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{{Short description|Oratorio by Arthur Honegger}}
{{other uses|King David (disambiguation)}}
{{other uses|King David (disambiguation)}}
{{Infobox musical composition
{{Infobox musical composition
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| scoring = {{hlist | narrator | [[soprano]], [[alto]], [[tenor]], and [[boy soprano]] soloists | [[SATB|{{abbr|SATB|soprano, alto, tenor and bass}}]] choir | orchestra }}
| scoring = {{hlist | narrator | [[soprano]], [[alto]], [[tenor]], and [[boy soprano]] soloists | [[SATB|{{abbr|SATB|soprano, alto, tenor and bass}}]] choir | orchestra }}
}}
}}
'''''Le Roi David''''' was composed in [[Mézières, Fribourg|Mézières]], Switzerland, in 1921 by [[Arthur Honegger]], as [[incidental music]] for a play in French by [[René Morax]]. It was called dramatic [[psalm]], but has also been performed as [[oratorio]], without staging. The plot, based on biblical narration, tells the story of [[King David]], first a [[shepherd]] boy, his victories in battle, relationship to [[Saul]], rise to power, adultery, mourning of his son's death, and finally his own death.<ref name="Letellier" /> The work has 27 musical [[Movement (music)|movement]]s, some instrumental, most for voices and orchestra. A narrator connects the scenes, soloists take different roles.
'''''Le Roi David''''' was composed in [[Mézières, Fribourg|Mézières]], Switzerland, in 1921 by [[Arthur Honegger]], as [[incidental music]] for a play in French by [[René Morax]]. It was called a dramatic [[psalm]], but has also been performed as [[oratorio]], without staging. The plot, based on biblical narration, tells the story of [[King David]], first a [[shepherd]] boy, his victories in battle, relationship to [[Saul]], rise to power, adultery, mourning of his son's death, and finally his own death.<ref name="Letellier" /> The work has 27 musical [[Movement (music)|movement]]s consisting of voice solos, choruses, and instrumental interludes. A narrator unifies the work by providing spoken narration of the story of King David.


Arthur Honegger was commissioned to write incidental music to accompany René Morax's play ''Le Roi David'' in 1921. Honegger was given the nearly impossible deadline of 2 months to complete the work. This short deadline made it necessary for him to write the movements of this 27 movement work out of order. First, he wrote the choral and solo voice parts to allow the music to be copied and rehearsed. Honegger wrote the orchestration for the entire work last.<ref name="Hines (The Choral Journal)">{{cite journal |last1=Hines |first1=Robert S. |title=Arthur Honegger's Three Versions of "King David" |journal=The Choral Journal |date=February 2006 |volume=46 |issue=8 |pages=32-39 |access-date=13 September 2021}}</ref> He completed his composition on May 20, 1921, and was rewarded with much acclaim at the premiere on June 11, 1921. In 1923 he combined Morax's narrative with his music and created a "symphonic psalm," the form that is familiar today, and titled his work ''Le Roi David''.<ref name=autogenerated1>[http://www.classical.net/music/comp.lst/works/honegger/roidavid.html Classical Net Article – Honegger – Le Roi David<!-- Bot generated title -->]</ref>
Arthur Honegger was commissioned to write incidental music to accompany René Morax's play ''Le Roi David'' in 1921. The commission outlined that the work was to be performed by 100 singers and seventeen instruments. Honegger struggled with these limited resources, and wrote to Igor Stravinsky for advice. <ref name="Medawar dissertation">{{cite web |last1=Medawar |first1=Joanna |title=A performance guide to Arthur Honegger's "King David" }}</ref> Stravinsky advised him to think as if he had purposefully chosen that instrumentation, and compose as such.<ref name="Medawar dissertation" /><ref name="Hines (The Choral Journal)" /> Honegger had a nearly impossible deadline of 2 months to complete the work. This short deadline made it necessary for him to write the movements of this 27 movement work out of order. First, he wrote the choral and solo voice parts to allow the music to be copied and rehearsed. Honegger wrote the orchestration for the entire work last.<ref name="Hines (The Choral Journal)">{{cite journal |last1=Hines |first1=Robert S. |title=Arthur Honegger's Three Versions of "King David" |journal=The Choral Journal |date=February 2006 |volume=46 |issue=8 |pages=32–39 }}</ref> He completed his composition on May 20, 1921, and was rewarded with much acclaim at the premiere on June 11, 1921. In 1923 he combined Morax's narrative with his music and created a "symphonic psalm," the form that is familiar today, and titled his work ''Le Roi David''.<ref name=autogenerated1>[http://www.classical.net/music/comp.lst/works/honegger/roidavid.html Classical Net Article – Honegger – Le Roi David<!-- Bot generated title -->]</ref>


==Instrumentation==
==Instrumentation==
[[File:Théâtre du Jorat, Mézières, 1921.jpg|thumb|[[Théâtre du Jorat]], Mézières, where the dramatic psalm was first performed]]
[[File:Théâtre du Jorat, Mézières, 1921.jpg|thumb|[[Théâtre du Jorat]], Mézières, where the dramatic psalm was first performed]]
Original 1921 version: Honegger originally wrote his ''Le Roi David'' music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 [[flute]]s [1 doubling [[piccolo]]], 1 [[oboe]] [doubling [[cor anglais]]], 2 [[clarinet]]s [1 doubling [[bass clarinet]]], 1 [[bassoon]] [doubling [[contrabassoon]]], 1 [[French horn|horn]], 2 [[trumpet]]s, 1 [[trombone]], [[timpani]], 1 percussionist (playing [[snare drum]], [[bass drum]], [[cymbals]], [[tambourine]], and [[tam-tam]]), [[piano]], [[harmonium]], [[celesta]] and 1 [[double bass]]. It was premiered there on 11 June 1921.
Original 1921 version: Honegger originally wrote his ''Le Roi David'' music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 [[flute]]s [1 doubling [[piccolo]]], 1 [[oboe]] [doubling [[cor anglais]]], 2 [[clarinet]]s [1 doubling [[bass clarinet]]], 1 [[bassoon]], 1 [[French horn|horn]], 2 [[trumpet]]s, 1 [[trombone]], [[timpani]], 1 percussionist (playing [[snare drum]], [[bass drum]], [[cymbals]], [[tambourine]], and [[tam-tam]]), [[piano]], [[harmonium]], [[celesta]] and 1 [[double bass]]. It was premiered there on 11 June 1921.


In 1923, bolstered by the success of the original version, Honegger re-scored the work for a standard orchestra of 2 flutes [1 doubling piccolo], 2 oboes [1 doubling cor anglais], 2 clarinets [1 doubling bass clarinet], 2 bassoons [1 doubling contrabassoon], 4 horns, 2 trumpets, 3 trombones, tuba, timpani, snare drum, bass drum, cymbals, tambourine, tam-tam, [[Pipe organ|organ]], celesta, [[harp]], and [[String section|strings]]) accompanying a [[Mixed choir|chorus]] (often singing antiphonally or in unison), [[soprano]], [[alto]], [[tenor]], and [[boy soprano]] soloists, a [[narrator]] and an [[actress]] for nº 12 – Incantation Scene ([[Saul]] and the [[witch of Endor]]). The music is separated into 27 mostly brief sections and features many individual instruments.
In 1923, bolstered by the success of the original version, Honegger re-scored the work for a standard orchestra of 2 flutes [1 doubling piccolo], 2 oboes [1 doubling cor anglais], 2 clarinets [1 doubling bass clarinet], 2 bassoons [1 doubling contrabassoon], 4 horns, 2 trumpets, 3 trombones, tuba, timpani, snare drum, bass drum, cymbals, tambourine, tam-tam, [[Pipe organ|organ]], celesta, [[harp]], and [[String section|strings]]) accompanying a [[Mixed choir|chorus]] (often singing antiphonally or in unison), [[soprano]], [[alto]], [[tenor]], and [[boy soprano]] soloists, a [[narrator]] and an [[actress]] for nº 12 – Incantation Scene ([[Saul]] and the [[witch of Endor]]). The music is separated into 27 mostly brief sections and features many individual instruments.
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{| class="wikitable plainrowheaders"
{| class="wikitable plainrowheaders"
|+ Part I
|+ Movements of Part I of Honegger's ''Le Roi David''
|-
|-
! scope="col" | No.
! scope="col" | No.
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{| class="wikitable plainrowheaders"
{| class="wikitable plainrowheaders"
|+ Part II
|+ Movements of Part II of Honegger's ''Le Roi David''
|-
|-
! scope="col" | No.
! scope="col" | No.
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{| class="wikitable plainrowheaders"
{| class="wikitable plainrowheaders"
|+ Part III
|+ Movements of Part III of Honegger's ''Le Roi David''
|-
|-
! scope="col" | No.
! scope="col" | No.
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==Analysis of text and music==
==Analysis of text and music==
The most significant element of ''Le Roi David'' is the [[eclecticism (music)|combination of different styles of music]] in one complete work. Honegger uses compositional techniques ranging from [[Gregorian chant]] to [[Baroque music|Baroque]] to [[jazz]]. Honegger's utilization of all of these concepts allowed him to make a serious contribution to the [[neoclassicism (music)|neoclassical era]]. The music is full of thematic gestures and is most often performed in French.<ref>A History of Western Music, Burkholder</ref> There is an English version by Edward Agate.<ref>https://www.amazon.com/Arthur-Honegger-Symphonic-English-translation/dp/B00I8T29YK</ref>
The most significant element of ''Le Roi David'' is the [[eclecticism (music)|combination of different styles of music]] in one complete work. Honegger uses compositional techniques ranging from [[Gregorian chant]] to [[Baroque music|Baroque]] to [[jazz]]. Honegger's utilization of all of these concepts allowed him to make a serious contribution to the [[neoclassicism (music)|neoclassical era]]. The music is full of thematic gestures and is most often performed in French.<ref>A History of Western Music, Burkholder</ref> There is an English version by Edward Agate.<ref>{{Cite web|url=https://www.amazon.com/Arthur-Honegger-Symphonic-English-translation/dp/B00I8T29YK|title = Arthur Honegger: King David a Symphonic Psalm in Three Parts|website = Amazon}}</ref>


==References==
==References==
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[[Category:Cultural depictions of David]]
[[Category:Cultural depictions of David]]
[[Category:Witch of Endor]]
[[Category:Witch of Endor]]
[[Category:1938 oratorios]]

Latest revision as of 16:52, 10 January 2024

For other uses, see King David (disambiguation).
Le Roi David
Psaume symphonique en trois parties
Oratorio by Arthur Honegger
The composer in 1928
EnglishKing David / Symphonic Psalm in Three Parts
Textby René Morax
LanguageFrench
Based onKing David's life
Performed12 May 1938 (1938-05-12): Basel
Movements27
Scoring

Le Roi David was composed in Mézières, Switzerland, in 1921 by Arthur Honegger, as incidental music for a play in French by René Morax. It was called a dramatic psalm, but has also been performed as oratorio, without staging. The plot, based on biblical narration, tells the story of King David, first a shepherd boy, his victories in battle, relationship to Saul, rise to power, adultery, mourning of his son's death, and finally his own death.[1] The work has 27 musical movements consisting of voice solos, choruses, and instrumental interludes. A narrator unifies the work by providing spoken narration of the story of King David.

Arthur Honegger was commissioned to write incidental music to accompany René Morax's play Le Roi David in 1921. The commission outlined that the work was to be performed by 100 singers and seventeen instruments. Honegger struggled with these limited resources, and wrote to Igor Stravinsky for advice. [2] Stravinsky advised him to think as if he had purposefully chosen that instrumentation, and compose as such.[2][3] Honegger had a nearly impossible deadline of 2 months to complete the work. This short deadline made it necessary for him to write the movements of this 27 movement work out of order. First, he wrote the choral and solo voice parts to allow the music to be copied and rehearsed. Honegger wrote the orchestration for the entire work last.[3] He completed his composition on May 20, 1921, and was rewarded with much acclaim at the premiere on June 11, 1921. In 1923 he combined Morax's narrative with his music and created a "symphonic psalm," the form that is familiar today, and titled his work Le Roi David.[4]

Instrumentation[edit]

Théâtre du Jorat, Mézières, where the dramatic psalm was first performed

Original 1921 version: Honegger originally wrote his Le Roi David music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 flutes [1 doubling piccolo], 1 oboe [doubling cor anglais], 2 clarinets [1 doubling bass clarinet], 1 bassoon, 1 horn, 2 trumpets, 1 trombone, timpani, 1 percussionist (playing snare drum, bass drum, cymbals, tambourine, and tam-tam), piano, harmonium, celesta and 1 double bass. It was premiered there on 11 June 1921.

In 1923, bolstered by the success of the original version, Honegger re-scored the work for a standard orchestra of 2 flutes [1 doubling piccolo], 2 oboes [1 doubling cor anglais], 2 clarinets [1 doubling bass clarinet], 2 bassoons [1 doubling contrabassoon], 4 horns, 2 trumpets, 3 trombones, tuba, timpani, snare drum, bass drum, cymbals, tambourine, tam-tam, organ, celesta, harp, and strings) accompanying a chorus (often singing antiphonally or in unison), soprano, alto, tenor, and boy soprano soloists, a narrator and an actress for nº 12 – Incantation Scene (Saul and the witch of Endor). The music is separated into 27 mostly brief sections and features many individual instruments.

Structure[edit]

The work is structured in three parts, the movements numbered to 27 in the 1952 edition (28 in the first edition).[5]

Part I
No. Title Translation Text source Voices
1 Introduction
2 Cantique du berger David The Song of David, the Shepherd A
3 Psaume: Loué soit le Seigneur Psalm: All Praise to Him Psalm SATB
4 Chant de victoire Song of Victory SATB
5 Cortège March
6 Psaume: Ne crains rien Psalm: In the Lord I Put my Faith Psalm T
7 Psaume: Ah! si j'avais des ailes de colombe Psalm: O Had I Wings Like a Dove Psalm S
8 Psaume - Cantique des Prophètes Song of the Prophets men's chorus
9 Psaume: Pitié de moi, mon Dieu Psalm: Have Mercy on Me, my Lord Psalm T
10 Le Camp de Saül Saul's Camp
11 Psaume: L'éternel est ma lumière infinie Psalm: God, the Lord Shall Be my Light SATB
12 Incantation Incantation A (speaking)
13 Marche des Philistins March of the Philistines
14 Lamentations de Guilboa The Lamentations of Gilboa Women's chorus
Part II
No. Title Translation Text source Voices
15 Cantique de fête Festival Song women's chorus
16 La Danse devant l'arche The Dance before the Ark SATB
Part III
No. Title Translation Text source Voices
17 Cantique: De mon cœur jaillit un cantique Song: Now my Voice in Song Upsoaring SATB
18 Chant de la servante Song of the Handmaid A
19 Psaume de pénitence Psalm of Penitence SATB
20 Psaume: Je fus conçu dans le péché Psalm; Behold, in Evil I Was Born SATB
21 Psaume: Je lève mes regards vers la montagne Psalm: O Shall I Raise mine Eyes unto the Mountains? T
22 La Chanson d'Ephraïm The Song of Ephraim S women's chorus
23 Marche des Hébreux March of the Hebrews
24 Psaume: Je t'aimerai, Seigneur, d'un amour tendre Psalm: In my Distress SATB
25 Psaume: Dans cet effroi Psalm: In this Terror, the Great God which I Adore SATB
26 Couronnement de Salomon The Coronation of Solomon
27 Mort de David The Death of David S SATB

Plot[edit]

Le Roi David is divided into three main parts and tells the biblical story of King David. In the first part, the Lord directs the prophet Samuel to choose Saul as the ruler of the people of Israel. However, when Saul does not follow the Lord's instructions, Samuel is told to place David as ruler. The first part continues to tell the story of David's battles against the Philistines as well as Saul's growing jealousy of David. The second part covers David's crowning and unification of Israel. The third and final part tells of David's lust for Bathsheba and his punishment for adultery. In this final section of the piece, David flees Jerusalem, loses his power, manages to restore his position as king then offends God by censusing the people. An epidemic disease afflicts Jerusalem, and David appoints his son Solomon to succeed him and then dies. At the end of the piece an angel tells of Isaiah's prophecy of a flower blooming from David's stem.[6]

Analysis of text and music[edit]

The most significant element of Le Roi David is the combination of different styles of music in one complete work. Honegger uses compositional techniques ranging from Gregorian chant to Baroque to jazz. Honegger's utilization of all of these concepts allowed him to make a serious contribution to the neoclassical era. The music is full of thematic gestures and is most often performed in French.[7] There is an English version by Edward Agate.[8]

References[edit]

  1. ^ Letellier, Robert Ignatius (2017). The Bible in Music. Cambridge Scholars Publishing. pp. 272–273. ISBN 9781443868488.
  2. ^ a b Medawar, Joanna. "A performance guide to Arthur Honegger's "King David"". {{cite web}}: Missing or empty |url= (help)
  3. ^ a b Hines, Robert S. (February 2006). "Arthur Honegger's Three Versions of "King David"". The Choral Journal. 46 (8): 32–39.
  4. ^ Classical Net Article – Honegger – Le Roi David
  5. ^ Le Roi David. Edition Faetisch. 1952.
  6. ^ Arthur Honegger's King David Francis Poulenc's Gloria
  7. ^ A History of Western Music, Burkholder
  8. ^ "Arthur Honegger: King David a Symphonic Psalm in Three Parts". Amazon.

External links[edit]

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