Sumner Locke Elliott (17 October 1917 – 24 June 1991) was an Australian (later American) novelist and playwright.
Sumner Locke Elliott | |
|---|---|
| Born | 17 October 1917 |
| Died | 24 June 1991 (aged 73) |
| Occupations |
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Biography
editElliott was born in Sydney to the writer Sumner Locke and the journalist Henry Logan Elliott. His mother died of eclampsia one day after his birth.[1] Elliott was raised by his aunts, who had a fierce custody battle over him, fictionalised in Elliott's autobiographical novel, Careful, He Might Hear You. Elliott was educated at Cranbrook School in Bellevue Hill, Sydney.
World War II
editElliott became an actor and writer with the Doris Fitton's The Independent Theatre Ltd. He was drafted into the Australian Army in 1942, but instead of being posted overseas, he worked as a clerk in Australia. He used these experiences as the inspiration for his controversial play, Rusty Bugles. The play toured extensively throughout Australia and achieved the notoriety of being closed down for obscenity by the Chief Secretary's Office.[2]
However, Rusty Bugles' place in the history of Australian theatre rests on more than notoriety. Mac is a memorable character in the play, and in the first production, Frank O'Donnell transformed audiences' understanding of the typical Australian 'bludger' or 'scrounger'. To the men in his unit, he appeared a winner even when he was losing, but with the discovery of his wife's infidelity, his fragility becomes apparent.[3]
Television
editElliott moved to the United States in 1948, where he ranked in the pantheon of leading playwrights during the Golden Age of live television dramas, writing more than 30 original plays and numerous adaptations for such shows as The Philco Television Playhouse, Kraft Television Theatre, Studio One and Playhouse 90. He also wrote a play, Buy Me Blue Ribbons, which had a short run on Broadway.[4]
In 1955, he obtained United States citizenship and did not return to Australia until 1974.[3] His TV play The Grey Nurse Said Nothing aired on TV in the US and Australia.[5]
Books
editElliott's best known novel, Careful, He Might Hear You, won the 1963 Miles Franklin Award and was turned into a film in 1983.
Private life
editAs a gay man during a time when this was socially disapproved of, Elliott was uncomfortable with his sexuality. He kept it secret until nearly the end of his life before coming out in his book Fairyland. Because of these fears, Elliott had affairs but never had any stable relationships.[6]
Death
editHe died of colon cancer aged 73 in New York City in 1991.
Bibliography
editNovels
edit- Careful, He Might Hear You (1963)
- Some Doves and Pythons (1966)
- Edens Lost (1969)
- The Man Who Got Away (1972)
- Going (1975)
- Water Under the Bridge (1977)
- Rusty Bugles (1980)
- Signs of Life (1981)
- About Tilly Beamis (1985)
- Waiting for Childhood (1987)
- Fairyland (1990)
Short stories
edit- Radio Days (1993)
Plays
edit- Storm (1931) (one-act)
- Interval (1939)
- The Cow Jumped Over the Moon (1939)
- The Little Sheep Run Fast (1940)
- Goodbye to the Music (1942)
- Your Obedient Servant (1943)
- The Invisible Circus (1946)
- Wicked Is the Vine (first Australian play to be televised in US)[7]
- Rusty Bugles (1948)
- Buy Me Blue Ribbons (1951)
- John Murray Anderson's Almanac (1953)
TV plays
edit- "Wicked is the Vine"
- "The Crater"[8]
- "The Girl with the Stop Watch" (1953)[9] and "Beloved Stranger" (1955), for Goodyear Television Playhouse (1955)
- "The Thin Air" (1952), "We Were Children" (1952),[10] "Fadeout" (1953),[11] "Before I Wake" (1953)[12] and "Friday the 13th" (1954) for The Philco Television Playhouse
- "The King and Mrs. Candle"[13] and "The Women" (1956)[14] for Producers' Showcase (1955)
- "Whereabouts Unknown" for The Kaiser-Aluminum Hour (1957)
- "Little Women" (1950), "Babe in the Woods" (1957) and "Love at Fourth Sight" (1957) for Studio One
- "The Count of Monte Cristo" (1958), "The Winslow Boy" (1958) and "The Prisoner of Zenda" (1961) for Dupont Show of the Month
- "Keyhole" (1956), "Daisy! Daisy!" (1956)[15] and "You and Me and the Gatepost" (1956)[16] for Playwrights '56
- "I Heard You Calling Me" (1961), for Way Out
- "Mrs. Gilling and the Skyscraper" (1957) for The Alcoa Hour
- "Dusty Portrait" (1952), "Wish on the Moon" (1953), Time Bomb and "Run Girl Run" (1954) for The Philco Television Playhouse.
- "Peter Pan" (1960) starring Mary Martin[17]
- "Notorious" (1962) and "Spellbound" (1962) for Theatre 62
Radio plays
edit- Crazy Family (1939) - serial
- Jezebel's Daughter (1941) - serial
- Tradesman's Entrance (1941) - radio serial
- Grand City (1942) - serial
- Scarlet Rhapsody - serial
- The Army Hour (1944)
- Lily Parker
- "Wicked is the Vine" – Lux Radio Theatre (1947)
- Ride a Cock Horse (play)
- "Fade Out" (1953)[18] for Philco Radio Playhouse
References
edit- ^ [1] Archived 22 March 2007 at the Wayback Machine
- ^ Alomes, Stephen (11 October 1999). When London Calls: The Expatriation of Australian Creative Artists to Britain. Cambridge University Press. p. 35. ISBN 978-0-521-62978-2.
- ^ a b "Sumner Locke Elliott". Middlemiss.org. Retrieved 28 October 2014.
- ^ "Buy Me Blue Ribbons". Internet Broadway Database. Retrieved 28 October 2014.
- ^ Vagg, Stephen (17 November 2020). "Forgotten Australian TV Plays: The Grey Nurse Said Nothing". Filmink.
- ^ [2] Archived 25 June 2006 at the Wayback Machine
- ^ "Sydney Morning Herald". Trove.nla.gov.au. 27 October 1948. Retrieved 28 October 2014.
- ^ Vagg, Stephen (11 September 2022). "Forgotten Australian TV Plays: Australia on US TV – Sumner Locke Elliott's Wicked is the Vine and The Crater". Filmink.
- ^ Review of production at Variety - this was directed by Arthur Penn
- ^ Review of play at Variety
- ^ Review of production at Variety
- ^ Review at Variety
- ^ Review of production at Variety
- ^ Review of production at Variety
- ^ Review of production at Variety
- ^ Review of play at Variety
- ^ Review of production at Variety
- ^ Review of production at Variety