Haboku
Haboku (
Whenever he wanted to paint a picture, Wang Mo would first drink wine, and when he was sufficiently drunk, would splash the ink onto the painting surface. Then, laughing and singing all the while, he would stamp on it with his feet and smear it with his hands, besides swashing and sweeping it with the brush. The ink would be thin in some places, rich in others; he would follow the shapes which brush and ink had produced, making these into mountains, rocks, clouds and mists, wash in wind and rain, with the suddenness of Creation. It was exactly like the cunning of a deity; when one examined the painting after it was finished he could see no traces of the puddles of ink.[2]
During the Song dynasty, some landscapes of Mu Qi's paintings on the Xiao and Xiang rivers exhibit many of its characteristics, and were highly praised in Japan.[3] It was with Yu Jian (
See also
[edit]- Art movement
- Creativity techniques
- List of art media
- List of artistic media
- List of art movements
- List of most expensive paintings
- List of most expensive sculptures
- List of art techniques
- List of sculptors
References
[edit]- ^ Ryūkyū Saitō (August 2000). Japanese Ink-Painting: Lessons in Suiboku Techniques. p. 63. ISBN 0804832609.
- ^ Lippit, Yukio (1 March 2012). "Of Modes and Manners in Japanese Ink Painting: Sesshū's Splashed Ink Landscape of 1495". The Art Bulletin. 94 (1): 56. doi:10.1080/00043079.2012.10786029. ISSN 0004-3079.
- ^ Lachman, Charles (1992). ""The Image Made by Chance" in China and the West: Ink Wang Meets Jackson Pollock's Mother". The Art Bulletin. 74 (3): 503. doi:10.2307/3045896. ISSN 0004-3079.