AnyDecentMusic?
An editor has nominated this article for deletion. You are welcome to participate in the deletion discussion, which will decide whether or not to retain it. |
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Type of site | Music webzine |
---|---|
Owner | Palmer Watson |
URL | anydecentmusic.com |
Launched | 2009 |
Current status | Active |
AnyDecentMusic? is a website that collates album reviews from magazines, websites, and newspapers.[1] Primarily focused on popular music – covering rock, pop, electronic, dance, folk, country, roots, hip-hop, and R&B – albums are adjudged by aggregating a consensus from several sources; reviews are sourced from more than 50 websites, magazines and newspapers. These publications are largely based in the US and UK, but some are also from Canada, Ireland and Australia.[2]
History
[edit]AnyDecentMusic? was set up in 2008 by Ally Palmer and Terry Watson, the directors of PalmerWatson, a newspaper and magazine design consultancy. On creating the site: "Newspapers are our business (and we're passionate about them). Our other passion is music, and we've combined the two things."[3]
Site organization
[edit]The site's creators, Palmer and Watson, say: "[AnyDecentMusic?] surveys reviews of recent album releases in newspapers and websites and provides a constantly updated chart of critical reaction."[3]
Ratings are averaged and albums ranked in a chart intended to give an overall picture of critical appraisal of current releases, based on the averaged score out of 10. This chart forms the centrepiece of the site. Users can also view charts showing rankings over 3 months, 6 months or 12 months. It is also possible to view a genre-specific chart, or to exclude genres not of interest.[citation needed]
Short extracts of the review are provided, with hyperlinks to the original article. Some print-only reviews are also included, but not all of these have extracts from the original. AnyDecentMusic? assesses reviews which do not provide a numerical score and assigns what it deems to be an appropriate score, based on the tone and content of the review. On album review pages, there generally is a link to streaming media service such as Spotify.[2]
In July 2012, an AnyDecentMusic app was launched within the music streaming service Spotify. This was Spotify's App of the Day on July 19.[4] It was described by Spotify: "Developed from the AnyDecentMusic.com chart, which provides music lovers with constantly updated listings of the most critically-acclaimed albums, this novel Spotify app uses ratings from the leading expert, independent review sources across the world to help you discover the best in new music". According to Palmer and Watson, "the focus on the ADM Spotify app is on all contemporary genres, from indie to electronic to hip hop and everything in between."[2] They went on to explain the website's process of aggregating reviews:
Each day we sift through more than 50 music review publications, online and offline. We reckon it's a fairly representative spread of sources from the UK, US, Canada, Australia, Ireland and Germany. They're different, but they're all intelligent, independent and sussed and we think it gives a good cross-section of critical opinion. We are not a wholescale review aggregator, automatically sweeping up anything and everything relating to every album release. Everything on ADM has been manually reviewed, selected and added. It's painstaking work, but it's a labour of love and it means we don't clutter the site with reissues and compilations and stuff we know real music fans aren't interested it [sic].[2]
Similar sites
[edit]The site is similar to other review aggregator websites such as Metacritic and Rotten Tomatoes in that it gathers reviews to assess critical acclaim.[citation needed] The site differs in the sense that it specializes in contemporary music in its chosen fields. Unlike similar music review aggregator sites—which compile reviews to assess critical acclaim—like Album of the Year, AnyDecentMusic? does not cover jazz or classical releases, or many world music albums, and tends to ignore most reissues, compilations and various artist collections.
The site also offers regular track recommendations, called "Today We Love", and regular playlists, with themes that appear sometimes to be topical and sometimes random. Although similar in principle to other review aggregator websites, AnyDecentMusic? puts some focus on its users finding new music through its features, with users able to formulate a personal "chart" through genre and time period search filters.[citation needed]
Palmer and Watson described their reasoning behind the site on their PalmerWatson.com website: "We couldn't find a site that did what AnyDecentMusic? does, so we built one."[3]
Chart
[edit]Once an album or release has five reviews from different sources, it enters the current Recent Releases chart, where it remains for six weeks. It is this chart that forms the centerpiece of the site.[citation needed] In 2010, The Observer Sunday newspaper regularly featured the AnyDecentMusic? top 10 in its charts page.[5]
There is an "All-Time" Chart, but this covers only the duration of the website's existence, which was launched in 2009.
Since the site's beginning, the following albums have the highest aggregate rating:[6]
- To Pimp a Butterfly by Kendrick Lamar – 9.3
- Fetch the Bolt Cutters by Fiona Apple – 9.2
- Damn. by Kendrick Lamar – 9.1
- Black Messiah by D'Angelo and the Vanguard – 9.1
- Ghosteen by Nick Cave and the Bad Seeds - 9.0
- Prioritise Pleasure by Self Esteem - 9.0
- Rough and Rowdy Ways by Bob Dylan – 8.9
- Skeleton Tree by Nick Cave and the Bad Seeds – 8.9
- Channel Orange by Frank Ocean – 8.9
- We're All Alone in This Together by Dave – 8.9
Lowest rating:
Highest Rated Album Per Year of Chart Existence:
- 2009: I Speak Fula by Bassekou Kouyate – 8.55
- 2010: Hadestown by Anais Mitchell – 8.85
- 2011: Let England Shake by PJ Harvey – 8.7
- 2012: Channel Orange by Frank Ocean – 8.9
- 2013: Sunbather by Deafheaven – 8.8
- 2014: Black Messiah by D'Angelo and the Vanguard – 9.1
- 2015: To Pimp A Butterfly by Kendrick Lamar – 9.26
- 2016: Skeleton Tree by Nick Cave and the Bad Seeds – 8.92
- 2017: Damn. by Kendrick Lamar – 9.06
- 2018: Room 25 by Noname – 8.5
- 2019: Ghosteen by Nick Cave and the Bad Seeds – 9.02
- 2020: Fetch the Bolt Cutters by Fiona Apple – 9.21
- 2021: Prioritise Pleasure by Self Esteem - 8.99
- 2022: Mr. Morale & the Big Steppers by Kendrick Lamar – 8.67
- 2023: Black Rainbows by Corinne Bailey Rae - 8.73
Highest Ranked Album on the annual "ADM Poll of Polls" list:
- 2009: Merriweather Post Pavilion by Animal Collective
- 2010: The Suburbs by Arcade Fire
- 2011: Let England Shake by PJ Harvey
- 2012: Channel Orange by Frank Ocean
- 2013: Modern Vampires of the City by Vampire Weekend
- 2014: LP1 by FKA Twigs
- 2015: To Pimp A Butterfly by Kendrick Lamar
- 2016: Blackstar by David Bowie
- 2017: Damn. by Kendrick Lamar
- 2018: Dirty Computer by Janelle Monáe
- 2019: Norman Fucking Rockwell! by Lana Del Rey
- 2020: Punisher by Phoebe Bridgers
- 2021: Sometimes I Might Be Introvert by Little Simz
- 2022: Renaissance by Beyoncé
- 2023: Desire, I Want to Turn Into You by Caroline Polachek
See also
[edit]References
[edit]- ^ Youngs, Ian (3 November 2014). "Singer Anais Mitchell's folk opera ambitions". BBC News. Archived from the original on 10 November 2021. Retrieved 26 October 2016.
- ^ a b c d Anon. (13 July 2012). "Spotify listing for newspaper pair's music app". Allmediascotland.com. Archived from the original on 10 November 2021. Retrieved 27 October 2016.
- ^ a b c "Palmerwatson home". Palmerwatson.com. Archived from the original on 30 May 2022. Retrieved 9 June 2022.
- ^ "Spotify App of the Day". Archived from the original on 2013-03-10. Retrieved 2013-02-27.
- ^ "The New Review | Culture | guardian.co.uk". Guardian. Archived from the original on 25 August 2010. Retrieved 2010-08-23.
- ^ "All Time". Archived from the original on 2021-07-19. Retrieved 2015-07-08.