described as lacking the "dizzying impact" of Left Hand. In 2002, it was anthologized in the volume The Birthday of the World, along with many other stories exploring marriage and sexual relationships. (Full article...)
  • Image 3 Children and Television: Lessons from Sesame Street (1974) is a non-fiction book written by Gerald S. Lesser, in which he describes the production of Sesame Street, and the formation and pedagogical philosophy of the Children's Television Workshop. Lesser was a professor at Harvard University, studying how social class and ethnicity interacted with school achievement and was one of the first academics in the US who researched how watching television affected children and their development. He was initially skeptical about the potential of using television as a teaching tool, but he was eventually named as the advisory board chairman of the Children's Television Workshop (CTW), the organization created to oversee the production and research of Sesame Street, and was the show's first educational director. Lesser wrote the book early in Sesame Street's history, to evaluate the show's effectiveness, to explain what its writers, researchers, and producers were attempting to do, and to respond to criticism of Sesame Street. Children and Television has four sections, "A Proposal", "Planning", "Broadcasting" and "Lessons from Sesame Street". The book also has a preface and an epilogue, written by Lesser, a foreword written by co-creator Joan Ganz Cooney, and an introduction by co-creator Lloyd Morrisett. Scattered throughout the book are cartoons drawn by children's author Maurice Sendak. Lesser describes the origin and development of Sesame Street and his part in it. He also describes the research involved in the show's creation and production. (Full article...)
    Children and Television: Lessons from Sesame Street (1974) is a non-fiction book written by Gerald S. Lesser, in which he describes the production of Sesame Street, and the formation and pedagogical philosophy of the Children's Television Workshop. Lesser was a professor at Harvard University, studying how social class and ethnicity interacted with school achievement and was one of the first academics in the US who researched how watching television affected children and their development. He was initially skeptical about the potential of using television as a teaching tool, but he was eventually named as the advisory board chairman of the Children's Television Workshop (CTW), the organization created to oversee the production and research of Sesame Street, and was the show's first educational director. Lesser wrote the book early in Sesame Street's history, to evaluate the show's effectiveness, to explain what its writers, researchers, and producers were attempting to do, and to respond to criticism of Sesame Street.

    Children and Television has four sections, "A Proposal", "Planning", "Broadcasting" and "Lessons from Sesame Street". The book also has a preface and an epilogue, written by Lesser, a foreword written by co-creator Joan Ganz Cooney, and an introduction by co-creator Lloyd Morrisett. Scattered throughout the book are cartoons drawn by children's author Maurice Sendak. Lesser describes the origin and development of Sesame Street and his part in it. He also describes the research involved in the show's creation and production. (Full article...)
  • Image 4 The Psychology of The Simpsons: D'oh! is a non-fiction book analyzing psychology themes in the television series The Simpsons. It contains content from several contributors, including psychologists, counselors and school therapists. The book was edited by Alan S. Brown, Ph.D., and Chris Logan, and was published on March 1, 2006, by BenBella Books. It has praise from reviewers. (Full article...)
    The Psychology of The Simpsons: D'oh! is a non-fiction book analyzing psychology themes in the television series The Simpsons. It contains content from several contributors, including psychologists, counselors and school therapists. The book was edited by Alan S. Brown, Ph.D., and Chris Logan, and was published on March 1, 2006, by BenBella Books. It has praise from reviewers. (Full article...)
  • Image 5 Cover of first edition The Colours of Animals is a zoology book written in 1890 by Sir Edward Bagnall Poulton (1856–1943). It was the first substantial textbook to argue the case for Darwinian selection applying to all aspects of animal coloration. The book also pioneered the concept of frequency-dependent selection and introduced the term "aposematism". The book begins with a brief account of the physical causes of animal coloration. The second chapter gives an overview of the book, describing the various uses of colour in terms of the advantages it can bring through natural selection. The next seven chapters describe camouflage, both in predators and in prey. Methods of camouflage covered include background matching, resemblance to specific objects such as bird droppings, self-decoration with materials from the environment, and the seasonal colour change of arctic animals. Two chapters cover warning colours, including both Batesian mimicry, where the mimic is edible, and Müllerian mimicry, where distasteful species mimic each other. A chapter then looks at how animals combine multiple methods of defence, for instance in the puss moth. Two chapters examine coloration related to sexual selection. Finally Poulton summarizes the subject with a fold-out table including a set of Greek derived words that he invented, of which "aposematic" and "cryptic" survive in biological usage. (Full article...)

    Cover of first edition

    The Colours of Animals is a zoology book written in 1890 by Sir Edward Bagnall Poulton (1856–1943). It was the first substantial textbook to argue the case for Darwinian selection applying to all aspects of animal coloration. The book also pioneered the concept of frequency-dependent selection and introduced the term "aposematism".

    The book begins with a brief account of the physical causes of animal coloration. The second chapter gives an overview of the book, describing the various uses of colour in terms of the advantages it can bring through natural selection. The next seven chapters describe camouflage, both in predators and in prey. Methods of camouflage covered include background matching, resemblance to specific objects such as bird droppings, self-decoration with materials from the environment, and the seasonal colour change of arctic animals. Two chapters cover warning colours, including both Batesian mimicry, where the mimic is edible, and Müllerian mimicry, where distasteful species mimic each other. A chapter then looks at how animals combine multiple methods of defence, for instance in the puss moth. Two chapters examine coloration related to sexual selection. Finally Poulton summarizes the subject with a fold-out table including a set of Greek derived words that he invented, of which "aposematic" and "cryptic" survive in biological usage. (Full article...)
  • Image 6 Van Morrison: Too Late to Stop Now is a biography of musician Van Morrison, written by Steve Turner. It was first published in 1993 in the United States by Penguin Group, and in Great Britain by Bloomsbury Publishing. Turner first met Van Morrison in 1985; he interviewed approximately 40 people that knew the subject in his research for the biography. Van Morrison did not think positively of the biography, and multiple newspapers reported he attempted to purchase all of the book's 25,000 copies. He sent a letter to the author asserting the 40 individuals interviewed for the book were not his friends, and accused Turner of "peddling distortions and inaccuracies about me personally". The biography takes a pictorial format, and includes many photographs of Van Morrison and scenes relating to his life, including close-up shots and contact prints. Turner discusses Van Morrison's youth in Belfast, Northern Ireland, and how early experiences shaped his perceptions. Flautist John Payne was interviewed for the book, and comments on his work with Van Morrison on the album Astral Weeks. Turner discusses Van Morrison's reluctance to be interviewed or engage with the public, and includes quotes from the musician about this desire for privacy. The author discusses Van Morrison's efforts to seek out creativity, and his exploration of spirituality. The book concludes with an assessment of Van Morrison's experiences with religion. (Full article...)
    Van Morrison: Too Late to Stop Now is a biography of musician Van Morrison, written by Steve Turner. It was first published in 1993 in the United States by Penguin Group, and in Great Britain by Bloomsbury Publishing. Turner first met Van Morrison in 1985; he interviewed approximately 40 people that knew the subject in his research for the biography. Van Morrison did not think positively of the biography, and multiple newspapers reported he attempted to purchase all of the book's 25,000 copies. He sent a letter to the author asserting the 40 individuals interviewed for the book were not his friends, and accused Turner of "peddling distortions and inaccuracies about me personally".

    The biography takes a pictorial format, and includes many photographs of Van Morrison and scenes relating to his life, including close-up shots and contact prints. Turner discusses Van Morrison's youth in Belfast, Northern Ireland, and how early experiences shaped his perceptions. Flautist John Payne was interviewed for the book, and comments on his work with Van Morrison on the album Astral Weeks. Turner discusses Van Morrison's reluctance to be interviewed or engage with the public, and includes quotes from the musician about this desire for privacy. The author discusses Van Morrison's efforts to seek out creativity, and his exploration of spirituality. The book concludes with an assessment of Van Morrison's experiences with religion. (Full article...)
  • Image 7 In His Own Write is a 1964 nonsense book by the English musician John Lennon. Lennon's first book, it consists of poems and short stories ranging from eight lines to three pages, as well as illustrations. After Lennon showed journalist Michael Braun some of his writings and drawings, Braun in turn showed them to Tom Maschler of publisher Jonathan Cape, who signed Lennon in January 1964. He wrote most of the content expressly for the book, though some stories and poems had been published years earlier in the Liverpool music publication Mersey Beat. Lennon's writing style is informed by his interest in English writer Lewis Carroll, while humorists Spike Milligan and "Professor" Stanley Unwin inspired his sense of humour. His illustrations imitate the style of cartoonist James Thurber. Many of the book's pieces consist of private meanings and in-jokes, while also referencing Lennon's interest in physical abnormalities and expressing his anti-authority sentiments. (Full article...)
    In His Own Write is a 1964 nonsense book by the English musician John Lennon. Lennon's first book, it consists of poems and short stories ranging from eight lines to three pages, as well as illustrations.

    After Lennon showed journalist Michael Braun some of his writings and drawings, Braun in turn showed them to Tom Maschler of publisher Jonathan Cape, who signed Lennon in January 1964. He wrote most of the content expressly for the book, though some stories and poems had been published years earlier in the Liverpool music publication Mersey Beat. Lennon's writing style is informed by his interest in English writer Lewis Carroll, while humorists Spike Milligan and "Professor" Stanley Unwin inspired his sense of humour. His illustrations imitate the style of cartoonist James Thurber. Many of the book's pieces consist of private meanings and in-jokes, while also referencing Lennon's interest in physical abnormalities and expressing his anti-authority sentiments. (Full article...)
  • Image 8 Saman is an Indonesian novel by Ayu Utami published in 1998. It is Utami's first novel, and depicts the lives of four sexually-liberated female friends, and a former Catholic priest, Saman, for whom the book is named. Written in seven to eight months while Utami was unemployed, Saman sold over 100,000 copies and ignited a new literary movement known as sastra wangi (originally used pejoratively) that opened the doors to an influx of sexually-themed literary works by young Indonesian women. Saman deals explicitly with themes of sexuality, taboo for women writers in Indonesia at that time. She also writes about the supernatural and mysticism. Utami has said the stories reflect some of her personal experiences, such as her loss of religion which mirrors that of the priest, Saman. Utami also includes passages reflecting the destructiveness of Suharto's political authoritarianism; in later interviews she said the political realities reflected in Saman are still applicable to post-Suharto Indonesia. (Full article...)
    Saman is an Indonesian novel by Ayu Utami published in 1998. It is Utami's first novel, and depicts the lives of four sexually-liberated female friends, and a former Catholic priest, Saman, for whom the book is named. Written in seven to eight months while Utami was unemployed, Saman sold over 100,000 copies and ignited a new literary movement known as sastra wangi (originally used pejoratively) that opened the doors to an influx of sexually-themed literary works by young Indonesian women.

    Saman deals explicitly with themes of sexuality, taboo for women writers in Indonesia at that time. She also writes about the supernatural and mysticism. Utami has said the stories reflect some of her personal experiences, such as her loss of religion which mirrors that of the priest, Saman. Utami also includes passages reflecting the destructiveness of Suharto's political authoritarianism; in later interviews she said the political realities reflected in Saman are still applicable to post-Suharto Indonesia. (Full article...)
  • Image 9 First page from the editio princeps of Historia Naturalis printed in 1469 in Venice by Johann of Speyer. Bibliothèque nationale de France. The Natural History (Latin: Naturalis Historia) is a Latin work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the Natural History compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger. The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiology, zoology, botany, agriculture, horticulture, pharmacology, mining, mineralogy, sculpture, art, and precious stones. (Full article...)

    First page from the editio princeps of Historia Naturalis printed in 1469 in Venice by Johann of Speyer. Bibliothèque nationale de France.

    The Natural History (Latin: Naturalis Historia) is a Latin work by Pliny the Elder. The largest single work to have survived from the Roman Empire to the modern day, the Natural History compiles information gleaned from other ancient authors. Despite the work's title, its subject area is not limited to what is today understood by natural history; Pliny himself defines his scope as "the natural world, or life". It is encyclopedic in scope, but its structure is not like that of a modern encyclopedia. It is the only work by Pliny to have survived, and the last that he published. He published the first 10 books in AD 77, but had not made a final revision of the remainder at the time of his death during the AD 79 eruption of Vesuvius. The rest was published posthumously by Pliny's nephew, Pliny the Younger.

    The work is divided into 37 books, organised into 10 volumes. These cover topics including astronomy, mathematics, geography, ethnography, anthropology, human physiology, zoology, botany, agriculture, horticulture, pharmacology, mining, mineralogy, sculpture, art, and precious stones. (Full article...)
  • Image 10 Conversations with Waheeda Rehman is a biography by the producer of television documentaries and author Nasreen Munni Kabir, documenting Kabir's extensive conversations with the actress Waheeda Rehman about the actress' life and career. The biography details Rehman's birth in 1938 in Chingleput (present-day Chengalpattu), her 54-year-long film career, and her 1974 marriage to the actor Kamaljeet, with whom she has two children. It was published on 19 February 2014 by Penguin Books. The book generated positive reviews from book critics; most of the praise was directed towards the book's question-and-answer format, and Kabir's and Rehman's style in questioning and answering, respectively. In 1988, Kabir met Rehman while researching on Guru Dutt's life. She met Rehman—his then frequent collaborator—to find more information about him for a documentary releasing the next year, In Search of Guru Dutt. During these interactions, Kabir conceived the idea to write a book on the actress which later became Conversations with Waheeda Rehman. Over the next decades, Kabir tried persuading Rehman to get involved in the book but was always rejected since Rehman believed her life was not interesting enough. While Kabir was nearly about to give up of the project, Rehman finally agreed to do so in 2012. Writing took place in Bandra from December 2012 to November 2013. (Full article...)
    Conversations with Waheeda Rehman is a biography by the producer of television documentaries and author Nasreen Munni Kabir, documenting Kabir's extensive conversations with the actress Waheeda Rehman about the actress' life and career. The biography details Rehman's birth in 1938 in Chingleput (present-day Chengalpattu), her 54-year-long film career, and her 1974 marriage to the actor Kamaljeet, with whom she has two children. It was published on 19 February 2014 by Penguin Books. The book generated positive reviews from book critics; most of the praise was directed towards the book's question-and-answer format, and Kabir's and Rehman's style in questioning and answering, respectively.

    In 1988, Kabir met Rehman while researching on Guru Dutt's life. She met Rehman—his then frequent collaborator—to find more information about him for a documentary releasing the next year, In Search of Guru Dutt. During these interactions, Kabir conceived the idea to write a book on the actress which later became Conversations with Waheeda Rehman. Over the next decades, Kabir tried persuading Rehman to get involved in the book but was always rejected since Rehman believed her life was not interesting enough. While Kabir was nearly about to give up of the project, Rehman finally agreed to do so in 2012. Writing took place in Bandra from December 2012 to November 2013. (Full article...)
  • Image 11 The Last Hurrah: Sterling Price's Missouri Expedition of 1864 is a 2015 book written by Kyle Sinisi and published by Rowman & Littlefield about Price's Missouri Expedition, an 1864 campaign of the American Civil War that failed to wrest control of the state of Missouri from the Union. Sinisi focused on the military expedition itself, but also covered political machinations that occurred during the expedition as well as topography and logistics. The Last Hurrah posits that the campaign should not be viewed as a raid due to its magnitude, that the Battle of Mine Creek had elements of a massacre, and that Missouri did not want to give up Union control. Reviewers praised the work, especially its ability to cover the campaign comprehensively while also discussing factors such as politics and the effects of guerrilla warfare. (Full article...)
    The Last Hurrah: Sterling Price's Missouri Expedition of 1864 is a 2015 book written by Kyle Sinisi and published by Rowman & Littlefield about Price's Missouri Expedition, an 1864 campaign of the American Civil War that failed to wrest control of the state of Missouri from the Union. Sinisi focused on the military expedition itself, but also covered political machinations that occurred during the expedition as well as topography and logistics. The Last Hurrah posits that the campaign should not be viewed as a raid due to its magnitude, that the Battle of Mine Creek had elements of a massacre, and that Missouri did not want to give up Union control. Reviewers praised the work, especially its ability to cover the campaign comprehensively while also discussing factors such as politics and the effects of guerrilla warfare. (Full article...)
  • Image 12 Hester Lynch Thrale, author of the Thraliana The Thraliana was a diary kept by Hester Thrale and is part of the genre known as table talk. Although the work began as Thrale's diary focused on her experience with her family, it slowly changed focus to emphasise various anecdotes and stories about the life of Samuel Johnson. The work was used as a basis for Thrale's Anecdotes of the Late Samuel Johnson, but the Thraliana remained unpublished until 1942. The anecdotes contained within the work were popular with Thrale's contemporaries but seen as vulgar. Among 20th-century readers, the work was popular, and many literary critics believe that the work is a valuable contribution to the genre and for providing information about Johnson's and her own life. (Full article...)
    Hester Lynch Thrale, author of the Thraliana

    The Thraliana was a diary kept by Hester Thrale and is part of the genre known as table talk. Although the work began as Thrale's diary focused on her experience with her family, it slowly changed focus to emphasise various anecdotes and stories about the life of Samuel Johnson. The work was used as a basis for Thrale's Anecdotes of the Late Samuel Johnson, but the Thraliana remained unpublished until 1942. The anecdotes contained within the work were popular with Thrale's contemporaries but seen as vulgar. Among 20th-century readers, the work was popular, and many literary critics believe that the work is a valuable contribution to the genre and for providing information about Johnson's and her own life. (Full article...)
  • Image 13 A Glorious Way to Die: The Kamikaze Mission of the Battleship Yamato, April 1945 is a 1981 military history book by Russell Spurr about the suicide mission of the Japanese battleship Yamato against the American Pacific Fleet during the Battle of Okinawa near the end of World War II. Yamato was the largest battleship in the world, and Japan sacrificed her in a final, desperate attempt to halt the Allied advance on the Japanese archipelago. The book was published in 1981 in the United States by Newmarket Press, and in the United Kingdom by Sidgwick & Jackson. Spurr, a British journalist and editor of the Hong Kong–based Far Eastern Economic Review, interviewed Japanese and Americans involved with Yamato's last mission, and drew on Japanese naval documents and records to write the book. He tells the story from both the Japanese and American points of view. (Full article...)
    A Glorious Way to Die: The Kamikaze Mission of the Battleship Yamato, April 1945 is a 1981 military history book by Russell Spurr about the suicide mission of the Japanese battleship Yamato against the American Pacific Fleet during the Battle of Okinawa near the end of World War II. Yamato was the largest battleship in the world, and Japan sacrificed her in a final, desperate attempt to halt the Allied advance on the Japanese archipelago. The book was published in 1981 in the United States by Newmarket Press, and in the United Kingdom by Sidgwick & Jackson.

    Spurr, a British journalist and editor of the Hong Kong–based Far Eastern Economic Review, interviewed Japanese and Americans involved with Yamato's last mission, and drew on Japanese naval documents and records to write the book. He tells the story from both the Japanese and American points of view. (Full article...)
  • Image 14 Any Human Heart: The Intimate Journals of Logan Mountstuart is a 2002 novel by William Boyd, a British writer. It is written as a lifelong series of journals kept by the fictional character Mountstuart, a writer whose life (1906–1991) spanned the defining episodes of the 20th century, crossed several continents and included a convoluted sequence of relationships and literary endeavours. Boyd uses the diary form to explore how public events impinge on individual consciousness, so that Mountstuart's journal alludes almost casually to the war, the death of a prime minister, or the abdication of the king. Boyd plays ironically on the theme of literary celebrity, introducing his protagonist to several real writers who are included as characters. The journal style of the novel, with its gaps, false starts and contradictions, reinforces the theme of the changing self in the novel. Many plot points simply fade away. The novel received mixed reviews from critics on publication, but has sold well. A television adaptation was made with the screenplay written by Boyd, first broadcast in 2010. (Full article...)
    Any Human Heart: The Intimate Journals of Logan Mountstuart is a 2002 novel by William Boyd, a British writer. It is written as a lifelong series of journals kept by the fictional character Mountstuart, a writer whose life (1906–1991) spanned the defining episodes of the 20th century, crossed several continents and included a convoluted sequence of relationships and literary endeavours. Boyd uses the diary form to explore how public events impinge on individual consciousness, so that Mountstuart's journal alludes almost casually to the war, the death of a prime minister, or the abdication of the king. Boyd plays ironically on the theme of literary celebrity, introducing his protagonist to several real writers who are included as characters.

    The journal style of the novel, with its gaps, false starts and contradictions, reinforces the theme of the changing self in the novel. Many plot points simply fade away. The novel received mixed reviews from critics on publication, but has sold well. A television adaptation was made with the screenplay written by Boyd, first broadcast in 2010. (Full article...)
  • Image 15 Sexual Preference: Its Development in Men and Women (1981) is a book about the development of sexual orientation by the psychologist Alan P. Bell and the sociologists Martin S. Weinberg and Sue Kiefer Hammersmith, in which the authors reevaluate what were at the time of its publication widely held ideas about the origins of heterosexuality and homosexuality, sometimes rejecting entirely the factors proposed as causes, and in other cases concluding that their importance had been exaggerated. Produced with the help of the American National Institute of Mental Health, the study was a publication of the Institute for Sex Research. Together with its Statistical Appendix, Sexual Preference was the conclusion of a series of books including Homosexuality: An Annotated Bibliography (1972) and Homosexualities: A Study of Diversity Among Men and Women (1978), both co-authored by Bell and Weinberg. Using data derived from interviews conducted in 1969 and 1970 with subjects in the San Francisco Bay Area, Bell et al. attempted to test explanations of sexual orientation put forward by psychoanalysts and social scientists. They found that while homosexual men were more likely than heterosexual men to have felt especially close to their mothers, this had almost no effect on the development of male homosexuality. Poor father-son relationships appeared to be weakly connected to male homosexuality. Homosexual women were more likely than heterosexual women to describe their relationships with their mothers as negative, and to have detached or hostile fathers, but only the latter factor seemed significant. In both sexes, but especially in men, homosexuality was connected to "Childhood Gender Nonconformity", which was a measure partly of behavior more typical of the opposite sex and partly of subjective feelings of masculinity and femininity. Sexual abuse and labeling by others played no significant role. Bell et al. concluded that psychoanalytic explanations of sexual orientation are inadequate. They suggested that while bisexuality may be subject to influence by social and sexual learning, the development of heterosexuality and homosexuality may have a biological basis, possibly influenced by hormonal factors. They hoped that demonstrating a biological basis to homosexuality would have beneficial effects such as increasing tolerance of gay people. (Full article...)
    Sexual Preference: Its Development in Men and Women (1981) is a book about the development of sexual orientation by the psychologist Alan P. Bell and the sociologists Martin S. Weinberg and Sue Kiefer Hammersmith, in which the authors reevaluate what were at the time of its publication widely held ideas about the origins of heterosexuality and homosexuality, sometimes rejecting entirely the factors proposed as causes, and in other cases concluding that their importance had been exaggerated. Produced with the help of the American National Institute of Mental Health, the study was a publication of the Institute for Sex Research. Together with its Statistical Appendix, Sexual Preference was the conclusion of a series of books including Homosexuality: An Annotated Bibliography (1972) and Homosexualities: A Study of Diversity Among Men and Women (1978), both co-authored by Bell and Weinberg.

    Using data derived from interviews conducted in 1969 and 1970 with subjects in the San Francisco Bay Area, Bell et al. attempted to test explanations of sexual orientation put forward by psychoanalysts and social scientists. They found that while homosexual men were more likely than heterosexual men to have felt especially close to their mothers, this had almost no effect on the development of male homosexuality. Poor father-son relationships appeared to be weakly connected to male homosexuality. Homosexual women were more likely than heterosexual women to describe their relationships with their mothers as negative, and to have detached or hostile fathers, but only the latter factor seemed significant. In both sexes, but especially in men, homosexuality was connected to "Childhood Gender Nonconformity", which was a measure partly of behavior more typical of the opposite sex and partly of subjective feelings of masculinity and femininity. Sexual abuse and labeling by others played no significant role. Bell et al. concluded that psychoanalytic explanations of sexual orientation are inadequate. They suggested that while bisexuality may be subject to influence by social and sexual learning, the development of heterosexuality and homosexuality may have a biological basis, possibly influenced by hormonal factors. They hoped that demonstrating a biological basis to homosexuality would have beneficial effects such as increasing tolerance of gay people. (Full article...)
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