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Draft:Derek Williams (musician)

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  • Comment: Currently reviewing the article - attempting to determine if this can be salvaged or if this is a blow it up and start over kind of situation based on the level of promotional tone and directly quoted sources. -- Dane talk 18:34, 15 May 2018 (UTC)
  • Comment: Note to reviewers : Copyvio check is false positive. Content was copied from Wikipedia, not the other way around. See [1] » Shadowowl | talk 14:56, 10 April 2018 (UTC)
  • Comment: Lede too long and probably too many pictures. Wikipedia generally follows an encyclopedic style concentrating on notable information. As the copyright violation was a false positive it is probably fine to resubmit this article. I see the article has already been resubmitted. A further note on about Wikipedia, it is not the place for original research (OR), that information can be better published elsewhere, see WP:OR. Finally, the article isn't too far away from meeting Wikipedia's style. Just needs a little toning down. Jonpatterns (talk) 13:47, 17 May 2018 (UTC)


Derek Williams
Born20 September 1952
Gisborne, New Zealand
Occupation(s)Composer
Arranger
Conductor
Producer
Musician
Years active1972 – present
LabelsMushroom Records
Websitewww.derekwilliams.net

Derek Leslie Williams (born 20 September 1952, Gisborne, New Zealand), British resident composer, orchestrator, conductor and record producer. 33 recording credits,[1] and 27 film, documentary and television series[2] credits. Civil rights activist,[3] also known for his 'Save Sibelius' campaign in the United Kingdom (2012-2013). Since 2007, has served as lecturer/tutor in Composition[4] and Orchestration[5] on the Associated Staff of The University of Edinburgh Music Department. Chair of Wagner Society of Scotland,[6] a member of the International Association of Wagner Societies.[7]

Williams first came to public notice[8] in 1974, when he founded the New Zealand School of Music Ltd[9] through which he established the first non-university tertiary level qualification for conductors of music in the Southern Hemisphere.[10][11][12] As arranger, orchestrator, conductor and musician commissioned by international artists Caroline O'Connor,[13][14] Sir Robert Helpmann,[15][16][17] Torvill and Dean,[18][19][20] Grace Knight,[21] Frank Bennett,[22] Debbie Newsome,[23] Sir Howard Morrison,[24] and prominent Australian screen composers Martin Armiger,[25] Guy Gross,[26] and Antony Partos,[27] Williams is also known[28][29] for his reorchestrations of tracks from hit records.[30][31][32] His commissions have been performed in the Royal Albert Hall,[33] Garrick Theatre[34] and Kings Place[35] (London), at the Sydney Opera House[36] and Hamer Hall, Melbourne[37] Australia, and at the Montreux Jazz Festival.[38][39] As a chorister, he performed in the 640 voice Third International Choral Festival at the Lincoln Center for the Performing Arts[40] under Robert Shaw[41][42] with Peter Godfrey's[43] Auckland University Festival Choir,[44][45] as well as at The White House,[46][47] the John F. Kennedy Center for the Performing Arts, the United Nations and at Westminster Abbey and King's College Chapel, Cambridge.

Williams was the orchestrator and conductor of the Victorian Philharmonic Orchestra for Guy Gross's score for Stephan Elliott's Frauds, starring Phil Collins and Hugo Weaving, and his Oscar winning film The Adventures of Priscilla Queen of the Desert,[48] and for Martin Armiger's score for The Crossing, starring Russell Crowe. He was orchestrator for Antony Partos' score for Crush, winner of Best Film Score at New Zealand Film and TV Awards,[49] and was arranger and conductor for the Australian Broadcasting Corporation multi-platinum album Vince Jones & Grace Knight ‎– Come In Spinner[21] from the ABC miniseries Come In Spinner for record producer Martin Armiger.[50] His most recent film score was for Ruaridh M Turner's The Beast in the Storm, which won Order of Merit in the Indie Fest[51] and Best Action/Thriller/SciFi - Los Angeles Independent Film Festival Awards.[52]

Biography

(1.1) Derek Williams & Sir Michael Palin (President Royal Geographical Society) at the 2012 AGM.

Direct descendant of Henry Williams (missionary) and Marianne Coldham,[53] Grandfather, Claud Williams, MC a noted explorer of the Libyan Egyptian desert during World War 1,[54] who was awarded the Military Cross for his Report on the Military Geography of the North-Western Desert of Egypt (War Office Handbook),[55] used by the Long Range Desert Group in the Tobruk campaign against Rommel. Co-opted 2010 by Royal Geographical Society as family representative for the publication of Claud's autobiographical memoir, Light Car Patrols 1916-19,[56] (Images 1.1-1.2), guest speaker at the 2013 book launch.[57] (Image 1.2)

Early life and education

New Zealand 1952-1985

Born 1952 of Agnes ('Nancy') Isabella Marks Bowman Williams (née Anderson) of Bathgate, Scotland (office clerk) and New Zealander Edward ('Ted') Egerton Williams (farmer). Early childhood in Gisborne and Rotorua, studied at Rosmini College (Auckland) 1964-1970. Studied Music 1971-74 at University of Auckland, winner Professor Hollinrake Memorial Scholarship[58] and Senior Scholarship Award[59] as BMus graduate. Studied piano with Mary Nathan,[60] Milford. Admitted Fellow of Trinity College, London in 1977.

International choral tour 1972

(2.5) Williams (L) age 19 in Auckland University Festival Choir uniform[61] with friend after the choir's Lincoln Center performance (26 April 1972).

World tour as a chorister with the 40 voice Auckland University Festival Choir,[62][63] conducted by Professor Peter Godfrey,[43] CBE, (Kings College, Cambridge alumnus and founder of the New Zealand Choral Federation and the Symphonia of Auckland). The choir was created in fulfillment of an invitation from the International Choral Festival[41] to join 15 other university choirs in a 2-week East Coast university tour of the US.[64] At one campus, the Auckland Choir's concert was interrupted by a fire in the building, just as they were singing Thomas Morley's madrigal, Fire, Fire.[65] At the United Nations, the 16 reunited choirs were conducted by Willi Gohl (Image 2.2),[66] followed by a massed concert of 640 voices on 30 April 1972 at the Lincoln Center for the Performing Arts[40] (Image 2.1), New York under the baton of Robert Shaw.[67][42] During the US tour, the choir gave performances at the John F. Kennedy Center for the Performing Arts, the White House, Washington DC, and the United Nations as billeted guests of the United States Government. At their White House performance, Williams and other choir members individually met the First Lady, Pat Nixon,[46][47] on the eve of the breaking of the Watergate scandal. In the United Kingdom segment of the tour, the Festival Choir performed at Godfrey's alma mater, Kings College, Cambridge in a joint concert with King's College Choir with Sir David Willcocks and at Westminster Abbey, London before traveling to perform at the Snape Maltings at Aldeburgh, where they were met by composer Benjamin Britten and tenor Peter Pears. In the European leg of their tour, the choir again won praise[45] for its performances in the Netherlands, Germany, Switzerland and Singapore,[45] before finally returning to New Zealand. Uniforms for the tour were specially designed by Colin Cole[61] (Images 2.1-2.2). The choir continues to hold decennial reunions, the most recent being in 2012, and there has been a CD re-release[68] of its LP, recorded straight after the world tour.[69]

Career

New Zealand 1974-1985

In 1974, Williams founded and until 1978 was governing director of the New Zealand School of Music Ltd[70] under the patronage of Lord Mayor of Auckland, Sir Dove-Myer Robinson and with the conductor of the Symphonia of Auckland, Maestro Juan Matteucci OBE[71] he established the first non-university tertiary level qualification for conductors of music in the Southern Hemisphere, followed by a similar course for percussionists.[72][73] Despite wide publicity in the press however,[74][75][76] Williams’ attempt to set up a full-time Orchestral Training Scheme, also under the tutelage of Maestro Matteucci and section leaders from the Symphonia of Auckland proved unsuccessful and the NZSM was reorganised into the co-operative Auckland School of Music.

Following his stewardship of the New Zealand School of Music, Williams was teacher in charge of Music at Rotorua Boys' High School from 1979-1985, during which time he was keyboards player and musical director for local amateur theatre productions[77] and toured with Sir Howard Morrison as keyboards player.

In 1981 Williams was appointed orchestrator and musical director for the world première and cast album[78] of Eaton Magoon Jr and Sir Robert Helpmann's Hawaiian musical Aloha,[79][80][81] starring Derek Metzger and directed by Robert Young for Hamilton Operatic Society. It was followed in 1985 by a Michael Edgley revival production at His Majesty's Theatre, Auckland, directed by Joe Layton, also starring Metzger and Hollywood actress Patricia Morison, with Williams continuing as production arranger and musical director.[82] However, despite being well reviewed,[83] houses for the Aloha revival didn't measure up to those for the première production and it finished early, destined for Honolulu, Hawaii with Joe Layton again as Director, playing at the purpose built Aloha Showroom[84] until the Gulf War destroyed its tourist patronage.

In 1984, Williams was seconded from teaching to work as a computer programmer of educational applications for New Zealand schools on the Poly-1[85] The software was also used for training by the Victorian Fire Brigade and the Australian Defence Force, and for the first time, allowed New Zealand educators to design and deliver curricula on class computer networks.[86]

Australia 1985-2006

In 1985, Williams emigrated to Australia to work as freelance musical director and keyboards player for Australia's Wonderland,[87] Phillip Street Theatre,[88] Glen Street Theatre and Sydney Theatre Restaurants Ltd (trading as 'Roman Scandals') and was orchestrator for the Australian Singing Competition 1985-88,[89] initially at the Sydney Opera House. Over the same period, Williams was a keyboards player for over 400 performances of Andrew Lloyd Webber's musical Cats for Cameron Mackintosh[90] at the Theatre Royal, Sydney, the longest running show in Australian history, and for its 1994 revival by the Really Useful Group at Her Majesty's Theatre, Sydney,[91] while also deputising as chorus master and keyboards player for the world première of the controversial musical Rasputin, starring Jon English. Williams went on to play keyboards for Les Miserables[92] and Phantom of the Opera for Cameron Mackintosh Ltd,[93] also at the Theatre Royal. Other productions for which Williams performed as keyboards player were Glen Street Theatre's 1991 production of Nunsense, and a television performance of the Australian Broadcasting Corporation's television special You've Always Got The Blues featuring songs from Stringer with Kate Ceberano and Wendy Matthews, a pilot for Kate Ceberano and Friends. Following the success of ABC's Come In Spinner TV miniseries and platinum spin-off album Vince & Grace, Williams was musical director and arranger for the first segment of Grace Knight's promotional tour, as well as for tours with Perfect Match (Australian game show) star, Debbie Newsome.

Williams was an early adopter and exponent of Music Technology used in his orchestrations including two Kurzweil K250's for the ill-fated Australian Bicentenary musical Manning Clark's History of Australia - The Musical, one of whose composers was record producer and film composer Martin Armiger. Williams thereafter began working with Armiger as arranger, orchestrator, composer, keyboardist and conductor for 15 Film/TV scores and creating piano transcriptions for the Sydney Dance Company's Berlin (Max Lambert & Iva Davies) performed at the Sydney Opera House.[94][95] From 1988 to 2001, he was also orchestrator and conductor for leading screen composers Guy Gross and Antony Partos.

In 1989, Williams was called as an expert witness along with Martin Armiger and Dr G.B. Hair in the Federal Court of Australia in a copyright infringement case[96] brought by Guy Gross against CBS Records Australia Limited and Collette Roberts, with the court finding in the defendants' favour.

Also during this period, Williams worked independently as composer of music for the documentary In Grave Danger of Falling Food, commercial radio and television advertisements, collaborating with freelance composer and Channel 7 Television musical director Dave Kimber the ATN Channel 7 ID Let's Celebrate '88, and sports ID's, and with Mars Lasar on Broadcom's commercial video production, Arthur Young, Australia. In 1989, Williams was choral arranger and pianist for Torvill and Dean's album Here We Stand, produced by Kevin Stanton, and recorded while Christopher Dean was laid up in a plaster cast in Sydney, recuperating from a torn ligament.[18]

From 1995 to 1997, Williams was Musical Director and Conductor of the Orchestra and Choir of the Waverley-Randwick Philharmonic Society,[97][98] during which period he also studied conducting with Myer Fredman.

In 1996 Williams programmed Peter Casey's orchestrations for the Korean musical The Last Empress (musical), and was orchestrator and musical director for the world premiere of Crook & Carroll's musical Lulu based on the Frank Wedekind cycle, at the New Theatre (Newtown), reprised in 2001 at Rockdale Town Hall.[99] In 1998 he scored arrangements for the New South Wales Department of School Education's All Stars Stage Band's tour of Europe, commencing at the Montreux Jazz Festival to a standing ovation. In 2004, he composed, performed and recorded all music for Levels 1-8 of Glenn Wood Tap - The Syllabus. As record producer he was arranger and conductor for Frank Bennett's album Cash Landing for EMI Music Australia, which was nominated for an ARIA Award for Best Adult Contemporary Album (1999).[100]

From 1997-2006 Williams designed and delivered Steinberg Training Centres[101] courses in Music Technology at Sydney Community College and Randwick Boys High School where he also taught Music and Computing Studies from 1986 to 2006. Over the same period, Williams was a Higher School Certificate examiner and advisor in Music and Computing Studies for the New South Wales Board of Studies.

In 2005, Williams began a long-standing association with Caroline O'Connor (actress) as arranger for her show End of the Rainbow at the Sydney Opera House[102] and as arranger, musician and assistant to the producer for her album A Tribute to Garland recorded at the Opera House, launched with big band in an outdoor concert in Sydney's Taronga Park[103] with Williams as arranger and keyboardist.

Scotland 2006 to present

Night of 100 Voices.1
(3.1) The Night of 1000 Voices 2007 concert at the Royal Albert Hall, starring Caroline O'Connor, arrangement by Derek Williams.
© The Night of 1000 Voices (2007)

In 2006, Williams emigrated to Scotland for PhD studies in Composition with Professors Nigel Osborne (Reid Professor of Music) and Peter Nelson at The University of Edinburgh Reid School of Music. Upon arrival in London, he was again commissioned as arranger/orchestrator by Caroline O'Connor for her debut performance at Kander and Ebb The Night of 1000 Voices 2007 at the Royal Albert Hall (Images 3.1-3.3), and subsequently for her Garrick Theatre season of The Showgirl Within.[104] In 2008, Williams joined with Nigel Osborne in his Balkans Music Therapy camps in Mostar and Rakovica, on behalf of Edinburgh University. (Image 5.1)

In 2008, Williams was répétiteur and assistant conductor for Edinburgh Grand Opera's production of Faust.[105] He was musical director for the Edinburgh University Savoy Opera Group's production of Salad Days (musical) for the Edinburgh Festival Fringe 2007, and in the same year, he was elected Corporate Funding Manager of Edinburgh Studio Opera, when it presented the world première of Julian Wagstaff’s Opera, The Turing Test.[106] In 2009, Williams was appointed producer and participant composer by the University of Edinburgh for its Encounters - New Works from Edinburgh University CD project, supported by the Edinburgh University Roberts Fund, also published as an anthology by Europa Edition (UK).[107] In 2010, he was commissioned by the Seiras Piano Quintet (Rome) to compose Quintet for Piano and Strings for its world première performance March 2011[108] at the Conservatorio di Musica Santa Cecilia in Roma, Italy, repeated at St Cecilia's Hall[109] and by the Artisan Trio (Edinburgh) to compose his Quintet for Piano, Violin, Cello, Clarinet and Horn also supported by the Edinburgh University Roberts Fund.

In 2012, Williams was awarded a doctorate[110] by The University of Edinburgh for his 2 act opera Wilde,[111][112] recounting the downfall, trial and imprisonment of the Irish playwright and poet, Oscar Wilde. The planned world première performance in early 2019 of Wilde by The Orchestra and Chorus of the Canongait conducted by Robert Dick at McEwan Hall, Edinburgh University, will draw together his roles as activist and musician.

In 2013, Williams was commissioned jointly by The University of Edinburgh and the Royal Conservatoire of Scotland to compose an overture (Waltz)[113] for their collaborative ballet Oxygen-Colours at Moray House School of Education for the Edinburgh Festival Fringe. In the same year of the Festival, his one act opera Medea[114][115] received its world premiere at the Edinburgh Jazz Bar and was repeated[116] at Edinburgh University’s Reid Concert Hall. Also in that year, Williams was commissioned by Peter Warburton[117] to orchestrate and conduct his tone poem Edinburgh Festival (Image 4.4), premiered[118] in the 2017 Edinburgh Festival Fringe by The Orchestra and Chorus of the Canongait conducted by Robert Dick at Greyfriars Kirk. During this period, Williams received commissions to compose the music score for a documentary film for the Royal Hospital for Sick Children, Edinburgh[119] and from The Orchestra of the Canongait to compose a new symphony[120] in 4 movements to be premiered in 2022.

(5.1) Nigel Osborne Music Therapy camps
Derek Williams (L) with Nigel Osborne (C) and Ermin Elezovic (R) at the beginning of the trek from the rebuilt Mostar Bridge through to Rakovica Camp for Osborne's Music Therapy workshops for Bosnian War orphans (2008).
(5.2) ‘It Was Fifty Years Ago Today’ concert
Derek Williams (R) with Nigel Osborne (C) and Mimi Serbedzija (L) at Echo Arena for Bootleg Beatles and Royal Liverpool Philharmonic Orchestra performing Osborne's arrangements of Sgt. Pepper's Lonely Hearts Club Band (2018)
(5) Collaborations with Nigel Osborne

In 2014, Williams was co-opted on to a steering committee of academics from The University of Edinburgh to transcribe and publish the score to the first Reid Professor John Thomson (composer)'s score to Hermann, and the Broken Spear. In 2015, he was commissioned to arrange, conduct and compose additional music for the Glenfiddich 21 Year Old Whisky: The Finishing Touch ad campaign (Image 4.3) which gained 1.7 million hits on YouTube. In the same year he was commissioned by Ruaridh M Turner to compose the score for his award-winning sci-fi thriller, The Beast in the Storm.

In 2015 and 2016 Williams ran 'Wagner Week' for The University of Edinburgh, later delivering his paper[121]Richard Wagner and the Third Reich[122] to the Wagner Society of Scotland. He was elected Chair of the society in 2017, and presented on the Wagner family mansion, Wahnfried - "My Delusions Have Found Peace" in 2018. Also in 2017, Williams was commissioned by Nigel Osborne to create Vienna Symphonic Library DAW transcriptions of his orchestral arrangements as preparation for his Bootleg Beatles concerts ‘It Was Fifty Years Ago Today’, with the Royal Liverpool Philharmonic Orchestra at the Royal Albert Hall[123] and Echo Arena Liverpool.[124][125] (Image 5.2)

In 2020, Williams was appointed Conductor of the Abbotsford String Orchestra, for their première concert 4 December 2021 at the Canongate Kirk.[126] In 2021 Williams was appointed Conductor of the Linlithgow String Orchestra,[127] who rehearse at the Linlithgow Burgh Halls. Their first concert after two years in lockdown was given at St Michael's Parish Church, Linlithgow on 13 November under Williams' baton.[128]

Throughout his Scottish period, Williams has continued in his role as part-time Lecturer and Tutor in Orchestration[5] and Composition[4] on the Associated Staff of The University of Edinburgh.

LGBT+ Rights Activism

As a civil rights activist, Williams worked with New Zealand Labour MP Fran Wilde in support of her Homosexual Law Reform Act 1986. After emigration to Australia, in June 1990 he became involved with LGBT rights in New South Wales,[129] initially as a witness during a discrimination case for wrongful eviction brought by Redjoy Pty Ltd[130] against the Sydney City Council Employees Credit Union in connection with which he appeared on ATN Channel Nine Network's A Current Affair, interviewed by Eric Campbell (reporter). In 1991, in collaboration with 18-year-old high school student Jennifer Glass, Williams co-founded and was six times re-elected co-convenor of the Gay & Lesbian Teachers & Students Association (GaLTaS),[131][132] which was set up to bring to public notice the widespread problems of anti-gay bullying and violence in Australian schools, and to provide support to its victims. An earlier attempt to set up a similar support organisation known as 'GAYTAS' in 1978 had proved too controversial and the group ceased operating in the 1980s,[133] so it was feared the same fate might befall GaLTaS. However, GaLTaS' approach differed with LGBT+ students themselves becoming willing to speak openly to the media, as the ones most affected by school homophobia, and so the issue began to receive wide attention in both the LGBT+ and front page mainstream media.[134][135][136] After meeting with Williams and some of the affected students at the New South Wales Parliament,[137] Education Minister Virginia Chadwick swiftly implemented the School Anti-discrimination Grievance Procedures for Students[138] that for the first time, provided a means for LGBT+ students to achieve redress and complete their education.[139]

In 1992, Williams was a featured guest on the Nine Network Sex (TV series)[140] episode Homosexuality, hosted by Australian actress Sophie Lee with Dr Kerryn Phelps as medical reporter.[141][142] The episode was a televised dinner at the Nine Network studios, together with Festival of Light politician Fred Nile and Parents and Citizens representatives.[143] Williams was subsequently interviewed with Phelps on the Today Show on the subject of school homophobia.

In March 1993, GaLTaS was awarded a Federal National Youth Grant of $30,000 by the Government of Australia[144] to establish a toll-free hotline for gay and lesbian students who were victims of homophobic harassment and violence in schools. More than 500 calls were taken, and the research was compiled by GaLTaS co-convenor Ms Jacqui Griffin[145] into The SchoolWatch Report : A Study Into Anti-Lesbian and Anti-Gay Harassment and Violence in Australian Schools (with Epilogue by Derek Williams),[146] launched in 1995 at Randwick Boys High School (where Williams taught) by Virginia Chadwick.[147] Given that many of the cases involved private religious schools, Williams began to call on the parliament[148] to remove private schools' LGBT+ related exemptions from the New South Wales Anti-Discrimination Act 1977. Following the launch of the SchoolWatch Report, Williams continued to work with Chadwick[149] alongside the New South Wales Parents and Citizens Association[150][151] and the New South Wales Anti-discrimination Board to tackle ongoing issues of school bullying,[152] suicidal ideation, suicide among LGBT youth[153] and homicide[154][155][156][157] by students, via workshops,[158] teacher training and books in schools programmes.[159][160] The Australian Broadcasting Corporation Attitude program[161][162] and Channel 9's 60 Minutes (Australian TV program) broadcast television documentaries covering GaLTaS' work trying to keep LGBT+ students at school. In February 1997, Derek Williams addressed a Parliament of Australia forum on youth suicide convened by then Prime Minister, John Howard,[163] and worked in close co-operation with PFLAG who also attended.

As its public profile continued to grow, GaLTaS began representing LGBT+ students suing their schools in a number of landmark cases,[164][165] settled out of court, alleging breach of duty of care by the Catholic Education Office and the New South Wales Department of School Education. In 1997, assisted by Derek Williams and GaLTaS with Contingent Fee legal representation by Carters Law Firm[166], at age 13, Christopher Tsakalos became the youngest student ever to sue his school[167][168] for anti-gay vilification and bullying.[169][170] Christopher and his mother Vicky Tsakalos[171] approached Williams about homophobic bullying that had driven him from school to school, ending at Cranebrook High School in Sydney's West. With parental agreement, Australian Channel Nine Network's 60 Minutes show ran a story[172][170] interviewing Williams, Christopher and Vicky Tsakalos, showing students at Cranebrook High School[173] in the act of yelling abuse across the school playground followed by an interview with his headmaster. The story garnered worldwide attention and led to followup stories both in Australia's major mastheads, and internationally.[174][175]

Williams also represented GaLTaS as witness in Jacqui Griffin's successful discrimination case against the Sydney Catholic Education Office,[176][177] adjudicated by the Human Rights & Equal Opportunity Commission.[178]

During the Justice James Roland Wood Royal Commission into the New South Wales Police Service, Williams represented GaLTaS in submissions on behalf of LGBT+ teachers and students.[179] In 1998, GaLTaS was absorbed into the New South Wales Teachers Federation as a Special Interest Group[180] with Williams as a founding member. Since 2008, Williams has been active in the LGBT Network (Scotland) and in 2017, he joined the Amnesty International UK LGBTI Network. In 2018, Williams was co-opted as Secretary of the University of Edinburgh Staff Pride Network.

Credits

Filmography

Commissioning composers: Martin Armiger, Guy Gross, Antony Partos, Roy Hubermann, David Kimber

Commissioning organisations: Royal Hospital for Sick Children, Edinburgh, Australian Broadcasting Corporation, Nine Network, EMI Music Australia, Festival Mushroom Records, Picture This Music, John Singleton Ltd

Derek Williams credited as Arranger, Orchestrator, Composer, Associate Composer, Conductor or Musician in the following moving image works:

Film

Television

Documentary

Discography

Year Title Artist / Producer Derek Williams credited as Genre Record label Format ID Notes
2015 Mail Porter Sandie Jamieson for Royal Hospital for Sick Children, Edinburgh composer, orchestrator, musician, audio engineer Documentary Edinburgh Sick Kids Friends Foundation DVD IMDb: tt7264372 Historical documentary prior to move to Little France site
2009 Encounters[183] The Edinburgh Quartet producer, composer Classical Edinburgh University 2 CD ASIN = B07B1TMNYV funded by the Roberts Fund
2005 A Tribute to Garland[184] Caroline O'Connor (actress) arranger, orchestrator, musician Musical theatre Artists Unlimited CD Recorded at the Sydney Opera House
2004 Glen Wood Tap, The Syllabus[185] Glen Wood composer, musician, sound recordist Tap dance Glen Wood Tap DVD set
CD set
1998 Cash Landing[186] Frank Bennett producer, arranger, orchestrator, conductor Jazz, Pop Capitol, EMI Music Australia, Virgin CD Album EMI UPC =

7243 4 98085 2 2

ARIA Award nomination
CD Single Virgin UPC =

7243 8 86610 2 7

Opportunities
Australian Dance Assessment Program[187] Penelope Lancaster producer, arranger, pianist, sound recordist Ballet ADV 4 CD
New Zealand Choral Music[188] Auckland University Festival Choir, conductor Peter Godfrey chorister Classical

Choral

Kiwi Pacific Records International Ltd CD SLD-108 Recorded after 1972 world tour
1994 The Adventures of Priscilla, Queen of the Desert (soundtrack)[189] Guy Gross choral arranger Film score Polydor CD 731451693724 Won Oscar
1993 Seven Deadly Sins (miniseries)[190] Martin Armiger arranger, keyboardist TV ABC Music CD EAN = 9399051446327
1992 Frauds[191] Guy Gross, Stephan Elliott orchestrator, arranger, conductor, composer additional music Film score Mushroom CD 9398601009920 Victorian Philharmonic Orchestra
1990 The Crossing[192] Martin Armiger orchestrator, conductor, composer additional music Film score Regular CD Album EAN = 9399609333628
CD Single Nature Boy

(Kate Ceberano)

Vince and Grace[193] Martin Armiger arranger, conductor TV ABC TV DVD ASIN = B00D09B3FE
ABC Music CD ASIN = B013Q7JS9C Multi Platinum sales
1989 Torvill and Dean – Here We Stand[194] Kevin Stanton choir arranger, pianist Vocal Laser Records CD Recalled by the duo on their website (1989)
Hammard HAM 196
1988 Manning Clark's History of Australia - The Musical[195] Martin Armiger arranger, orchestrator, musician Musical theatre Polydor Vinyl LP 835 591-1
1981 Aloha, A Spectacular New Musical – Original Cast[196] Eaton Magoon Jr, Robert Helpmann musical director, conductor, arranger, orchestrator Musical theatre Hawaiian Vinyl LP HOS-101

Shortcode = rl942

Producer Carl Doy
1972 New Zealand Composer Edition[197] Auckland University Festival Choir, conductor Peter Godfrey chorister Classical

Choral

Kiwi Vinyl LP SLD-31 World Tour 1972

Industry Awards

Derek Williams credited as Arranger, Orchestrator, Composer, Associate Composer, Conductor, or Musician in the following moving image productions:

Education

PhD(Ed.), BMus(Auck.), DipTeach(NSW), DipTchg(NZ), FTCL, LMusTCL

Citations and references

  1. ^ Williams, Derek. Derek Williams. Discogs
  2. ^ Williams, Derek. Music Department, Composer, Sound Department. Derek Williams (II). IMDb
  3. ^ Skiffington, Toni. (1 February 1997). 'Derek came out to find success and become a role model'. Page 14 (full page). The Daily Post (Rotorua, New Zealand)
  4. ^ a b Williams, Derek. BMus(Hons) Composition. The University of Edinburgh. (Scotland)
  5. ^ a b Williams, Derek. MMus Orchestration. The University of Edinburgh. (Scotland)
  6. ^ Wagner Society of Scotland. (Edinburgh, Scotland)
  7. ^ Wagner Society of Scotland (RWVI). International Association of Wagner Societies. (Bayreuth, Germany)
  8. ^ Kay, Ernest (Ed.). (1977). Page 926. International Who's Who in Music: Williams, Derek. Publisher: International Biographical Centre (Cambridge, England)
  9. ^ (1974-1976). Derek Williams, New Zealand School of Music. National Library of New Zealand
  10. ^ Inkster, Ian (Autumn, 1976). 'A course for... conductors'. Page 12. New Zealand Arts Horizon (Auckland, New Zealand)
  11. ^ National Library of New Zealand. (11 March 1976). 'Juan Matteucci is to tutor a conducting course for the New Zealand School of Music'. Western Leader. (Auckland, New Zealand).
  12. ^ (22 July 1976). 'I think... yes... I've got it!'. Front Page. Auckland Star (New Zealand)
  13. ^ Caroline O'Connor. (28th & 29th June 2012). Hamer Hall, Melbourne. How Lucky Can You Get? YouTube
  14. ^ (December 2005). Caroline O'Connor. A Tribute to Garland. Discogs
  15. ^ (1981). Aloha Hamilton City Libraries
  16. ^ (27 October 1981). 'Author full of praise' (Sir Robert Helpmann). Waikato Times, New Zealand
  17. ^ Day, Paul (19 October 1981). 'Hamilton Says Aloha To Musical. The New Zealand Herald
  18. ^ a b (June 1989). Torvill & Dean History (1989). Official site. Torvill and Dean. (Sydney, Australia)
  19. ^ Torvill and Dean. (June 1989). Here We Stand. Discogs.
  20. ^ Here We Stand. Torvill and Dean. iTunes.
  21. ^ a b (1990). Vince Jones & Grace Knight ‎– Come In Spinner. Discogs.
  22. ^ Frank Bennett. (1998). Cash Landing
  23. ^ Perfect Match (Australian game show)
  24. ^ Howard Morrison. Discogs
  25. ^ Martin Armiger. IMDb
  26. ^ Guy Gross. IMDb
  27. ^ Antony Partos. IMDb
  28. ^ Cameron, Deborah. ABC Profile. (5 November 2010). Radio interview: Australian Expats Abroad. SoundCloud. ABC Radio 702. (Australia)
  29. ^ Caudle, Christopher. (30 April 2016). Caudle and Company radio interview: Derek Williams featured guest. Miskin Radio. (Oxford, England)
  30. ^ a b (19 February 2016). Glenfiddich - 21 Year Old "The Finishing Touch. The Drum. (Glasgow, Scotland)
  31. ^ Frank Bennett. (1998). Cash Landing. EMI Music Australia
  32. ^ Williams, Derek. Tracks 5-16. Before and After. Soundcloud
  33. ^ Caroline O'Connor. (2007). The Night of 1000 Voices 2007
  34. ^ Caroline O'Connor. (September 2010). Garrick Theatre (London). How Lucky Can You Get? YouTube
  35. ^ String Theories. (19 October 2009). The Edinburgh Quartet
  36. ^ Caroline O'Connor. (August 2005). Sydney Opera House. End of the Rainbow
  37. ^ (26 July 2012). Caroline O’Connor and k.d. lang among stars to sing at Hamer Hall re-opening
  38. ^ Williams, Derek (Arranger). (2 October 1999). America. New South Wales Department of Education All Stars Stage Band. YouTube. (Manly Beach, Sydney, Australia)
  39. ^ Kristensen, Jesper (Photos). (14 July 1999). MORGENAVISEN Jyllands-Posten. Publisher: Jyllands-Postens Fond (Viby, Denmark)
  40. ^ a b Marcato, Ben. (2 May 1972). 'End of Lincoln Choralathon' review. Page 50. New York Daily News. (USA).
  41. ^ a b Shaw, Robert (6 April-2 May, 1972). The third Lincoln Center International Choral Festival. Publisher: LCS 1972 Lincoln Center
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  137. ^ (27 February 1993) Carole Ruthchild, co-convenor of the Gay and Lesbian Rights Lobby (GLRL), Derek Williams, co-convenor of Gay and Lesbian Teachers and Students (GaLTaS) meet with Virginia Chadwick. Parliament of New South Wales. Sydney's Pride History Group. (Sydney, Australia)
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  144. ^ (24 March 1993). IN BRIEF: Help for gay victims. Page 4. The Sydney Morning Herald
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Derek Williams (musician)

Categories

Category:New Zealand composers Category:Music arrangers Category:New Zealand conductors (music) Category:Scottish composers Category:LGBT rights activists Category:Australian LGBT rights activists Category:21st-century Scottish musicians Category:Male opera composers Category:Scottish classical composers Category:20th-century classical composers Category:21st-century classical composers Category:Film score composers Category:New Zealand LGBT rights activists Category:Conductors (music) Category:Alumni of the University of Edinburgh Category:British male classical composers Category:21st-century British musicians Category:Living people Category:1952 births Category:People associated with the University of Edinburgh Category:University of Auckland alumni Category:Scottish conductors (music) Category:Australian musicians Category:Wagner studies Category:Scottish opera composers Category:Scottish opera librettists Category:Jazz albums Category:Gay musicians Category:British musical theatre composers Category:Opera in Scotland

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