Yet, prettiness is not always watchable. When the plot dives, frustration skyrockets. Chuunibyou demo Koi ga Shitai suffers from its poor writing. There are clichés on every step.
Take the premise of chuunibyous, which roughly translates into ‘eighth grade syndrome.’ This social phenomena is worth exploring despite the lack of attention to it. I’m glad the writers are giving this attention. Some may call this Kyoto Animation’s answer to “Welcome to the NHK”, a critique of hikikomori and depressive disorders. It can be good, albeit bitter, medicine for people still suffering from the syndrome.
However, Chu2koi finds delight in such escapism. Not that it’s a bad thing -- it saves this work from the need of being ultra-preachy. You can’t really create such a provocative work in just 12 episodes. KyoAni is a master of slice-of-life humor, as seen in the K-On! franchise. In the genre where girls drink tea and eat cake, add in crazy animations of teens pretending they’re superheroes and we get a comedic masterpiece. If this work stays that way, I wouldn’t feel the need to write this review.
Instead, KyoAni apparently wanted to preach... something.
This is where it gets messy. I have no idea who to blame, but the writing suddenly took a dramatic turn. KyoAni is trying desperately hard to combine Chu2koi’s unique humor and dramatic preaching. In the first half of the series, it’s humorous. The latter half shows grim, dark melodrama. Its main characters, Rikka and Yuuta, are introduced as a dynamic comedic pair; in the end, they whine at every moment possible. Melodramatic events surround the protagonists while the supporting characters goof around.
Chu2koi is, in a word, bipolar.
Because of these senseless, abrupt changes in tone and mood, you don’t really understand where the work is going, let alone what it is about. When the work finally gives some closure, there is much to be questioned. It feels rushed; there are contradictions and glaring plot-holes in the final episodes. Bandaging those plot-holes with clichés just makes it worse. They’re an eyesore. You can separate the final episode into sections -- and in these sections pinpoint which scene of Chu2koi ripped off from which anime. Supporting characters, who did nothing in this work, suddenly become important. One character who did nothing for the first twelve episodes except being cute became an important character in the finale. Anime-original character Dekomori fares better because she is relevant to the plot. But because she is a comedic character, she unintentionally destroys atmospheres in dramatic episodes. The script is just plain chaotic.
And so the confusing million-dollar question: Does this work actually have something to say? It does end with a message, but it’s not convincing with all these mood whiplashes. I hear its sermon, but it’s gibberish. It seems to accept the chuunibyou culture as a facet of individualism; yet, once you take Rikka’s reason for the desperate escapism, it becomes nonsense. It’s hard to explain what this work is saying.
But it’s undeniable Chu2koi is a good work if we look at other technicalities. Animation and music are superb as always. Ignoring the plot, the characters are fun to watch. Their interactions make anyone envious of their lives. It’s a good slice-of-life comedy.
Which begs the question: why did this work not stay that way? The first half is strong; the second half is just unwatchable melodrama. It is despairing that Chu2koi has so much potential. Instead, it wanted to be something like Welcome to the NHK.
In a one-cour show, the themes have to be focused. To diverge off and be something else is absurd. Chuunibyou demo Koi ga Shitai tries too much to be something special, but falls off from the ladder; it’s just too emotionally unstable like an angsty teenager.
