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Portal:Theatre

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Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Allah jang Palsoe (Malay for The False God) is a 1919 stage drama from the Dutch East Indies that was written by the ethnic Chinese author Kwee Tek Hoay, based on E. Phillips Oppenheim's short story "The False Gods". Over six acts, the Malay-language play follows two brothers, one a devout son who holds firmly to his morals and personal honour, the other a man who worships money and prioritises personal gain. The two learn over the course of a decade that money (the titular false god) is not the path to happiness. Kwee Tek Hoay's first stage play, Allah jang Palsoe was written as a realist response to whimsical contemporary theatre. Though the published stageplay sold poorly and the play was deemed difficult to perform, Allah jang Palsoe found success on the stage. By 1930 it had been performed by various ethnic Chinese troupes to popular acclaim, and had pioneered a body of work by authors such as Lauw Giok Lan, Tio Ie Soei, and Tjoa Tjien Mo. In 2006 the script for the play, which continues to be performed, was republished with updated spelling by the Lontar Foundation.

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John Le Mesurier (1912–1983) was an English actor perhaps best remembered for his comedic role as Sergeant Arthur Wilson in the BBC situation comedy Dad's Army between 1968 and 1977. He debuted on stage in 1934, and became one of television's pioneering actors when he appeared in The Marvellous History of St Bernard in 1938. From there, Le Mesurier had a prolific film career and appeared in over 120 films across a range of genres, normally in smaller supporting parts in comedies; his roles often portrayed figures of authority such as army officers, policemen and judges. He took a relaxed approach to acting and described himself as a "jobbing actor", a term he used for the title of his autobiography. On one of the few occasions he played the lead role in his career, he received a British Academy of Film and Television Arts "Best Television Actor" award for his performance in the Dennis Potter television play Traitor. He later said that the parts he played were those of "a decent chap all at sea in a chaotic world not of his own making". After his death, critics reflected that for an actor who normally took minor roles, the viewing public were "enormously fond of him".

  • ... that Abbott and Costello dragged the Empire Theatre 168 feet (51 m) in 1998?
  • ... that during the first tour to the Soviet Union by any American ballet company, Lupe Serrano danced the first encore in the American Ballet Theatre's history?
  • ... that the Carib Theatre in Kingston, Jamaica, was the British West Indies' first building to offer air conditioning upon its opening?
  • ... that at the time of its construction in 1920, the Howard Theatre in Atlanta was the second-largest movie theater in the world, with a seating capacity of 2,700?
  • ... that the RKO Keith's Theater, once described as one of New York City's "great theaters", later stood in ruins and was covered with graffiti?
  • ... that Gloria Gould, the manager of New York City's Embassy Theatre, wanted an all-woman staff because women "were more efficient than men"?

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Will Rogers
The theater is a great equalizer: it is the only place where the poor can look down on the rich.

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