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{{Short description|Swedish artist (1802–1871)}}
'''Emma Fürstenhoff''', [[née]] ''Emilia Lindegren'' ([[Stockholm]] 1802 - Paris, March 1871), was a Swedish artist ([[florist]]), internationally known for her manufacturing and arrangements of [[artificial flowers]] of [[vax]], which were a novelty in contemporary Europe.
{{No footnotes|date=March 2020}}
{{Infobox artist
| name = Emma Fürstenhoff
| image = Emma Fürstenhoff Idun1890, nr 32.jpg
| imagesize =
| caption = Emma Fürstenhoff Idun1890, nr 32
| birth_name = Emilia "Emma" Lindegren
| birth_date = {{Birth year|1802}}
| birth_place = Stockholm, [[Sweden]]
| death_date = {{Death year and age|1871|1802}}
| death_place = Paris, [[France]]
| nationality = [[Sweden|Swedish]]
| education =
| field = Wax Flower Arrangement
| training =
| movement =
| works =
| patrons =
| awards =
| spouse = A. Fürstenhoff
}}


'''Emilia "Emma" Fürstenhoff''', [[née]] ''Lindegren'' (1802 – March 1871), was a Swedish artist ([[florist]]), internationally known for her manufacturing and arrangements of [[artificial flowers]] of [[wax]], which were a novelty in contemporary Europe.
Emma Fürstenhoff was the daughter of the poet and royal secretary [[Carl Lindegren]] (d. 1815) and the noble Sofia Silfverskiöld. Both she and her mother was the subject of her fathers poems. Her father later became ruined and alcoholised and her parents divorced, and she moved to the capital with her mother. She was to have displayed an early interest in flowers, and when she left her fathers property with her mother, it is said that she asked her mother to bring all the flowers with them. In Stockholm, she became the fosterchild of a [[mamsell]] Forslöf, lady in waiting to Princess [[Sophie Albertine of Sweden]]. She was described as brilliant and passionate. Around the age of twenty, she married for love to A. Fürstenhoff, clerk at Gustafsberg's porcelain factory, with whom she had a son, Johan.


==Life==
After her marriage, Emma Fürstenhoff manufactured ornaments for sale, and eventually learned to manufacture artificial flowers. After having displayed her flowers at art exhibitions in Stockholm, she made a success.
Emma Fürstenhoff was born in [[Stockholm]], the daughter of the poet and royal secretary [[Carl Johan Lindegren]] (d. 1815) and the noble Sofia Silfverskiöld. Both she and her mother was the subject of her father's poems. Her father later became an alcoholic and was ruined, her parents divorced, and she moved to the capital with her mother. She displayed an early interest in flowers, and when she left her father's property with her mother, it is said that she asked her mother to bring all the flowers with them. In Stockholm, she became the fosterchild of a [[mamsell]] Forslöf, lady in waiting to Princess [[Sophie Albertine of Sweden]]. She was described as brilliant and passionate. Around the age of twenty, she married for love to A. Fürstenhoff, a clerk at Gustafsberg's porcelain factory, with whom she had a son, Johan.
Her work was displayed in art exhibitions in [[London]], [[Saint Petersburg]] and finally in [[Paris]]. In Saint Petersburg, she stayed for two years and became an artistic celebrity in the cultural salons, where she was celebrated by diplomats and aristocrats. In an exhibition at jardin de plantes in Paris, she made a great success, and her flowers were considered better then the real ones.
She moved permanently to Paris, where she founded a studio of manufacturing artificial flowers. Most of her employees were female, one of them, her superviser Thilda Österberg, also from Sweden. She was a successful artist, who made a fortune on her work. One of her customers was [[Harriet Howard]]. In 1864, she was referred to as an artist fashionable in Europe for decades.


After her marriage, Emma Fürstenhoff manufactured ornaments for sale, and eventually learned to manufacture artificial flowers. She displayed her flowers at several successful art exhibitions in Stockholm. Her work was then displayed in art exhibitions in London, [[Saint Petersburg]] and finally in Paris. In Saint Petersburg, she stayed for two years and became an artistic celebrity in the cultural salons, where she was celebrated by diplomats and aristocrats. In an exhibition at the [[Jardin des Plantes]] in Paris, she was a great success, and her flowers were considered better than the real ones.
During the [[Franco-Prussian War]], she volunteered as a nurse and tendered to the wounded soldiers. By doing so, she fell sick herself, and died during the installment of the [[Paris Commune]] in March 1871.

She separated from her husband and moved permanently to Paris, where she founded a studio for manufacturing artificial flowers. Most of her employees were female, among them the supervisor Thilda Österberg who was also from Sweden. Fürstenhoff was a successful artist, who made a fortune on her work. One of her customers was [[Harriet Howard]]. In 1864, she was referred to as an artist fashionable in Europe for decades.

During the [[Franco-Prussian War]], she volunteered as a nurse and tendered to the wounded soldiers. By doing so, she fell sick herself, and died in [[Paris]], during the establishment of the [[Paris Commune]] in March 1871.


==References ==
==References ==
* {{sv icon}} Wilhelmina Stålberg: Anteckningar om svenska qvinnor (Notes on Swedish women)
* {{in lang|sv}} Wilhelmina Stålberg: Anteckningar om svenska qvinnor (Notes on Swedish women)
* [http://www.ub.gu.se/fasta/laban/erez/kvinnohistoriska/tidskrifter/idun/1890/pdf/1890_32.pdf Idun Fredagen 18 Augusti 1890. Personproträtt Emma Fürstenhoff]
* [http://www.ub.gu.se/fasta/laban/erez/kvinnohistoriska/tidskrifter/idun/1890/pdf/1890_32.pdf Idun Fredagen 18 Augusti 1890. Personporträtt Emma Fürstenhoff]


== Further reading ==
[[Category:Florists]]
{{Commons category}}
* {{SKBL}}

{{Historic Swedish women artists}}
{{Authority control (arts)|country=SV}}

{{DEFAULTSORT:Furstenhoff, Emma}}
[[Category:1802 births]]
[[Category:1802 births]]
[[Category:Swedish artists]]
[[Category:19th-century Swedish people]]
[[Category:Swedish women artists]]
[[Category:1871 deaths]]
[[Category:1871 deaths]]
[[Category:Florists]]

[[Category:19th-century Swedish businesswomen]]
[[sv:Emma Fürstenhoff]]
[[Category:19th-century Swedish businesspeople]]
[[Category:19th-century Swedish women artists]]
[[Category:People of the Paris Commune]]

Latest revision as of 14:54, 17 February 2023

Emma Fürstenhoff
Emma Fürstenhoff Idun1890, nr 32
Born
Emilia "Emma" Lindegren

1802 (1802)
Stockholm, Sweden
Died1871 (aged 68–69)
Paris, France
NationalitySwedish
Known forWax Flower Arrangement
SpouseA. Fürstenhoff

Emilia "Emma" Fürstenhoff, née Lindegren (1802 – March 1871), was a Swedish artist (florist), internationally known for her manufacturing and arrangements of artificial flowers of wax, which were a novelty in contemporary Europe.

Life[edit]

Emma Fürstenhoff was born in Stockholm, the daughter of the poet and royal secretary Carl Johan Lindegren (d. 1815) and the noble Sofia Silfverskiöld. Both she and her mother was the subject of her father's poems. Her father later became an alcoholic and was ruined, her parents divorced, and she moved to the capital with her mother. She displayed an early interest in flowers, and when she left her father's property with her mother, it is said that she asked her mother to bring all the flowers with them. In Stockholm, she became the fosterchild of a mamsell Forslöf, lady in waiting to Princess Sophie Albertine of Sweden. She was described as brilliant and passionate. Around the age of twenty, she married for love to A. Fürstenhoff, a clerk at Gustafsberg's porcelain factory, with whom she had a son, Johan.

After her marriage, Emma Fürstenhoff manufactured ornaments for sale, and eventually learned to manufacture artificial flowers. She displayed her flowers at several successful art exhibitions in Stockholm. Her work was then displayed in art exhibitions in London, Saint Petersburg and finally in Paris. In Saint Petersburg, she stayed for two years and became an artistic celebrity in the cultural salons, where she was celebrated by diplomats and aristocrats. In an exhibition at the Jardin des Plantes in Paris, she was a great success, and her flowers were considered better than the real ones.

She separated from her husband and moved permanently to Paris, where she founded a studio for manufacturing artificial flowers. Most of her employees were female, among them the supervisor Thilda Österberg who was also from Sweden. Fürstenhoff was a successful artist, who made a fortune on her work. One of her customers was Harriet Howard. In 1864, she was referred to as an artist fashionable in Europe for decades.

During the Franco-Prussian War, she volunteered as a nurse and tendered to the wounded soldiers. By doing so, she fell sick herself, and died in Paris, during the establishment of the Paris Commune in March 1871.

References[edit]

Further reading[edit]